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Giuseppe Verdi - Otello by James A. Hepokoski
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Goed
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US $4,63 (ongeveer EUR 4,16) USPS Media MailTM.
Bevindt zich in: Stafford, Kansas, Verenigde Staten
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eBay-objectnummer:394825095676
Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Subject Area
- Music
- Country/Region of Manufacture
- United States
- Subject
- Genres & Styles / Opera
- ISBN
- 9780521277495
- Publication Name
- Giuseppe Verdi : Otello
- Publisher
- Cambridge University Press
- Item Length
- 8.5 in
- Publication Year
- 1987
- Series
- Cambridge Opera Handbooks Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 10.2 Oz
- Item Width
- 5.5 in
- Number of Pages
- 224 Pages
Over dit product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521277493
ISBN-13
9780521277495
eBay Product ID (ePID)
930045
Product Key Features
Number of Pages
224 Pages
Publication Name
Giuseppe Verdi : Otello
Language
English
Publication Year
1987
Subject
Genres & Styles / Opera
Type
Textbook
Subject Area
Music
Series
Cambridge Opera Handbooks Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
10.2 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
College Audience
LCCN
86-017189
Reviews
"...a highly original contribution to Verdi research in two respects. First, Hepokoski has discovered important new material. Second, he has developed a provocative theoretical model for analysis of the opera." David Lawton, 19th Century Music
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
782.1/092/4
Table Of Content
1. Synopsis; 2. Creating the libretto: Verdi and Boito in collaboration; 3. The composition of the opera; 4. Compositional afterthoughts and revisions: Milan, Venice and Paris; 5. Of singers and staging: Verdi's ideas on performance; 6. A brief performance history William Ashbrook; 7. An introduction to the musical organization: the structures of Act II; 8. Shakespeare reinterpreted.
Synopsis
Summarises what is currently known about Otello and interprets its significance within Verdi's career., Both a reliable summary of what is currently known about Otello and an interpretation of the significance of the work within Verdi's career. There is a detailed synopsis, an analysis of how the opera was actually written and the book concludes with a study of the opera as a work of Shakespearean adaptation., James Hepokoski provides a reliable summary of what is currently known about Otello, along with an interpretation of the significance of the work within Verdi's career. The book begins with a detailed synopsis which interweaves some of the specific stage action from the 1887 Milanese première. There follows a close consideration of how the opera was actually written: Arrigo Boito's derivation of the libretto from Shakespeare and the subsequent textual revisions; Verdi's composition of the opera from 1884 to 1887 and an overview of the revisions of the opera for Venice in 1887 and Paris in 1894. A further chapter outlines Verdi's own ideas for the performance of Otello and this is followed by William Ashbrook's summary of the opera's stage history up to the present. Professor Hepokoski continues by suggesting a new model for understanding the musical structure of Otello. The book concludes with a study of the opera as a work of Shakespearean adaptation., James Hepokoski provides a reliable summary of what is currently known about Otello, along with an interpretation of the significance of the work within Verdi's career. The book begins with a detailed synopsis which interweaves some of the specific stage action from the 1887 Milanese premi re. There follows a close consideration of how the opera was actually written: Arrigo Boito's derivation of the libretto from Shakespeare and the subsequent textual revisions; Verdi's composition of the opera from 1884 to 1887 and an overview of the revisions of the opera for Venice in 1887 and Paris in 1894. A further chapter outlines Verdi's own ideas for the performance of Otello and this is followed by William Ashbrook's summary of the opera's stage history up to the present. Professor Hepokoski continues by suggesting a new model for understanding the musical structure of Otello. The book concludes with a study of the opera as a work of Shakespearean adaptation.
LC Classification Number
ML410.V4 H48 1987
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