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Black Resonance: Iconic Women Singers and African American Literature

by Lordi, Emily J. | PB | Good
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Goed
Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ... Meer lezenover objectstaat
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Specificaties

Objectstaat
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
Opmerkingen van verkoper
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780813562490
Publication Name
Black Resonance : Iconic Women Singers and African American Literature
Item Length
9in
Publisher
Rutgers University Press
Publication Year
2013
Series
The American Literatures Initiative Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.8in
Author
Emily J. Lordi
Item Width
6in
Item Weight
14.1 Oz
Number of Pages
304 Pages

Over dit product

Product Information

Ever since Bessie Smith?s powerful voice conspired with the ?race records? industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women?s singing. In Black Resonance , Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith?s blues and Richard Wright?s neglected film of Native Son , Mahalia Jackson?s gospel music and Ralph Ellison?s Invisible Man , each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century?s most beloved and challenging voices.

Product Identifiers

Publisher
Rutgers University Press
ISBN-10
081356249x
ISBN-13
9780813562490
eBay Product ID (ePID)
9038430451

Product Key Features

Author
Emily J. Lordi
Publication Name
Black Resonance : Iconic Women Singers and African American Literature
Format
Trade Paperback
Language
English
Publication Year
2013
Series
The American Literatures Initiative Ser.
Type
Textbook
Number of Pages
304 Pages

Dimensions

Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
14.1 Oz

Additional Product Features

Lc Classification Number
Ps153
Grade from
College Freshman
Grade to
College Graduate Student
Reviews
Black Resonance is a gem ... The book takes us to school, leaving us with insights and skills, pushing readers and writers, singers and dreamers to think about the ways we engage the literary and sonic works of the next generation of black artists and writers., Lordi explodes assumptions about the relationship between black writers and black musicians. By blending insightful cultural history, magnificent close readings, and supurb archival research, she refines recent scholarship that reevaluates civil rights era African American literature, the Black Arts Movement, and 21st-century poetry. Her argument's elegant intertwining of cutting-edge theory, enrapturing descriptsions of vocal practice, and clear commentary on literature reminds readers of how much rigorous interdisciplinary inquiry can explain about black creativity. Highly recommended., Lordi's detailed analysis of literature, music, and the relation of black writers to black women singers shows how careful 'close reading' and 'close listening,' when joined into one practice and tempered with a black feministic optic, yields a rich picture of what Houston Baker called black expressive culture., " Black Resonance  is a tremendously innovative, illuminating, and eloquent study that promises to break important new ground in twentieth-century African American literature and literary criticism, black feminist cultural criticism, and popular music and performance studies. Lordi couples her analytical rigor with elegant and imaginative prose that helps us to hear more clearly the resounding voices of women singers in black letters." , "Black Resonance is a gem ... The book takes us to school, leaving us with insights and skills, pushing readers and writers, singers and dreamers to think about the ways we engage the literary and sonic works of the next generation of black artists and writers." The Journal of American Culture, In language that sparkles and gains momentum, Black Resonance refreshes the conversation about how black music, from the slave songs to hip hop, and literature speak to one another. Offering a brilliant new lexicon for black American cultural analysis, Lordi's book is very welcome required reading for those charting new directions in the field., Black Resonance is a tremendously innovative, illuminating, and eloquent study that promises to break important new ground in twentieth-century African American literature and literary criticism, black feminist cultural criticism, and popular music and performance studies. Lordi couples her analytical rigor with elegant and imaginative prose that helps us to hear more clearly the resounding voices of women singers in black letters., In chapters that pair Richard Wright, Ralph Ellison, and James Baldwin with female singers, Lordi works to destabilize the ways black women have been (passively) represented as muses of male writers or as vessels of racialized feeling ... What makes Lordi's book feel fresh is its exemplary attentiveness to the literature and the music., Lordi explodes assumptions about the relationship between black writers and black musicians. By blending insightful cultural history, magnificent close readings, and superb archival research, she refines recent scholarship that reevaluates civil rights era African American literature, the Black Arts Movement, and 21st-century poetry. Her argument's elegant intertwining of cutting-edge theory, enrapturing descriptions of vocal practice, and clear commentary on literature reminds readers of how much rigorous interdisciplinary inquiry can explain about black creativity. Highly recommended., Lordi engages the luminaries of African-American literary criticism (Henry Louis Gates Jr., Claudia Tate, Barbara Johnson, Hortense Spillers, Paul Gilroy, and others), while never muting her own 'signature voice.' This study makes us see--and especially hear--both black female singers and major modern black writers anew ... It blew me away., " Black Resonance  is a tremendously innovative, illuminating, and eloquent study that promises to break important new ground in twentieth-century African American literature and literary criticism; black feminist cultural criticism; and popular music and performance studies. Lordi couples her analytical rigor with elegant and imaginative prose that helps us to hear more clearly the resounding voices of women singers in black letters." 
Table of Content
Acknowledgments Introduction: Black Resonance 1. Vivid Lyricism: Richard Wright and Bessie Smith's Blues 2. The Timbre of Sincerity: Mahalia Jackson's Gospel Sound and Ralph Ellison's Invisible Man 3. Understatement: James Baldwin, Bessie Smith, and Billie Holiday 4. Haunting: Gayl Jones's Corregidora and Billie Holiday's "Strange Fruit" 5. Signature Voices: Nikki Giovanni, Aretha Franklin, and the Black Arts Movement Epilogue: "At Last": Etta James, Poetry, Hip Hop Notes Index
Copyright Date
2013
Topic
American / African American, Comparative Literature, Subjects & Themes / Women, General, American / General, Subjects & Themes / General
Lccn
2012-051444
Dewey Decimal
810.9/896073
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Literary Criticism, Music

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