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Hollywood, Westerns and the 1930s: The Lost Trail by Peter Stanfield (English) P
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eBay-objectnummer:386866315439
Specificaties
- Objectstaat
- ISBN-13
- 9780859896948
- Book Title
- Hollywood, Westerns and the 1930s: The Lost Trail
- ISBN
- 9780859896948
- Subject Area
- History, Performing Arts
- Publication Name
- Hollywood, Westerns and the 1930s : the Lost Trail
- Item Length
- 6.1 in
- Publisher
- University of Exeter Press
- Subject
- Modern / 20th Century, Americas (North, Central, South, West Indies), Film / History & Criticism
- Publication Year
- 2001
- Series
- Exeter Studies in Film History Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Width
- 9 in
- Item Weight
- 17 Oz
- Number of Pages
- 268 Pages
Over dit product
Product Information
For the first time, this book tells the 'lost' story of the 1930s Western. Written from a concern to understand Western films primarily as products of Hollywood's studio system, it recovers the context in which Westerns were produced, exhibited and viewed in the 1930s.
Product Identifiers
Publisher
University of Exeter Press
ISBN-10
0859896943
ISBN-13
9780859896948
eBay Product ID (ePID)
1910130
Product Key Features
Publication Name
Hollywood, Westerns and the 1930s : the Lost Trail
Format
Trade Paperback
Language
English
Subject
Modern / 20th Century, Americas (North, Central, South, West Indies), Film / History & Criticism
Publication Year
2001
Series
Exeter Studies in Film History Ser.
Type
Textbook
Subject Area
History, Performing Arts
Number of Pages
268 Pages
Dimensions
Item Length
6.1 in
Item Height
0.7 in
Item Width
9 in
Item Weight
17 Oz
Additional Product Features
Intended Audience
College Audience
Reviews
" ... a remarkably solid and thorough treatment of the Western film from 1929 (the year of In Old Arizona and The Virginian) to 1941 (the year of Belle Starr and Billy the Kid). Noting that "1930s Westerns can be read as complex allegorical narratives, which articulate issues of national cohesion, American identity and experiences of modernity"(12), Stanfield offers many thoughtful observations on the genre's central characteristics, its cultural significance, and its evolution over time ... is a valuable and well-documented guide for scholars in search of a home on the flickering range." (American Studies International October 2002, Vol XL No3 "Peter Stanfield's book is an exemplary model of this approach to genre studies in its examination of the western genre and its historical and cultural contexts during the 1930s." Review by Ron Wilson, University of Kansas U.S.A "Although it would seem that everything one might want to know about westerns has already been written, Peter Stanfield's new book on the subject proves otherwise ... His decision to treat all westerns equally, as output produced by the studios, instead of privileging a small canon of classics, yields fascinating new insights into the genre during this decade ... Stanfield's work provides an entertaining chronicle as well as a valuable contribution to scholarship." Western Historical Quarterly, Autumn 2002 "Peter Stanfield has blazed a new trail in the history of the Western. The value of Stanfield's work is that it does not confine itself to the recognised classics, dealing instead with the genre as a whole. Stanfield writes with wit and insight, and an astonishing knowledge of the more arcane reaches of American popular culture. This is the book the Western has long needed." Edward Buscombe, editor of The BFI Companion to the Western "Full of insights, painstaking scholarship and lively writing. It will become a classic. A definite recommendation." Steve Neale, Research Professor in Film, Media and Communication Studies, Sheffield Hallam University and author of Genre and Hollywood, ' . . . a remarkably solid and thorough treatment of the Western film from 1929 (the year of In Old Arizona and The Virginian) to 1941 (the year of Belle Starr and Billy the Kid). Noting that "1930s Westerns can be read as complex allegorical narratives, which articulate issues of national cohesion, American identity and experiences of modernity"(12), Stanfield offers many thoughtful observations on the genre's central characteristics, its cultural significance, and its evolution over time . . .is a valuable and well-documented guide for scholars in search of a home on the flickering range.' (American Studies International October 2002, Vol XL No3) "Peter Stanfield's book is an exemplary model of this approach to genre studies in its examination of the western genre and its historical and cultural contexts during the 1930s." (Review by Ron Wilson, University of Kansas U.S.A) "Although it would seem that everything one might want to know about westerns has already been written, Peter Stanfield's new book on the subject proves otherwise . . . His decision to treat all westerns equally, as output produced by the studios, instead of privileging a small canon of classics, yields fascinating new insights into the genre during this decade . . . Stanfield's work provides an entertaining chronicle as well as a valuable contribution to scholarship." (Western Historical Quarterly, Autumn 2002) "Peter Stanfield has blazed a new trail in the history of the Western. The value of Stanfield's work is that it does not confine itself to the recognised classics, dealing instead with the genre as a whole. Stanfield writes with wit and insight, and an astonishing knowledge of the more arcane reaches of American popular culture. This is the book the Western has long needed." (Edward Buscombe, editor of The BFI Companion to the Western) "Full of insights, painstaking scholarship and lively writing. It will become a classic. A definite recommendation." (Steve Neale , Research Professor in Film, Media and Communication Studies, Sheffield Hallam University and author of Genre and Hollywood), "Full of insights, painstaking scholarship and lively writing. It will become a classsic. A definite recommendation." -Steve Neale, Research Professor in Film, Media and Communication Studies, Sheffield Hallam University and author of Genre and Hollywood, "Full of insights, painstaking scholarship and lively writing. It will become a classsic. A definite recommendation." Steve Neale, Research Professor in Film, Media and Communication Studies, Sheffield Hallam University and author of Genre and Hollywood
Table of Content
Contents: The first cycle of sound Westerns; series Westerns, Will Rogers and the emergence of the singing cowboy, 1931-1935; series Westerns - masking the modern; class-A Western features, 1935-1938; democratic art - Westerns 1939-1941; Dixie cowboys - representing the nation.
Copyright Date
2001
Dewey Decimal
791.4/36278
Dewey Edition
21
Illustrated
Yes
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