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Early Plays of Robin Hood, Hardcover by Wiles, David, Like New Used, Free shi...

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Bevindt zich in: Jessup, Maryland, Verenigde Staten
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eBay-objectnummer:386833500614
Laatst bijgewerkt op 19 jun 2024 11:15:33 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Vrijwel nieuw: Een boek dat er als nieuw uitziet, maar al wel is gelezen. De kaft is niet zichtbaar ...
ISBN
9780859910828
Book Title
Early Plays of Robin Hood
Publisher
Boydell & Brewer, The Limited
Item Length
8.7 in
Publication Year
1970
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.5 in
Author
David Wiles
Genre
Drama, Literary Collections
Topic
Ancient & Classical, European / English, Irish, Scottish, Welsh
Item Width
5.9 in
Number of Pages
103 Pages

Over dit product

Product Identifiers

Publisher
Boydell & Brewer, The Limited
ISBN-10
0859910822
ISBN-13
9780859910828
eBay Product ID (ePID)
4842129

Product Key Features

Book Title
Early Plays of Robin Hood
Number of Pages
103 Pages
Language
English
Publication Year
1970
Topic
Ancient & Classical, European / English, Irish, Scottish, Welsh
Illustrator
Yes
Genre
Drama, Literary Collections
Author
David Wiles
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Length
8.7 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
81-195407
Dewey Edition
19
Dewey Decimal
398.2/2/0942
Synopsis
David Wiles argues that the prolific Robin Hood plays of the fifteenth and sixteenth centuries were the Spring equivalent of the Christmas mumming tradition. Robin Hood was the subject of many fifteenth and sixteenth century folk-plays, of which only traces remain. As a result, the ballads, many of which have survived, have usually been regarded as the main-spring of traditions about the famous outlaw. David Wiles however, argues that the dramatic tradition was equally, if not more, important. He sees the plays, associated with Whitsun revels, died out much earlier, and so must be reconstructed from fragmentaryscripts and the tantalising glimpses afforded by sources such as churchwardens' accounts. Robin Hood emerges as an emblem both of the Spring and of rebellion; as a Summer king, the player of Robin Hood flouted and parodied regular authority. With such a background, the plays ceased to be an acceptable part of parish life after the Reformation, and the games were suppressed, while the myth of Robin Hood was manipulated and made respectable., David Wiles argues that the prolific Robin Hood plays of the fifteenth and sixteenth centuries were the Spring equivalent of the Christmas mumming tradition.Robin Hood was the subject of many fifteenth and sixteenth century folk-plays, of which only traces remain. As a result, the ballads, many of which have survived, have usually been regarded as the main-spring of traditions about the famous outlaw. David Wiles however, argues that the dramatic tradition was equally, if not more, important. He sees the plays, associated with Whitsun revels, died out much earlier, and so must be reconstructed from fragmentaryscripts and the tantalising glimpses afforded by sources such as churchwardens' accounts. Robin Hood emerges as an emblem both of the Spring and of rebellion; as a Summer king, the player of Robin Hood flouted and parodied regular authority. With such a background, the plays ceased to be an acceptable part of parish life after the Reformation, and the games were suppressed, while the myth of Robin Hood was manipulated and made respectable.as manipulated and made respectable.as manipulated and made respectable.as manipulated and made respectable., Robin Hood was the subject of many fifteenth and sixteenth century folk-plays, of which only traces remain. As a result, the ballads, many of which have survived, have usually been regarded as the main-spring of traditions about the famous outlaw. David Wiles however, argues that the dramatic tradition was equally, if not more, important. He sees the plays, associated with Whitsun revels, died out much earlier, and so must be reconstructed from fragmentary scripts and the tantalising glimpses afforded by sources such as churchwardens' accounts. Robin Hood emerges as an emblem both of the Spring and of rebellion; as a Summer king, the player of Robin Hood flouted and parodied regular authority. With such a background, the plays ceased to be an acceptable part of parish life after the Reformation, and the games were suppressed, while the myth of Robin Hood was manipulated and made respectable., David Wiles argues that the prolific Robin Hood plays of the fifteenth and sixteenth centuries were the Spring equivalent of the Christmas mumming tradition.
LC Classification Number
PR635.F6
Copyright Date
1970
ebay_catalog_id
4

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