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Ring Shout, Wheel About : The Racial Politics of Music and Dance in North Ame...
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eBay-objectnummer:386834711903
Specificaties
- Objectstaat
- Book Title
- Ring Shout, Wheel About : The Racial Politics of Music and Dance
- ISBN
- 9780252038259
- Subject Area
- Biography & Autobiography, History, Social Science, Performing Arts
- Publication Name
- Ring Shout, Wheel about : the Racial Politics of Music and Dance in North American Slavery
- Item Length
- 9 in
- Publisher
- University of Illinois Press
- Subject
- Slavery, Theater / History & Criticism, United States / 19th Century, Dance / Regional & Ethnic, Dance / General, United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), Historical, United States / General, Ethnic Studies / African American Studies
- Publication Year
- 2014
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Width
- 6 in
- Item Weight
- 23.5 Oz
- Number of Pages
- 256 Pages
Over dit product
Product Information
In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify ......
Product Identifiers
Publisher
University of Illinois Press
ISBN-10
0252038258
ISBN-13
9780252038259
eBay Product ID (ePID)
175236740
Product Key Features
Publication Name
Ring Shout, Wheel about : the Racial Politics of Music and Dance in North American Slavery
Format
Hardcover
Language
English
Subject
Slavery, Theater / History & Criticism, United States / 19th Century, Dance / Regional & Ethnic, Dance / General, United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), Historical, United States / General, Ethnic Studies / African American Studies
Publication Year
2014
Type
Textbook
Subject Area
Biography & Autobiography, History, Social Science, Performing Arts
Number of Pages
256 Pages
Dimensions
Item Length
9 in
Item Height
0.9 in
Item Width
6 in
Item Weight
23.5 Oz
Additional Product Features
LCCN
2013-032131
Intended Audience
Scholarly & Professional
Lc Classification Number
E443
Reviews
"Northern antebellum minstrel shows were ugly enough, clearly indebted to the economics and racist hierarchies of slavery, however politically ambiguous they sometimes were. But reaching back centuries before them, Thompson brings into view a variety of scenes and situations, as brutal as they were familiar, involving the coercion of music and dance from enslaved persons by white slavers and masters."-- American Historical Review, "Thompson offers the first cultural history of how music and dance shaped Euro-American and African American identities and how these American culture producers manipulated the performing arts to mold public perception. . . . On virtually every page of Ring Shout, Wheel About , Thompson perceptively deconstructs this complicated quartet of music, dance, slavery, and American culture, and she brilliantly organizes her argument around a 'page to stage' metaphor of theatrical production. . . . Ring Shout, Wheel About succeeds tremendously in historicizing racial stereotyping well before blackface and in explicating the many uses Europeans, Africans, African Americans, Euro-Americans, southerners, and northerners found for music and dance."-- Register of the Kentucky Historical Society, "Thompson has written a powerful study whose implications reach beyond distant American history or the preconceptions of ‘black studies' to ask urgent questions about African American identity."-- Times Literary Supplement, "Provides a thorough examination of the "complex and conflicting roles" of music and dance in the lives of the enslaved, arguing that double consciousness was one result of the "paradoxical dynamic of agency, masquerade, and subjugation" found in black performances."-- The Journal of Southern History, "Thompson forces readers to rethink the place and meaning of performance in early America. ... Ring Shout stands as one of the more intriguing new works on slavery and performance."-- Civil War Book Review, "Katrina Dyonne Thompson makes an important contribution to our understanding of slavery and racial formation. An engaging, well-argued book that uses the contested areas of dance and music to explore the many worlds of slavery and the cultural development of both blacks and whites. Ring Shout, Wheel About will take its rightful place alongside its academic forbearers, and should be the standard to follow for years to come."-- Journal of the Illinois State Historical Society, "Thompson forces readers to rethink the place and meaning of performance in early America. ... Ring Shout stands as one of the more intriguing new works on slavery and performance."-- Civil War Book Review "Important reading for anyone who wants to understand the history of the performing arts and race in America. What is seemingly a simple topic--enslaved people's performance of music and dance--achieves great complexity and delivers tremendous returns in Katrina Thompson's able hands." --Diane Mutti-Burke, author of On Slavery's Border: Missouri's Small Slaveholding Households, 1815-1865, "Thompson has written a powerful study whose implications reach beyond distant American history or the preconceptions of 'black studies' to ask urgent questions about African American identity."-- Times Literary Supplement, "Thompson forces readers to rethink the place and meaning of performance in early America. ... Ring Shout stands as one of the more intriguing new works on slavery and performance."