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Specificaties
- Objectstaat
- Book Title
- Subject of Film and Race : Retheorizing Politics, Ideology, and C
- ISBN
- 9781623567538
- Publication Year
- 2014
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Subject of Film and Race : Retheorizing Politics, Ideology, and Cinema
- Item Height
- 0.5in
- Item Length
- 9in
- Publisher
- Bloomsbury Academic & Professional
- Item Width
- 6in
- Item Weight
- 11.5 Oz
- Number of Pages
- 240 Pages
Over dit product
Product Information
The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have tried to understand cinema's relationship to racial ideology. In trying to do more than merely identify harmful stereotypes, prominent research by scholars of 'films and race' appropriates ideas from what is known as post-structuralist theory. On those platforms however, the field takes intellectual and political positions that place its anti-racist efforts at an impasse... While presenting theoretical ideas in an accessible way, Gerald Sim's historical materialist approach uniquely triangulates the critical insights of well-known work by Edward Said, in addition to Neo-Marxian writing about film by Theodor Adorno and Fredric Jameson. With compelling discussions of a diverse set of familiar films by John Ford,Todd Solondz, Quentin Tarantino, Keanu Reeves, and others, it shows that we must also be aware of capitalist history when thinking about race, ethnicity, and films.
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
162356753x
ISBN-13
9781623567538
eBay Product ID (ePID)
25038512152
Product Key Features
Publication Name
Subject of Film and Race : Retheorizing Politics, Ideology, and Cinema
Format
Trade Paperback
Language
English
Publication Year
2014
Type
Textbook
Number of Pages
240 Pages
Dimensions
Item Length
9in
Item Height
0.5in
Item Width
6in
Item Weight
11.5 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.M56s56 2014
Reviews
At once erudite and eminently readable, The Subject of Film and Race proposes a bold new account of cinema's racial economies. Through compelling analyses of a wide range of popular films, Sim challenges us to think again about the political potential of film cultures and film criticism., " The Subject of Film and Race is a skillful foray into deeper issues of critical theory in the realm of films. Sims analysis establishes a clear foreground for the materialist approach to film studies that he outlines at the conclusion of the book ... With the boundaries of identity blurred, Sim's approach allows critics to be concerned with core issues, neither burdened by essentialism, nor ambiguous or shifting subjectivities." - Geoffery Luurs, Black Camera "Gerald Sim's The Subject of Film and Race convenes the intersection of film studies and critical race theory, bringing the most powerful elements of each into a productive dialogue. As critically sharp as it is elegant, The Subject of Film and Race heralds a new moment in both discourses. But the force of this book lies not only in the illumination of films that Sim considers, nor in the representations of race he examines: nor, for that matter in their conjunction, however revealing. Rather, the brilliance of Sim's book lies in the subject of film and race it evokes, the subject it names as an agent and effect of the convergence of film and race, film studies in its most rigorous articulation and critical race theory." --Akira Mizuta Lippit, Professor of Critical Studies, School of Cinematic Arts, University of Southern California, USA, and author of Ex-Cinema: From a Theory of Experimental Film and Video (2012). "At once erudite and eminently readable, The Subject of Film and Race proposes a bold new account of cinema's racial economies. Through compelling analyses of a wide range of popular films, Sim challenges us to think again about the political potential of film cultures and film criticism." --Rosalind Galt, Reader in Film Studies, King's College London, UK " The Subject of Film and Race offers a thorough summary of Critical Race Film Studies to date and, for this reason, serves as an excellent text on the subject. However, the real attraction of the book is that in successfully advancing the case for the neo Marxian critical subject to take centre stage, Sim's book has the potential to reinvigorate scholars and students alike to tackle the impasse that has been left by Post Structuralist thinking on crucial issues such as identity formation and aesthetic practice in the realm of race and representation." --Corin Willis, Senior Lecturer in Film Studies, Liverpool John Moores University, UK "Gerald Sim's The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema provides an excellent examination of modern film in the wake of contemporary scholarship on critical race theory. Sim uses an amalgamation of post-structural, postcolonial, and cyborg theories to situate his work within the larger context of critical race film studies, but adds to this paradigm a neo-Marxist perspective as a productive analytic framework for understanding issues of race, sex, and gender." -Geoffrey Luurs, Black Camera, Gerald Sim's The Subject of Film and Race convenes the intersection of film studies and critical race theory, bringing the most powerful elements of each into a productive dialogue. As critically sharp as it is elegant, The Subject of Film and Race heralds a new moment in both discourses. But the force of this book lies not only in the illumination of films that Sim considers, nor in the representations of race he examines: nor, for that matter in their conjunction, however revealing. Rather, the brilliance of Sim's book lies in the subject of film and race it evokes, the subject it names as an agent and effect of the convergence of film and race, film studies in its most rigorous articulation and critical race theory., "Gerald Sim's The Subject of Film and Race convenes the intersection of film studies and critical race theory, bringing the most powerful elements of each into a productive dialogue. As critically sharp as it is elegant, The Subject of Film and Race heralds a new moment in both discourses. But the force of this book lies not only in the illumination of films that Sim considers, nor in the representations of race he examines: nor, for that matter in their conjunction, however revealing. Rather, the brilliance of Sim's book lies in the subject of film and race it evokes, the subject it names as an agent and effect of the convergence of film and race, film studies in its most rigorous articulation and critical race theory." --Akira Mizuta Lippit, Professor of Critical Studies, School of Cinematic Arts, University of Southern California, USA, and author of Ex-Cinema: