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The Chatter of the Visible: Montage and Narrative in Weimar Germany by Patrizia

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eBay-objectnummer:394834191489
Laatst bijgewerkt op 23 mei 2024 02:29:58 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN-13
9780472053032
Book Title
The Chatter of the Visible
ISBN
9780472053032
Publication Year
2016
Type
Textbook
Format
Trade Paperback
Language
English
Publication Name
Chatter of the Visible : Montage and Narrative in Weimar Germany
Item Height
0.9in
Author
Patrizia C. Mcbride
Item Length
9in
Publisher
University of Michigan Press
Item Width
6in
Number of Pages
246 Pages

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Product Information

Examines the paradoxical narrative features of the photo montage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. McBride offers an historicized reappraisal of 1920s and 1930s German photo montage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it.

Product Identifiers

Publisher
University of Michigan Press
ISBN-10
0472053035
ISBN-13
9780472053032
eBay Product ID (ePID)
219126184

Product Key Features

Author
Patrizia C. Mcbride
Publication Name
Chatter of the Visible : Montage and Narrative in Weimar Germany
Format
Trade Paperback
Language
English
Publication Year
2016
Type
Textbook
Number of Pages
246 Pages

Dimensions

Item Length
9in
Item Height
0.9in
Item Width
6in

Additional Product Features

Lc Classification Number
Tr73.M43 2016
Reviews
"The Chatter of the Visible is a wonderful book. Patrizia McBride knows her topic inside and out and manages to bring a refreshing new perspective on Weimar visual culture in a way I think few scholars working today could match. Her account of Weimar montage as 'world making' is at once innovative and compelling, expansive and extremely precise."-Michael Cowan, University of St. Andrews ""The Chatter of the Visible: Montage and Narrative in Weimar Germany has all the intellectual makings of becoming a major go-to and reference for Weimar culture studies written in English. It is one of the theoretically most accomplished studies in that field, which will simultaneously fulfill a complementary need for more historically oriented scholarly work in the area and era. This is the case for literary scholarship as well as for culture and visual studies, to all of which this book is of eminent importance."-Rainer Rumold, Northwestern University ""Patrizia McBride's seminal study examines the relationship between montage and narrative in Weimar Germany. In its masterful analyses, the book provides a detailed presentation of the various facets of montage narratives as an interface of technology, perception, and materiality. In doing so, it develops a theory of narrative that spans different media and discourses and is thus pathbreaking for Literary Studies oriented toward the history of knowledge and media studies."-Elisabeth Strowick, Johns Hopkins University ""Patrizia McBride's study impressively complexifies our understanding of montage. Without simply rejecting its modernist conceptualizations as a primarily antinarrative force of rupture, the readings presented show how in response to the contemporary crisis of narrative sensemaking, Weimar authors and artists profiled montage as an innovative, phenomenological means of narration."-Claudia Breger, Indiana University ""Reconstructing the complex ecology of old genres and new media in the interwar years, McBride develops a striking vision of montage as a practice of storytelling native to the modern technological surround. Against one-sided interpretations of montage as a strategy of deconstruction and protest, The Chatter of the Visible reminds us that every montage cut also entails a suture, and that political interventions can be found not just in critique but in connection and correspondence as well."-Devin Fore, Princeton University ""This is by far the best book written on the topic of montage and narrative in Weimar culture so far. It establishes historical and theoretical parameters one will have to work with in the future. McBride states that the aesthetic means of montage appeared as a most fitting correlate to the multiple traumas woven into the historical fabric of Weimar Germany." -Paul Michael Lutzeler, Washington University
Copyright Date
2016
Target Audience
Scholarly & Professional
Topic
Europe / Germany, Criticism, History, History / Modern (Late 19th Century to 1945)
Lccn
2015-031993
Dewey Decimal
770.943
Dewey Edition
23
Illustrated
Yes
Genre
Photography, Art, History

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