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Carpentier's Baroque Fiction : Returning Medusa's Gaze, Hardcover by Wakefie...
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Specificaties
- Objectstaat
- Book Title
- Carpentier's Baroque Fiction : Returning Medusa's Gaze
- ISBN
- 9781855661073
- Subject Area
- Literary Criticism
- Publication Name
- Carpentier's Baroque Fiction: Returning Medusa's Gaze
- Publisher
- Boydell & Brewer, The Limited
- Item Length
- 9.4 in
- Subject
- European / Spanish & Portuguese, Modern / 17th Century
- Publication Year
- 2004
- Series
- Monografías a Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Width
- 6.5 in
- Number of Pages
- 228 Pages
Over dit product
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1855661071
ISBN-13
9781855661073
eBay Product ID (ePID)
30536068
Product Key Features
Number of Pages
228 Pages
Language
English
Publication Name
Carpentier's Baroque Fiction: Returning Medusa's Gaze
Publication Year
2004
Subject
European / Spanish & Portuguese, Modern / 17th Century
Type
Textbook
Subject Area
Literary Criticism
Series
Monografías a Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Length
9.4 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-008084
Reviews
Wakefield's exploration of the major developments in Carpentier's writing is another valuable addition to this excellent series- if only all literary and critical studies were as fascinating, accessible and well-written. BRITISH BULLETIN OF PUBLICATIONS
Series Volume Number
208
Volume Number
Vol. 208
Synopsis
Carpentier was one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction., Carpentier was one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction. This study focuses on one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction. Original research colours eyewitness accounts of Alejo Carpentier's travels through Spainbefore and during the Spanish Civil War and the inspiration that he drew from the Baroque architecture he encountered there. The origins of Carpentier's uniquely 'baroque' style are found in his endeavour to create a period ambience in his historical fictions through descriptions of visual arts and architectural settings, and parodies of the literary style of Spanish Golden Age writers. 'Medusa's gaze' is used as a metaphor for the petrifying power of theBaroque as a weapon of European dominance. By wielding the same weapon in an act of postcolonial defiance, Carpentier enabled a reassertion of Latin American culture, and laid the foundations for the 1960s 'Boom' in the Latin American novel. STEVE WAKEFIELD is Visiting Research Fellow at the University of New South Wales, Australia, Carpentier was one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction.This study focuses on one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction. Original research colours eyewitness accounts of Alejo Carpentier's travels through Spainbefore and during the Spanish Civil War and the inspiration that he drew from the Baroque architecture he encountered there. The origins of Carpentier's uniquely 'baroque' style are found in his endeavour to create a period ambience in his historical fictions through descriptions of visual arts and architectural settings, and parodies of the literary style of Spanish Golden Age writers. 'Medusa's gaze' is used as a metaphor for the petrifying power of theBaroque as a weapon of European dominance. By wielding the same weapon in an act of postcolonial defiance, Carpentier enabled a reassertion of Latin American culture, and laid the foundations for the 1960s 'Boom' in the Latin American novel. STEVE WAKEFIELD is Visiting Research Fellow at the University of New South Wales, Australias 'Boom' in the Latin American novel. STEVE WAKEFIELD is Visiting Research Fellow at the University of New South Wales, Australias 'Boom' in the Latin American novel. STEVE WAKEFIELD is Visiting Research Fellow at the University of New South Wales, Australias 'Boom' in the Latin American novel. STEVE WAKEFIELD is Visiting Research Fellow at the University of New South Wales, Australia, This study focuses on one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction. Original research colours eyewitness accounts of Alejo Carpentier's travels through Spain before and during the Spanish Civil War and the inspiration that he drew from the Baroque architecture he encountered there. The origins of Carpentier's uniquely 'baroque' style are found in his endeavour to create a period ambience in his historical fictions through descriptions of visual arts and architectural settings, and parodies of the literary style of Spanish Golden Age writers. 'Medusa's gaze' is used as a metaphor for the petrifying power of the Baroque as a weapon of European dominance. By wielding the same weapon in an act of postcolonial defiance, Carpentier enabled a reassertion of Latin American culture, and laid the foundations for the 1960s 'Boom' in the Latin American novel. STEVE WAKEFIELD is Visiting Research Fellow at the University of New South Wales, Australia
LC Classification Number
PQ7389.C263Z97 2004
ebay_catalog_id
4
Copyright Date
2004
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