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Anita Diamant's The Red Tent: A Reader's Guide by Ann Finding (English) Paperbac

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eBay-objectnummer:386076409942
Laatst bijgewerkt op 05 mrt 2024 09:37:49 CETAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN-13
9780826415745
Book Title
Anita Diamant's the Red Tent : a Reader's Guide
ISBN
9780826415745
Book Series
Continuum Contemporaries Ser.
Item Length
7.8 in
Publisher
Bloomsbury Academic & Professional
Publication Year
2004
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.2 in
Author
Ann Finding
Genre
Literary Criticism
Topic
General, American / General
Item Width
5.1 in
Item Weight
3.5 Oz
Number of Pages
88 Pages

Over dit product

Product Information

This cahier unites two texts by celebrated Canadian poet Anne Carson, encouraging readers to experience them alongside and illuminating each other. #145;Variations on the Right to Remain Silent' is an essay on the stakes involved when translation happens, ranging from Homer through  Joan of Arc to Paul Celan; it includes the author's seven translations of a poetic fragment from the Greek poet Ibykos. #145;By Chance the Cycladic People' is a poem about Cycladic culture where the order of the lines has been determined by a random number generator. The cahier is illustrated by Lanfranco Quadrio.

Product Identifiers

Publisher
Bloomsbury Academic & Professional
ISBN-10
0826415741
ISBN-13
9780826415745
eBay Product ID (ePID)
30226618

Product Key Features

Author
Ann Finding
Book Title
Anita Diamant's the Red Tent : a Reader's Guide
Format
Trade Paperback
Language
English
Topic
General, American / General
Publication Year
2004
Book Series
Continuum Contemporaries Ser.
Type
Textbook
Genre
Literary Criticism
Number of Pages
88 Pages

Dimensions

Item Length
7.8 in
Item Height
0.2 in
Item Width
5.1 in
Item Weight
3.5 Oz

Additional Product Features

Lc Classification Number
Ps3554.I227r43 2004
Reviews
"The series comes as near to squaring various circles - popular / academic, 'good read' / 'classic Lit', novel / film of the book as any I know. And at best it goes a fair way towards reshuffling those categories and redrawing the boundaries. With the first volume, I was relieved. After two or three, I was hooked. The books are invaluable for gathering out-of-the-way or ephemeral comment from TV and radio interviews and the web as well as from literary reviews. Refreshingly upfront and up-to-date…Given the space, there are remarkably balanced film/novel comparisons of the most well-known examples…An important feature is the fully referenced bibliographies, including reviews and copious website addresses - the latter ranging from fanzines and authors' and publishers' own sites to academic discussion lists and online journals. In method as in subject matter, these guides move freely on the interface between print culture and multimedia. Highly finished and pleasantly handleable as books in their own right, they gesture accommodatingly to both words and worlds beyond. Taking the series as a whole, it also confirms two things: that narrative nowadays is generically highly hybrid and increasingly cross-media; and that an understanding of the processes of writing and reading 'contemporary classic' (or at least 'currently famous') fiction cannot be separated - yet must be distinguished - from the processes of making and marketing books and films."-The Times Higher Education Supplement, May 31, 2002, "The series comes as near to squaring various circles - popular / academic, 'good read' / 'classic Lit', novel / film of the book as any I know. And at best it goes a fair way towards reshuffling those categories and redrawing the boundaries. With the first volume, I was relieved. After two or three, I was hooked. The books are invaluable for gathering out-of-the-way or ephemeral comment from TV and radio interviews and the web as well as from literary reviews. Refreshingly upfront and up-to-date Given the space, there are remarkably balanced film/novel comparisons of the most well-known examples An important feature is the fully referenced bibliographies, including reviews and copious website addresses - the latter ranging from fanzines and authors' and publishers' own sites to academic discussion lists and online journals. In method as in subject matter, these guides move freely on the interface between print culture and multimedia. Highly finished and pleasantly handleable as books in their own right, they gesture accommodatingly to both words and worlds beyond. Taking the series as a whole, it also confirms two things: that narrative nowadays is generically highly hybrid and increasingly cross-media; and that an understanding of the processes of writing and reading 'contemporary classic' (or at least 'currently famous') fiction cannot be separated - yet must be distinguished - from the processes of making and marketing books and films."--The Times Higher Education Supplement, May 31, 2002
Copyright Date
2004
Target Audience
Scholarly & Professional
Lccn
2004-011876
Dewey Decimal
813/.54
Dewey Edition
22

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