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Of Stigmatology: Punctuation as Experience by Peter Szendy (English) Paperback B
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eBay-objectnummer:386007548006
Specificaties
- Objectstaat
- ISBN-13
- 9780823278121
- Book Title
- Of Stigmatology
- ISBN
- 9780823278121
- Publication Name
- Of Stigmatology : Punctuation As Experience
- Item Length
- 9in
- Publisher
- Fordham University Press
- Publication Year
- 2018
- Series
- Verbal Arts: Studies in Poetics Ser.
- Type
- Not Available
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Item Width
- 6in
- Item Weight
- 23.5 Oz
- Number of Pages
- 184 Pages
Over dit product
Product Information
What if our existence is a product of its interruptions? What if the words that structure our lives are themselves governed by the periods and commas that bring them to a close, or our images by the cinematic cuts that mark them off? Are we, like Chekhov's clerk, who dreams of being pursued by angry exclamation marks, or Scorsese's Jake LaMotta, bloodied by one violently edited fight after another, the products of punctuation--or as Peter Szendy asks us to think of it, punchuation ? Of Stigmatology elaborates for the first time a general theory of punctuation. Beginning with punctuation marks in the common sense, Peter Szendy goes on to trace the effects of punctuation more broadly, arguing that looking and hearing are not passive acts of reception, but themselves punctuate the images and sounds they take in. Szendy reads an astonishing range of texts and traditions, from medical auscultation to literature (Chekhov, Sterne, Kafka), philosophy (Hegel, Nietzsche, Heidegger, Derrida), psychoanalysis (Lacan), and film (Raging Bull, The Trial, Fight Club). Repeatedly, what Szendy finds in these works is a punctuation that marks experience itself, that seeks (and ultimately fails) to bind the subject to itself. This is the stigmatology of the punctuation mark on the page that structures texts from ancient to digital, as well as the punchuation of experience, as though at the hands of a boxer.
Product Identifiers
Publisher
Fordham University Press
ISBN-10
0823278123
ISBN-13
9780823278121
eBay Product ID (ePID)
239653512
Product Key Features
Publication Name
Of Stigmatology : Punctuation As Experience
Format
Trade Paperback
Language
English
Publication Year
2018
Series
Verbal Arts: Studies in Poetics Ser.
Type
Not Available
Number of Pages
184 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
23.5 Oz
Additional Product Features
Lc Classification Number
P301.5.P86s9713 2018
Reviews
"Peter Szendy's brilliant reflections on the punctuation of experience make for a magnificent composition: a new philosophy of the sensible focused on how one feels oneself feeling, and an investigation of 'how one makes a point' philosophically and emotively. Never before have exclamation points, dashes, interrogatives, full stops, and quotation marks been treated so existentially; never before has the musicality of existence been so keenly tied to its notation; never before has the distance between points been used so effectively as a measure of life-span. In the "pows!" and "blams" of comic-book blows, glimmers of political violence come into focus. This is an amazing work of philosophy, aesthetics, media, and critique!!!", Peter Szendy's brilliant reflections on the punctuation of experience make for a magnificent composition: a new philosophy of the sensible focused on how one feels oneself feeling, and an investigation of 'how one makes a point' philosophically and emotively. Never before have exclamation points, dashes, interrogatives, full stops, and quotation marks been treated so existentially; never before has the musicality of existence been so keenly tied to its notation; never before has the distance between points been used so effectively as a measure of life-span. In the "pows!" and "blams" of comic-book blows, glimmers of political violence come into focus. This is an amazing work of philosophy, aesthetics, media, and critique!!! -----Emily Apter, New York University, To the now of the point, Heidegger opposes the ecstasy of time. For the past of the point, Deleuze substitutes becoming without history. Both, Peter Szendy objects, are but different ways of punctuating. Cuts, blows, silences, blanks: these stigmata are all irreducible, as are punctuation marks in a text. From ontology to linguistics, from learned treatise to comic book, the grace of this fascinating text brings being back to the infinity of its cut., To the now of the point, Heidegger opposes the ecstasy of time. For the past of the point, Deleuze substitutes becoming without history. Both, Peter Szendy objects, are but different ways of punctuating. Cuts, blows, silences, blanks: these stigmata are all irreducible, as are punctuation marks in a text. From ontology to linguistics, from learned treatise to comic book, the grace of this fascinating text brings being back to the infinity of its cut. -----Catherine Malabou, Kingston University, Peter Szendy's brilliant reflections on the punctuation of experience make for a magnificent composition: a new philosophy of the sensible focused on how one feels oneself feeling, and an investigation of 'how one makes a point' philosophically and emotively. Never before have exclamation points, dashes, interrogatives, full stops, and quotation marks been treated so existentially; never before has the musicality of existence been so keenly tied to its notation; never before has the distance between points been used so effectively as a measure of life-span. In the "pows!" and "blams" of comic-book blows, glimmers of political violence come into focus. This is an amazing work of philosophy, aesthetics, media, and critique!!!
Copyright Date
2018
Target Audience
Scholarly & Professional
Topic
History & Criticism, Communication Studies, Aesthetics, Semiotics & Theory, Linguistics / General
Lccn
2017-022884
Dewey Decimal
411
Dewey Edition
23
Illustrated
Yes
Genre
Literary Criticism, Music, Language Arts & Disciplines, Philosophy
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