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Robert Frost & New Eng Renaissance by Monteiro, George
by Monteiro, George | HC | Good
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Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Binding
- Hardcover
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780813116495
- Publication Year
- 1988
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Robert Frost and the New England Renaissance
- Item Height
- 0.8in
- Item Length
- 8.9in
- Publisher
- University Press of Kentucky
- Item Width
- 5.8in
- Item Weight
- 14.4 Oz
- Number of Pages
- 192 Pages
Over dit product
Product Information
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes -- out of Frost's own words and phrases -- the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an in¬tensely felt New England literary experience.
Product Identifiers
Publisher
University Press of Kentucky
ISBN-10
081311649x
ISBN-13
9780813116495
eBay Product ID (ePID)
5038756673
Product Key Features
Publication Name
Robert Frost and the New England Renaissance
Format
Hardcover
Language
English
Publication Year
1988
Type
Textbook
Number of Pages
192 Pages
Dimensions
Item Length
8.9in
Item Height
0.8in
Item Width
5.8in
Item Weight
14.4 Oz
Additional Product Features
Lc Classification Number
Ps3511.R94z793 1988
Grade from
College Graduate Student
Reviews
"Makes illuminating connections between Frost and his publishing contemporaries.... Monteiro's thorough knowledge of Frost scholarship and his work with early Dickinson texts adds weight to his arguments." -- American Literature, Makes illuminating connections between Frost and his publishing contemporaries.... Monteiro's thorough knowledge of Frost scholarship and his work with early Dickinson texts adds weight to his arguments., "Lively, sensitive, and full of affection for poems, this book can show undergraduate students why a person might wish to make the study of poetry a profession and graduate students how to be learned and pleasing at the same time.-- Choice" -- Choice, "Lively, sensitive, and full of affection for poems, this book can show undergraduate students why a person might wish to make the study of poetry a profession and graduate students how to be learned and pleasing at the same time." -- Choice, Lively, sensitive, and full of affection for poems, this book can show undergraduate students why a person might wish to make the study of poetry a profession and graduate students how to be learned and pleasing at the same time.
Table of Content
Grey Matters: Personal Identity in the Fringe Universe(s) Person of Interest: The Machine, Gilles Deleuze, and a Thousand Plateaus of Identity Are J.J. Abrams' "Leading Ladies" Really Feminist Role Models? The End Is Nigh: Armageddon and the Meaning of Life Found Through Death The Fear of Bones: On the Dread of Space and Death Do We All Need to Get Shot in the Head? Regarding Henry, Nicholas Wolterstorff, and Ethical Transformation Fringe and "If Science Can Do It, Then Science Ought To Do It" An Inconsistent Triad? Competing Ethics in Star Trek Into Darkness The Monster and the Mensch Abrams, Aristotle, and Alternate Worlds: Finding Friendship in the Final Frontier Heroic Love and Its Inversion in the Parent-Child Relationship in Abrams' Star Trek You Can't Choose Your Family: Impartial Morality and Personal Obligation in Alias Is Abrams' Star Trek a Star Trek Film? Determinism, Free Will, and Moral Responsibility in Alias Finding Directions by Indirection: The Island as a Blank Slate You Can't Change the Past: The Philosophy of Time Travel in Star Trek and Lost Rabbit's Feet, Hatches, and Monsters: Mysteries vs. Questions in J.J. Abrams' Stories Monsters of the World Unite! Cloverfield, Capital, and Ecological Crisis Cloverfield, Super 8, and the Morality of Terrorism A Place for Revolutions in Revolution? Marxism, Feminism, and the Monroe Republic A Light in the Darkness: Ethical Reflections on Revolution
Copyright Date
1988
Topic
American / General, Poetry, American / Regional
Lccn
88-005479
Dewey Decimal
811.52
Intended Audience
Scholarly & Professional
Dewey Edition
19
Genre
Literary Criticism, Poetry
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