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Voice in Cinema by Chion New 9780231108232 Fast Free Shipping..
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Specificaties
- Objectstaat
- PublishedOn
- 1999-03-18
- Title
- Voice in Cinema
- ISBN
- 9780231108232
- Subject Area
- Performing Arts, Social Science
- Publication Name
- Voice in Cinema
- Publisher
- Columbia University Press
- Item Length
- 9.1 in
- Subject
- Film / General, Media Studies
- Publication Year
- 1999
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 11.1 Oz
- Item Width
- 7.7 in
- Number of Pages
- 208 Pages
Over dit product
Product Identifiers
Publisher
Columbia University Press
ISBN-10
0231108230
ISBN-13
9780231108232
eBay Product ID (ePID)
673967
Product Key Features
Number of Pages
208 Pages
Publication Name
Voice in Cinema
Language
English
Subject
Film / General, Media Studies
Publication Year
1999
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
11.1 Oz
Item Length
9.1 in
Item Width
7.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
98-019048
TitleLeading
The
Reviews
"Elementary questions, creative responses, and clear prose make this one of the few books on film sound capable of simultaneously satisfying scholars and students alike. How wonderful to have Voice in Cinema available, finally, in such a readable English translation." -- Rick Altman, editor of Sound Theory, Sound Practice
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43/02/908
Table Of Content
I. Mabuse: Magic and Powers of Acousmetre 1. The Acousmetre 2. The Silences of Mabuse 3. The I-Voice II. Tamaki: Tales of the Voice 4. The Voice Connection 5. The Screaming Point 6. The Master of Voices 7. The Mute Character's Final Words 8. The Siren's Song III. Norman; Or The Impossible Anacousmetre 9. The Voice that Seeks a Body 10. The Confession Epilogue: Cinema's Voices of the 80's and 90's
Synopsis
Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma., How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho --have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brilliant essay, Michel Chion, internationally cited authority on the history and poetics of film sound, examines the human voice in cinema. The Voice in Cinema begins with the phenomenon of film's hidden, faceless voices and their magical powers, particularly in the context of Lang's Testament of Dr. Mabuse . Chion then explores subjective voices, bonding and entrapment by telephone, voice-thieves, screams (male and female), siren calls, and the silence of mute characters-all uniquely cinematic deployments. In conclusion, Chion considers "the monstrous marriage of the filmed voice and body" as embodied in Norman Bates. Claudia Gorbman's fluent translation retains Chion's sophisticated and accessible style, introducing readers to a distinct and paradigm-changing voice on film.
LC Classification Number
PN1995.C4713 1999
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