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Donald G. Traut Stravinsky's "Great Passacaglia" (Hardback)
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Specificaties
- Objectstaat
- Book Title
- Stravinsky's "Great Passacaglia"
- Title
- Stravinsky's "Great Passacaglia"
- Subtitle
- Recurring Elements in the Concerto for Piano and Wind Instruments
- ISBN-10
- 1580465137
- EAN
- 9781580465137
- ISBN
- 9781580465137
- Genre
- Music Dance & Theatre
- Release Year
- 2016
- Release Date
- 11/01/2016
- Country/Region of Manufacture
- US
- Publication Year
- 2016
- Series
- Eastman Studies in Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Stravinsky's Great Passacaglia : Recurring Elements in the Concerto for Piano and Wind Instruments
- Item Height
- 0.6in
- Item Length
- 9.3in
- Publisher
- University of Rochester Medical Press
- Item Width
- 6.3in
- Number of Pages
- 172 Pages
Over dit product
Product Information
The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements.Stravinsky's "Great Passacaglia" marks the first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, an important neoclassic piece composed by one of the most influential composers of the twentieth century. Donald Traut examines the complex significance of this piece for Stravinsky and his contemporaries. For the composer, the Concerto was both a major artistic accomplishment in his burgeoning neoclassic style and a vehicle for financial gain as a touring soloist, an endeavor that took him throughout Europe and was instrumental in bringing him to America for the first time. For many of Stravinsky's critics it came to represent all that was wrong with his new style, while for others it pointed the way forward through the past, taking on an important role in the Bach revival of the 1920s. By combining sketch studies, musicological context, and straightforward analyses ofall three movements, the book paints a comprehensive picture of the piece's creation, impact, and structure that will be of interest not only to musicologists and music theorists, but to pianists, conductors, and concert-goers aswell. Donald Traut is associate professor of music theory at the University of Arizona.y combining sketch studies, musicological context, and straightforward analyses ofall three movements, the book paints a comprehensive picture of the piece's creation, impact, and structure that will be of interest not only to musicologists and music theorists, but to pianists, conductors, and concert-goers aswell. Donald Traut is associate professor of music theory at the University of Arizona.y combining sketch studies, musicological context, and straightforward analyses ofall three movements, the book paints a comprehensive picture of the piece's creation, impact, and structure that will be of interest not only to musicologists and music theorists, but to pianists, conductors, and concert-goers aswell. Donald Traut is associate professor of music theory at the University of Arizona.y combining sketch studies, musicological context, and straightforward analyses ofall three movements, the book paints a comprehensive picture of the piece's creation, impact, and structure that will be of interest not only to musicologists and music theorists, but to pianists, conductors, and concert-goers aswell. Donald Traut is associate professor of music theory at the University of Arizona.
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580465137
ISBN-13
9781580465137
eBay Product ID (ePID)
221474417
Product Key Features
Publication Name
Stravinsky's Great Passacaglia : Recurring Elements in the Concerto for Piano and Wind Instruments
Format
Hardcover
Language
English
Publication Year
2016
Series
Eastman Studies in Music Ser.
Type
Textbook
Number of Pages
172 Pages
Dimensions
Item Length
9.3in
Item Height
0.6in
Item Width
6.3in
Additional Product Features
Series Volume Number
134
Lc Classification Number
Ml410.S932t85 2016
Volume Number
134
Reviews
[S]hould provide a great resource for scholars, conductors, and performers interested in deepening their understanding of Stravinsky's concerto and his neoclassical style. NOTES: JOURNAL OF THE MUSIC LIBRARY ASSOCIATION
Table of Content
IntroductionContext and CompositionConcerto as CatalystAnalytical Tools and Recurring ElementsCounterpoint and Tonality in the First MovementTetrachords and Tritones in the LargoPoints of Imitation in the FinaleConclusionAppendixNotesBibliographyIndex
Copyright Date
2016
Target Audience
Scholarly & Professional
Topic
History & Criticism, Genres & Styles / Classical, Composers & Musicians, Individual Composer & Musician
Lccn
2016-023734
Illustrated
Yes
Genre
Biography & Autobiography, Music
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