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Queer Horror Film and Television : Sexuality and Masculinity at the Margins, ...

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN
9781350259089
Subject Area
Performing Arts, Social Science
Publication Name
Queer Horror Film and Television : Sexuality and Masculinity at the Margins
Publisher
Bloomsbury Publishing
Item Length
8.5 in
Subject
Film / General, Television / History & Criticism, Television / General, Lgbt Studies / Gay Studies, Film / History & Criticism
Publication Year
2022
Series
Library of Gender and Popular Culture Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Darren Elliott-Smith
Item Weight
11.1 Oz
Item Width
5.5 in
Number of Pages
272 Pages

Over dit product

Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
135025908X
ISBN-13
9781350259089
eBay Product ID (ePID)
27050375542

Product Key Features

Number of Pages
272 Pages
Publication Name
Queer Horror Film and Television : Sexuality and Masculinity at the Margins
Language
English
Subject
Film / General, Television / History & Criticism, Television / General, Lgbt Studies / Gay Studies, Film / History & Criticism
Publication Year
2022
Type
Textbook
Author
Darren Elliott-Smith
Subject Area
Performing Arts, Social Science
Series
Library of Gender and Popular Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
11.1 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791
Synopsis
In recent years, the representation of alternative sexuality in the horror film and television has "outed" itself from the shadows from which it once lurked, via the embrace of an outrageously queer horror aesthetic where homosexuality is often unequivocally referenced. In this book, Darren Elliott-Smith departs from the analysis of the monster as a symbol of heterosexual anxiety and fear, and moves to focus instead on queer fears and anxieties within gay male subcultures. Furthermore, he examines the works of significant queer horror film, television producers, and directors to reveal gay men's anxieties about: acceptance and assimilation into Western culture, the perpetuation of self-loathing and gay shame, and further anxieties associations shameful femininity. This book focuses mainly on representations of masculinity, and gay male spectatorship in queer horror films and television post-2000. In titling this sub-genre "queer horror," Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer, or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with "out" gay characters. In terms of case studies, this book considers a variety of genres and forms from: video art horror; independently distributed exploitation films (A Far Cry from Home, Rowe Kelly, 2012); queer Gothic soap operas (Dante's Cove, 2005-7); satirical horror comedies (such as The Gay Bed and Breakfast of Terror (Thompson, 2008); low-budget slashers (Hellbent, Etheredge-Outzs, 2007); and contemporary representations of gay zombies in film and television from the pornographic LA Zombie (Bruce LaBruce, 2010)) to the melodramatic In the Flesh (BBC Three 2013-15). Moving from the margins to the mainstream, via the application of psychoanalytic theory, critical and cultural interpretation, interviews with key directors and close readings of classic, cult and modern horror, this book will be invaluable to students and researchers of gender and sexuality in horror film and television.
LC Classification Number
PN1995.9.H6

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