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Becoming Guanyin : Artistic Devotion of Buddhist Women in Late Imperial China...

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eBay-objectnummer:386873205965
Laatst bijgewerkt op 14 apr 2024 01:45:54 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Vrijwel nieuw: Een boek dat er als nieuw uitziet, maar al wel is gelezen. De kaft is niet zichtbaar ...
Book Title
Becoming Guanyin : Artistic Devotion of Buddhist Women in Late Im
ISBN
9780231190138
Publication Name
Becoming Guanyin : Artistic Devotion of Buddhist Women in Late Imperial China
Item Length
9.2in
Publisher
Columbia University Press
Series
Premodern East Asia: New Horizons Ser.
Publication Year
2022
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7in
Author
Yuhang Li
Item Width
5.7in
Item Weight
22.6 Oz
Number of Pages
312 Pages

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Product Information

Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. She combines empirical research with theoretical insights from both art history and Buddhist studies.

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231190131
ISBN-13
9780231190138
eBay Product ID (ePID)
9057238893

Product Key Features

Author
Yuhang Li
Publication Name
Becoming Guanyin : Artistic Devotion of Buddhist Women in Late Imperial China
Format
Trade Paperback
Language
English
Series
Premodern East Asia: New Horizons Ser.
Publication Year
2022
Type
Textbook
Number of Pages
312 Pages

Dimensions

Item Length
9.2in
Item Height
0.7in
Item Width
5.7in
Item Weight
22.6 Oz

Additional Product Features

Lc Classification Number
Bq5450
Reviews
In a word, the book is rich--in illustrations, narratives, descriptions, and details, some public and some private and even intimate., Becoming Guanyin is a truly innovative and interdisciplinary book that explores how lay women expressed religious devotion in late imperial China. Through a critical examination of women's hairpins, embroidery made from women's hair, and courtesan dance performances, Yuhang Li responds with intelligence to current scholarship on visual and material culture, women's history, and religious studies. Highly recommended!, Well executed and is highly informative too...it is a recommended work for more advanced researchers and scholars of East Asian Buddhism., A refreshing and much needed foray into the lives and experiences of everyday women within the social context Li investigates., Scholars of Buddhism or Chinese history of the late imperial era will certainly find inspiration and useful information for their own research in the broad scope of this book's textual and visual primary sources, while all readers can enjoy its accessible style, photos and depictions of stunning artifacts and ancient tombs, quirky anecdotes and creative imaginations from vernacular stories, as well as the other 'skilful means' Li employs to discover the repressed and hidden agency of female Buddhists in late imperial China, Scholars of Buddhism or Chinese history of the late imperial era will certainly find inspiration and useful information for their own research in the broad scope of this book's textual and visual primary sources, while all readers can enjoy its accessible style, photos and depictions of stunning artifacts and ancient tombs, quirky anecdotes and creative imaginations from vernacular stories, as well as the other 'skilful means' Li employs to discover the repressed and hidden agency of female Buddhists in late imperial China., Yuhang Li is, by training, an art historian. However, her take on Guanyin goes beyond the realms of art history. Li analyzes the female portrayal of Guanyin through paintings, material culture of embroidery, theatrical display of dance, archaeological objects, scripture, and literature. This is truly an interdisciplinary work., One of the book's most significant contributions is to break down the boundaries between the study of art history, religious history, and gender history., Provides a new perspective to look at Chinese women's religious experience through her study of material objects produced by women. This book is definitely a very positive contribution to the study of gender and religion in practice., Li has expertly demonstrated a wholly new way of studying the religious expression of women in imperial China. Those with an interest in Chinese religion, particularly Buddhism, as well as those interested in gender studies and religion, and the anthropology of religion, would find this volume invaluable., Richly illustrated and described in great detail, Li's book provides a vivid picture of lay Buddhist women's devotion to Guanyin., What distinguishes Becoming Guanyin from other excellent work on women and religion in late imperial China is its careful attention to the material culture of religious practice, from objects women made to objects of worship. The book should appeal to scholars and students in a variety of disciplines--history, art history, religion, literature, and gender studies., Virtually every page of Becoming Guanyin demonstrates Li's impressively wide-ranging erudition and her keen powers of observation and analysis....a major contribution to scholarship.
Table of Content
List of Figures Introduction: Gendered Materialization of Guanyin 1. Dancing Guanyin: The Transformative Body and Buddhist Courtesans 2. Painting Guanyin with Brush and Ink: Negotiating Confucianism and Buddhism 3. Embroidering Guanyin with Hair: Efficacious Pain and Skill 4. Mimicking Guanyin with Hairpins: Jewelry as a Means of Transcendence Conclusion: From Home to Temple and Court: Restaging Women's Devotional Objects Notes Bibliography Index
Copyright Date
2019
Topic
Women, Buddhism / History, Buddhism / General (See Also Philosophy / Buddhist), Asia / China
Dewey Decimal
294.30820951
Intended Audience
Scholarly & Professional
Dewey Edition
23
Genre
Religion, History

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