-- Civil War Book Review "Katrina Dyonne Thompson makes an important contribution to our understanding of slavery and racial formation. An engaging, well-argued book that uses the contested areas of dance and music to explore the many worlds of slavery and the cultural development of both blacks and whites. Ring Shout, Wheel About will take its rightful place alongside its academic forbearers, and should be the standard to follow for years to come."-- Journal of the Illinois State Historical Society , "Provides a thorough examination of the "complex and conflicting roles" of music and dance in the lives of the enslaved, arguing that double consciousness was one result of the "paradoxical dynamic of agency, masquerade, and subjugation" found in black performances."-- The Journal of Southern History "Thompson has written a powerful study whose implications reach beyond distant American history or the preconceptions of 'black studies' to ask urgent questions about African American identity."-- Times Literary Supplement, A Choice Outstanding Academic Title, 2014. "Thompson forces readers to rethink the place and meaning of performance in early America. ... Ring Shout stands as one of the more intriguing new works on slavery and performance."-- Civil War Book Review, "Thompson's extraordinary book relates the story behind the story of the genesis of blackface minstrelsy as the first entertainment form in the new US. Essential."-- Choice, "Important reading for anyone who wants to understand the history of the performing arts and race in America. What is seemingly a simple topic--enslaved people's performance of music and dance--achieves great complexity and delivers tremendous returns in Katrina Thompson's able hands." --Diane Mutti-Burke, author of On Slavery's Border: Missouri's Small Slaveholding Households, 1815-1865, ''Topics include how whites used the musical performance of blacks to justify enslavement and racial hierarchies.'' - Chronicle of Higher Education, "A compelling and important contribution to the study of slavery, race, and American entertainment. . . . Thompson's argument is clear and convincing: the performances demanded of slaves were central to white 'attempts to define blackness and slavery."-- Ohio Valley History "A vital read for those seeking to understand the complicated legacy of race and bondage in popular culture."-- H-Net Reviews " Ring Shout, Wheel About is more than a study of slave music and dance. Katrina Dyonne Thompson provides a sophisticated analysis of how slave dance and musical performances contributed to historical and contemporary stereotypes of African Americans. . . . The book's insights on the African American experience from the time of enslavement to present-day performances of and by African Americans on radio, television, and film should generate considerable discussion into the construction and persistence of racial stereotypes in the United States."-- Journal of the Early Republic "Thompson enhances the depth of scholarly knowledge on enslaved Africans' resistance and cultural retentions. . . . Ring Shout, Wheel About demonstrates emphatically that African people directed their own entertainment behind the scenes, outside the gaze of white oppressors."-- The Journal of African American History "Important reading for anyone who wants to understand the history of the performing arts and race in America. What is seemingly a simple topic--enslaved people's performance of music and dance--achieves great complexity and delivers tremendous returns in Katrina Thompson's able hands."--Diane Mutti-Burke, author of On Slavery's Border: Missouri's Small Slaveholding Households, 1815-1865, "Thompson's extraordinary book relates the story behind the story of the genesis of blackface minstrelsy as the first entertainment form in the new US. Essential."-- Choice "Thompson offers the first cultural history of how music and dance shaped Euro-American and African American identities and how these American culture producers manipulated the performing arts to mold public perception... On virtually every page of Ring Shout, Wheel About , Thompson perceptively deconstructs this complicated quartet of music, dance, slavery, and American culture, and she brilliantly organizes her argument around a 'page to stage' metaphor of theatrical production... Ring Shout, Wheel About succeeds tremendously in historicizing racial stereotyping well before blackface and in explicating the many uses Europeans, Africans, African Americans, Euro-Americans, southerners, and northerners found for music and dance."-- Register of the Kentucky Historical Society
Table of Content
Cover Title Contents Acknowledgements Introduction 1. The Script: "Africa was but a blank canvas for Europe's imagination" 2. Casting: "They sang their home-songs, and danced, each with his free foot slapping the deck" 3. Onstage: "Dance you damned niggers, dance" 4. Backstage: "White folks do as they please, and the darkies do as they can" 5. Advertisement: "Dancing through the Streets and act lively" 6. Same Script, Different Actors: "Eb'ry time I wheel about, I jump Jim Crow" Epilogue: The Show Must Go On Notes Index
Copyright Date
2014
Dewey Decimal
390/.250973
Dewey Edition
23
Illustrated
Yes
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