From a Theory of Experimental Film and Video (2012). "At once erudite and eminently readable, The Subject of Film and Race proposes a bold new account of cinema's racial economies. Through compelling analyses of a wide range of popular films, Sim challenges us to think again about the political potential of film cultures and film criticism." --Rosalind Galt, Reader in Film Studies, King's College London, UK " The Subject of Film and Race offers a thorough summary of Critical Race Film Studies to date and, for this reason, serves as an excellent text on the subject. However, the real attraction of the book is that in successfully advancing the case for the neo Marxian critical subject to take centre stage, Sim's book has the potential to reinvigorate scholars and students alike to tackle the impasse that has been left by Post Structuralist thinking on crucial issues such as identity formation and aesthetic practice in the realm of race and representation." --Corin Willis, Senior Lecturer in Film Studies, Liverpool John Moores University, UK, Gerald Sim's The Subject of Film and Race convenes the intersection of film studies and critical race theory, bringing the most powerful elements of each into a productive dialogue. As critically sharp as it is elegant, The Subject of Film and Race heralds a new moment in both discourses. But the force of this book lies not only in the illumination of films that Sim considers, nor in the representations of race he examines: nor, for that matter in their conjunction, however revealing. Rather, the brilliance of Sim's book lies in the subject of film and race it evokes, the subject it names as an agent and effect of the convergence of film and race, film studies in its most rigorous articulation and critical race theory. - Akira Mizuta Lippit, Professor of Critical Studies, School of Cinematic Arts, University of Southern California, USA, and author of Ex-Cinema: From a Theory of Experimental Film and Video (2012). At once erudite and eminently readable, The Subject of Film and Race proposes a bold new account of cinema's racial economies. Through compelling analyses of a wide range of popular films, Sim challenges us to think again about the political potential of film cultures and film criticism. - Rosalind Galt, Reader in Film Studies, King's College London, UK The Subject of Film and Race offers a thorough summary of Critical Race Film Studies to date and, for this reason, serves as an excellent text on the subject. However, the real attraction of the book is that in successfully advancing the case for the neo Marxian critical subject to take centre stage, Sim's book has the potential to reinvigorate scholars and students alike to tackle the impasse that has been left by Post Structuralist thinking on crucial issues such as identity formation and aesthetic practice in the realm of race and representation. - Corin Willis, Senior Lecturer in Film Studies, Liverpool John Moores University, UK, " The Subject of Film and Race is a skillful foray into deeper issues of critical theory in the realm of films. Sims analysis establishes a clear foreground for the materialist approach to film studies that he outlines at the conclusion of the book ... With the boundaries of identity blurred, Sim's approach allows critics to be concerned with core issues, neither burdened by essentialism, nor ambiguous or shifting subjectivities." - Geoffery Luurs, Black Camera "Gerald Sim's The Subject of Film and Race convenes the intersection of film studies and critical race theory, bringing the most powerful elements of each into a productive dialogue. As critically sharp as it is elegant, The Subject of Film and Race heralds a new moment in both discourses. But the force of this book lies not only in the illumination of films that Sim considers, nor in the representations of race he examines: nor, for that matter in their conjunction, however revealing. Rather, the brilliance of Sim's book lies in the subject of film and race it evokes, the subject it names as an agent and effect of the convergence of film and race, film studies in its most rigorous articulation and critical race theory." --Akira Mizuta Lippit, Professor of Critical Studies, School of Cinematic Arts, University of Southern California, USA, and author of Ex-Cinema: From a Theory of Experimental Film and Video (2012). "At once erudite and eminently readable, The Subject of Film and Race proposes a bold new account of cinema's racial economies. Through compelling analyses of a wide range of popular films, Sim challenges us to think again about the political potential of film cultures and film criticism." --Rosalind Galt, Reader in Film Studies, King's College London, UK " The Subject of Film and Race offers a thorough summary of Critical Race Film Studies to date and, for this reason, serves as an excellent text on the subject. However, the real attraction of the book is that in successfully advancing the case for the neo Marxian critical subject to take centre stage, Sim's book has the potential to reinvigorate scholars and students alike to tackle the impasse that has been left by Post Structuralist thinking on crucial issues such as identity formation and aesthetic practice in the realm of race and representation." --Corin Willis, Senior Lecturer in Film Studies, Liverpool John Moores University, UK
Table of Content
List of Illustrations Acknowledgements Introduction: What is Critical Race Film Studies? Chapter 1: Key Developments in Critical Race Film Studies First Generation CriticismSecond Generation Criticism Separate and Equal: The Impact of Identity Politics Chapter 2: Theorizing Race with a Wide Open Text: The Searchers Searching for Closure, Ford, and Ethan Chapter 3: Poststructuralism and the Neo-Marxian Subject Critical Subjects, Cinema, and the Culture Industry The Subject of Adorno's Contradictions Racial Subjects and the Problem of Biological Essentialism Chapter 4: Postcolonial Hazards: Edward Said and Film Studies Film Studies' Poststructuralist Readings of Orientalism What is a Saidian Methodology for Race in Film Studies? Chapter 5: Postmodern Multiracial, Keanu Reeves Hybridity, Postmodern Subjectivity, and Keanu Reeves Multiracials and Postmodern Ahistoricism Hybrid Politics in Film Studies Cyborg Metaphors Conclusion A Materialist Method for Critical Race Film Studies Bibliography
Copyright Date
2014
Target Audience
Scholarly & Professional
Topic
Ethnic Studies / General, Political Ideologies / Communism, Post-Communism & Socialism, Film / History & Criticism
Lccn
2014-003692
Dewey Decimal
791.43/9529
Dewey Edition
23
Illustrated
Yes
Genre
Social Science, Performing Arts, Political Science
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