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Adapting Nineteenth-Cen
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Specificaties
- Objectstaat
- ISBN-13
- 9781783163083
- Book Title
- Adapting Nineteenth-Century France
- ISBN
- 9781783163083
- Subject Area
- Drama, Literary Criticism, Social Science, Performing Arts
- Publication Name
- Adapting Nineteenth-Century France : Literature in Film, Theatre, Television, Radio and Print
- Item Length
- 1 in
- Publisher
- Gwasg Prifysgol Cymru / University of Wales Press
- Subject
- Theater / General, Media Studies, European / French, General
- Publication Year
- 2015
- Series
- French and Francophone Studies
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.1 in
- Item Width
- 0.6 in
- Number of Pages
- 288 Pages
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Product Information
Arguing that we need to reconceptualize the study of adaptations, Andrew Watts and Kate Griffiths examine six canonical French novelists and the recreations of their works in a variety of media. Rather than viewing the works of Balzac, Hugo, Flaubert, Zola, Maupassant, and Verne as authentic original versions to be defended from the impurities of adapting hands, the authors demonstrate that these "originals" are themselves fashioned from the adapted voices of a host of earlier artists, moments, and media. Analyzing reworkings of canonical literary texts across time and media to emphasize the ways adaptations cast new light on source texts, Adapting Nineteenth-Century France reveals the complexities of both nineteenth-century and contemporary notions of originality and authorial borrowing.
Product Identifiers
Publisher
Gwasg Prifysgol Cymru / University of Wales Press
ISBN-10
1783163089
ISBN-13
9781783163083
eBay Product ID (ePID)
210290926
Product Key Features
Publication Name
Adapting Nineteenth-Century France : Literature in Film, Theatre, Television, Radio and Print
Format
Trade Paperback
Language
English
Subject
Theater / General, Media Studies, European / French, General
Publication Year
2015
Series
French and Francophone Studies
Type
Textbook
Subject Area
Drama, Literary Criticism, Social Science, Performing Arts
Number of Pages
288 Pages
Dimensions
Item Length
1 in
Item Height
0.1 in
Item Width
0.6 in
Additional Product Features
Lc Classification Number
Pq285.A3 2015
Reviews
" Adapting Nineteenth-Century France throws into relief the profoundly intertextual debate on the nature of authorship itself at play between these key writers and some of the best of the adaptations made of them." "The case study authors underline that in adaptation, true artistry may be found.", In this volume, key literary works are situated within a highly active network of diverse impulses that extend the critical focus beyond the usual concern of scholars. . . . This major study attentively probes the multimedia and multifaceted dynamics of adaption., Griffiths and Watts break new ground in their invigorated intermedial exploration of the adaptive afterlives of leading nineteenth-century French novelists. This significant contribution traverses literary criticism, adaptation studies, and media studies, bringing compelling insights, not least in the rarely studied areas of radio and television adaptation., " Adapting Nineteenth-Century France throws into relief the profoundly intertextual debate on the nature of authorship itself at play between these key writers and some of the best of the adaptations made of them." "The case study authors underline that in adaptation, true artistry may be found.", This book uses six canonical novelists and their recreations in a variety of media to argue a reconceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but as works fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses reworkings of key nineteenth-century texts across time and media in order to emphasise the way in which such reworkings cast new light on many of their source texts, and how they reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Adapting Nineteenth-Century France charts such revision through a range of genres encompassing the modern media of radio, silent film, fiction, musical theatre, sound film and television.
Table of Content
Series Editors' Preface Acknowledgements Introduction Kate Griffiths Chapter 1: Labyrinths of Voices: Emile Zola, Germinal and Radio Kate Griffiths Chapter 2: Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation Andrew Watts Chapter 3: Fragmented Fictions: Time, Textual Memory and the (Re) Writing of Madame Bovary Andrew Watts Chapter 4: Les Misérables , Theatre and the Anxiety of Excess Andrew Watts Chapter 5: Chez Maupassant : The (In) Visible Space of Television Adaptation Kate Griffiths Chapter 6: Le Tour du monde en quatre-vingts jours: Verne, Todd, Coraci and the Spectropoetics of Adaptation Kate Griffiths Conclusion Andrew Watts Bibliography Index
Copyright Date
2013
Target Audience
Scholarly & Professional
Dewey Decimal
840.9007
Dewey Edition
23
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