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Emotions in Medieval Arthurian Literature: Body, Mind, Voice by Carolyne Larring
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Specificaties
- Objectstaat
- ISBN-13
- 9781843845003
- Book Title
- Emotions in Medieval Arthurian Literature
- ISBN
- 9781843845003
- Subject Area
- Literary Criticism
- Publication Name
- Emotions in Medieval Arthurian Literature : Body, Mind, Voice
- Publisher
- Boydell & Brewer, The Limited
- Item Length
- 9.2 in
- Subject
- Medieval, General
- Publication Year
- 2018
- Series
- Arthurian Studies
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Width
- 6.1 in
- Number of Pages
- 221 Pages
Over dit product
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1843845008
ISBN-13
9781843845003
eBay Product ID (ePID)
239909837
Product Key Features
Number of Pages
221 Pages
Language
English
Publication Name
Emotions in Medieval Arthurian Literature : Body, Mind, Voice
Publication Year
2018
Subject
Medieval, General
Type
Textbook
Subject Area
Literary Criticism
Series
Arthurian Studies
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Reviews
[Works] admirably to replace reflexive responses to romance literature and the culture that produced it with informed understanding, illuminating both the past and the present. JOURNAL OF ENGLISH AND GERMANIC PHILOLOGY The essays . . . offer groundbreaking interpretations of medieval representations of emotion. BRITISH JOURNAL FOR THE HISTORY OF SCIENCE [T]his collection serves as a perfect springboard for more research on emotion in Arthurian literature, medieval and especially post-medieval. Highly recommended. CHOICE, [Works] admirably to replace reflexive responses to romance literature and the culture that produced it with informed understanding, illuminating both the past and the present., [T]his collection serves as a perfect springboard for more research on emotion in Arthurian literature, medieval and especially post-medieval. Highly recommended.
Series Volume Number
83
Volume Number
Vol. 83
Dewey Decimal
810/820
Table Of Content
Introduction - Frank Brandsma and Carolyne LarringtonBeing-in-the-Arthurian-World: Emotion, Affect and Magic in the Prose Lancelot, Sartre and Jay - Jane GilbertMind, Body and Affect in Medieval English Arthurian Romance - Corinne Saunders'What cheer?' Emotion and Action in the Arthurian World - Andrew LynchIre, Peor and their Somatic Correlates in Chrétien's Chevalier de la Charrette - Anatole Pierre FuksasKingship and the Intimacy of Grief in the Alliterative Morte Arthure - Anne Baden-DaintreeTears and Lies: Emotions and the Ideals of Malory's Arthurian World - Raluca RadulescuMourning Gawein: Cognition and Affect in Diu Crône and some French Gauvain-Texts - Carolyne LarringtonEmotion and Voice: 'Ay' in Middle Dutch Arthurian Romances - Frank BrandsmaTranslating Emotion: Vocalisation and Embodiment in Yvain and Ívens saga - Sif RikhardsdottirAfterword: Malory's Enigmatic Smiles - Helen Cooper
Synopsis
Analysis of how emotion is pictured in Arthurian legend.Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume.Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice asboth an embodied and consciously articulating emotion. FRANK BRANDSMA teaches Comparative Literature (Middle Ages) at Utrecht University; CAROLYNE LARRINGTON is Professor of Medieval European Literature at the University of Oxford and Official Fellow in Medieval English Literature at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.e at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.e at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.e at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders., Analysis of how emotion is pictured in Arthurian legend. Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume.Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice asboth an embodied and consciously articulating emotion. FRANK BRANDSMA teaches Comparative Literature (Middle Ages) at Utrecht University; CAROLYNE LARRINGTON is Professor of Medieval European Literature at the University of Oxford and Official Fellow in Medieval English Literature at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders., Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion in the audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume. Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice as both an embodied and consciously articulating emotion.FRANK BRANDSMA teaches Comparative Literature (Middle Ages) at Utrecht University; CAROLYNE LARRINGTON is Professor of Medieval European Literature at the University of Oxford and Official Fellow in Medieval English Literature at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham.Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.
LC Classification Number
PN685
ebay_catalog_id
4
Copyright Date
2018
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