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Dorothy Morland : Making ICA History, Hardcover by Massey, Anne, Like New Use...

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eBay-objectnummer:386834048915
Laatst bijgewerkt op 04 mei 2024 03:04:07 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Vrijwel nieuw: Een boek dat er als nieuw uitziet, maar al wel is gelezen. De kaft is niet zichtbaar ...
ISBN
9781789621273
Publication Name
Dorothy Morland : Making Ica History
Item Length
9in
Publisher
Liverpool University Press
Series
Value Art Politics Lup Ser.
Publication Year
2020
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.6in
Author
Anne Massey
Item Width
6in
Item Weight
12.3 Oz
Number of Pages
240 Pages

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Product Information

This is the first biography of Dorothy Morland (1906-1999) the first and only female Director of the Institute of Contemporary Arts (ICA) in London. It tells the story of the modernist network which Morland was part of from the 1930s until the 1970s. She was painted by Mark Gertler and danced with Picasso.

Product Identifiers

Publisher
Liverpool University Press
ISBN-10
1789621275
ISBN-13
9781789621273
eBay Product ID (ePID)
17038765177

Product Key Features

Author
Anne Massey
Publication Name
Dorothy Morland : Making Ica History
Format
Hardcover
Language
English
Series
Value Art Politics Lup Ser.
Publication Year
2020
Type
Textbook
Number of Pages
240 Pages

Dimensions

Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
12.3 Oz

Additional Product Features

Series Volume Number
16
Reviews
"With her characteristic sensitivity to socioeconomic context and questions of gender and class, Massey seeks to intercept the male-dominated narratives that have come to frame the formation of the ICA. In her new book, she again takes the patrilineage of art history to task by drawing attention to an overlooked - but highly influential - female administrator and director. [...] In fact, it is this layering of the author's academic career with the professional life of her protagonist that truly animates the text " Rosie Ram, Art History, 'The book is remarkable for the way in which it interweaves a detailed account of Morland's life with the early history of the ICA and a broad network of artists and art professionals... [Dorothy Morland Making ICA History] provides a welcome and captivating history of one of the most intriguing chapters in modern British art.' Elena Crippa, The Burlington Magazine, "With her characteristic sensitivity to socioeconomic context and questions of gender and class, Massey seeks to intercept the male-dominated narratives that have come to frame the formation of the ICA. In her new book, she again takes the patrilineage of art history to task by drawing attention to an overlooked - but highly influential - female administrator and director. [...] In fact, it is this layering of the author's academic career with the professional life of her protagonist that truly animates the text " Rosie Ram, Art History"This reflective period can be the right time to take stock of postwar history, of incomplete and inaccurate histories and narratives, and to recognize previously downplayed contributions. Morland's status as a female curator needs to be emphasized, as does her place in British art history... This book is the culmination of decades of research and is enriched by different forms of visual representation that combine elements of the personal memoir with scholarship of the highest order." Rina Arya, Journal of Curatorial Studies, 'With her characteristic sensitivity to socioeconomic context and questions of gender and class, Massey seeks to intercept the male-dominated narratives that have come to frame the formation of the ICA. In her new book, she again takes the patrilineage of art history to task by drawing attention to an overlooked - but highly influential - female administrator and director. [...] In fact, it is this layering of the author's academic career with the professional life of her protagonist that truly animates the text ' Rosie Ram, Art History, "With her characteristic sensitivity to socioeconomic context and questions of gender and class, Massey seeks to intercept the male-dominated narratives that have come to frame the formation of the ICA. In her new book, she again takes the patrilineage of art history to task by drawing attention to an overlooked - but highly influential - female administrator and director. [...] In fact, it is this layering of the author's academic career with the professional life of her protagonist that truly animates the text " Rosie Ram, Art History "This reflective period can be the right time to take stock of postwar history, of incomplete and inaccurate histories and narratives, and to recognize previously downplayed contributions. Morland's status as a female curator needs to be emphasized, as does her place in British art history... This book is the culmination of decades of research and is enriched by different forms of visual representation that combine elements of the personal memoir with scholarship of the highest order." Rina Arya, Journal of Curatorial Studies
Copyright Date
2020
Topic
History / Contemporary (1945-), Europe / Great Britain / 20th Century
Dewey Decimal
700.92
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art, History

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