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To Float, to Drown, to Close Up, to Open, Paperback by Pierce, E. Alex, Brand...

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eBay-objectnummer:386545832663
Laatst bijgewerkt op 17 sep 2024 21:05:42 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN
9781772124538
Book Title
To Float, to Drown, to Close Up, to Open
Book Series
Robert Kroetsch Ser.
Publisher
University of Alberta Press
Item Length
9 in
Publication Year
2020
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.2 in
Author
E. Alex Pierce
Genre
Poetry
Topic
Women Authors, Canadian, General
Item Weight
4.4 Oz
Item Width
6 in
Number of Pages
96 Pages

Over dit product

Product Identifiers

Publisher
University of Alberta Press
ISBN-10
1772124532
ISBN-13
9781772124538
eBay Product ID (ePID)
10038766777

Product Key Features

Book Title
To Float, to Drown, to Close Up, to Open
Number of Pages
96 Pages
Language
English
Publication Year
2020
Topic
Women Authors, Canadian, General
Illustrator
Yes
Genre
Poetry
Author
E. Alex Pierce
Book Series
Robert Kroetsch Ser.
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
4.4 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-438645
Reviews
"Pierce creates movements in the rhythm of the estuary of Sable River, where she grew up, opening, closing up, floating and drowning as consistently as moon directs the tides. Hers is a poetry of attentiveness, reaching back through the years and into the future without sentimentality" [Full review at https://freefallmagazine.wordpress.com/2020/09/14/review-of-e-alex-pierces-to-float-to-drown-to-close-up-to-open/]--Joan Shillington, Freefall Magazine, "We are immersed in Pierce's baptismal font of words, held deeply, only to emerge into a new air, made over, revived by a poetry of the rarest beauty. 'The Creek' surely is a masterpiece, a world poem created from the cross currents of the heart and the gold-brown waters of the Sable River."--Harry Thurston, author of Keeping Watch at the End of the World, "Pierce creates movements in the rhythm of the estuary of Sable River, where she grew up, opening, closing up, floating and drowning as consistently as moon directs the tides.... Hers is a poetry of attentiveness, reaching back through the years and into the future without sentimentality..." [Full review at https://freefallmagazine.wordpress.com/2020/09/14/review-of-e-alex-pierces-to-float-to-drown-to-close-up-to-open/]--Joan Shillington, Freefall Magazine, "Pierce creates movements in the rhythm of the estuary of Sable River, where she grew up, opening, closing up, floating and drowning as consistently as moon directs the tides.... Hers is a poetry of attentiveness, reaching back through the years and into the future without sentimentality..." [Full review at https://freefallmagazine.wordpress.com/2020/09/14/review-of-e-alex-pierces-to-float-to-drown-to-close-up-to-open/]
Dewey Edition
23
Number of Volumes
1 vol.
Dewey Decimal
811.6
Table Of Content
To float, to drown, to close up, to open - a throat3 To float, to drown...19 Full Moon22 The boy. The boy is her beloved.23 Medway River, Carousel25 Nothing more lonely26 The CreekMithan, to conceal31 A Dug Well32 Tempest33 The sky full of empty rooms35 Bach Prelude: Reprise36 Mithan37 Not wanting it to end39 The fetch of the wind40 It is in me forever41 VindaugaThe Stanzas. Rooms.44 You want to say the word chemise47 It could have been that morning48 The opening, the newness, as if it were now49 In an afternoon, at your house50 Not of you. Of the capturing51 Now, on YouTube, the camera52 Heat from the photo lamps53 Enraptured. Christmas morning at your house54 The two Polish chairs55 I can still see you, us. Side by side at Logan Airport56 Every Sunday morning we would set off57 Something about the dark58 What were they doing59 Honey and locusts. A man in pain60 In this last hour61 The vulnerability that doesn't show62 Should I tell you now63 Or have we lived it64 It's not the heart. It's the cry65 Lento assai, cantante e tranquillo66 We've come so far67 The boards are bareCoda, Aubade.71 The way white lilacs73 Notes83 Acknowledgements
Synopsis
In this collection, E. Alex Pierce enters the territory of memory embedded in landscape where "language tied to the land" evokes the cadence of tidal rivers and creates a fluid world. She traces the fragmented childhood beginnings that lead to the formation of a young artist who moves from music, through theatre, to poetry. The passionate relationships and complex juxtapositions of art and performance that form an artist's life find voice here in the symphonic structure of the long poem, the provocative individual prose poems, and the final stretched sonnet sequence that interrogates a lost love, "Still. Shimmering in the morning wind. And gone." These fiercely poised works are layered and rich, with sensuous attention to line and breath: a major work from an accomplished poet.And in that space of summer afternoon, the image born of soundand light inhabits all her blood and bone, the mind ignites. She seesthe fire - space for her is stage now, theatre is the flame. She sees itburning all the way back to the Sable River, the lamp, the voices,the two old people, in the dark,without wall or roof or postor beam - and even as her father buries refusein the cellar hole, turns all this under, sheseizes it, picks up her torch,and runs.--from the title poem, I cannot even say come to me. Come wind, come eye. Restless, see me. Let me see. -- from "Vindauga" The poems in E. Alex Pierce's new collection invite readers to meditate upon language embedded in landscape, and trace the formation of a young artist who begins in music, arrives at theatre, and ends in poetry. From striking individual poems such as "The fetch of the wind" and "The sky full of empty rooms" to the stunning stretched sonnet sequence "The Stanzas. Rooms."--which searches a passionate relationship with a photographer for the beginnings of a poet's voice--the collection moves from the fragmented textures of childhood memory in an East Coast village to the complex juxtaposition of art museums, performance, opera, and string quartets. These fiercely poised poems are layered and rich, with a sensuous attention to line and breath; a major new volume from an accomplished poet., Accomplished poet's new collection of sensuous, intelligent poems that contemplate art, memory, and personal longing., And in that space of summer afternoon, the image born of sound and light inhabits all her blood and bone, the mind ignites. She sees the fire-space for her is stage now, theatre is the flame. She sees it burning all the way back to the Sable River, the lamp, the voices, the two old people, in the dark, without wall or roof or post or beam-and even as her father buries refuse in the cellar hole, turns all this under, she seizes it, picks up her torch, and runs. Book jacket., In this collection, E. Alex Pierce enters the territory of memory embedded in landscape where "language tied to the land" evokes the cadence of tidal rivers and creates a fluid world. She traces the fragmented childhood beginnings that lead to the formation of a young artist who moves from music, through theatre, to poetry. The passionate relationships and complex juxtapositions of art and performance that form an artist's life find voice here in the symphonic structure of the long poem, the provocative individual prose poems, and the final stretched sonnet sequence that interrogates a lost love, "Still. Shimmering in the morning wind. And gone." These fiercely poised works are layered and rich, with sensuous attention to line and breath: a major work from an accomplished poet. And in that space of summer afternoon, the image born of sound and light inhabits all her blood and bone, the mind ignites. She sees the fire - space for her is stage now, theatre is the flame. She sees it burning all the way back to the Sable River, the lamp, the voices, the two old people, in the dark, without wall or roof or post or beam - and even as her father buries refuse in the cellar hole, turns all this under, she seizes it, picks up her torch, and runs. --from the title poem
LC Classification Number
PR9199.4.P536

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