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Continental Strangers: German Exile Cinema, 1933-1951 by Gerd Gem?nden (English)
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eBay-objectnummer:364880081623
Specificaties
- Objectstaat
- ISBN-13
- 9780231166782
- Book Title
- Continental Strangers
- ISBN
- 9780231166782
- Subject Area
- Biography & Autobiography, History, Performing Arts
- Publication Name
- Continental Strangers : German Exile Cinema, 1933-1951
- Item Length
- 0.9 in
- Publisher
- Columbia University Press
- Subject
- Film / General, Cultural Heritage, Holocaust, United States / 20th Century, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
- Publication Year
- 2014
- Series
- Film and Culture Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.1 in
- Item Width
- 0.6 in
- Item Weight
- 18.6 Oz
- Number of Pages
- 296 Pages
Over dit product
Product Information
Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gem nden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.
Product Identifiers
Publisher
Columbia University Press
ISBN-10
0231166788
ISBN-13
9780231166782
eBay Product ID (ePID)
166611385
Product Key Features
Publication Name
Continental Strangers : German Exile Cinema, 1933-1951
Format
Hardcover
Language
English
Subject
Film / General, Cultural Heritage, Holocaust, United States / 20th Century, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
2014
Series
Film and Culture Ser.
Type
Textbook
Subject Area
Biography & Autobiography, History, Performing Arts
Number of Pages
296 Pages
Dimensions
Item Length
0.9 in
Item Height
0.1 in
Item Width
0.6 in
Item Weight
18.6 Oz
Additional Product Features
LCCN
2013-030080
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1993.5.U6g457 2014
Grade from
College Graduate Student
Reviews
Deftly, Gerd Gemnden combines perceptive close readings of select films with sharp archival investigation to show how some key movies of classical Hollywood came-in often fraught manner-to engage with the evils of fascism. By understanding cinema as a complex negotiation over political meanings, from production to final results onscreen, this volume represents a major contribution to the literature on the Hollywood emigrs and their cultural work., Continental Strangers is a necessary and most compelling pendant to Thomas Doherty's Hollywood and Hitler, 1933-1939 . Indeed, these two recent releases provide an impressive ensemble. Doherty depicts how American film studios reacted to Nazi terror in both direct and less overt ways. Gemnden fills out the picture in a series of intriguing case studies devoted to filmmakers who fled Hitler and settled in Southern California. Sensitive to the variety of ways in which German film artists experienced emigration and exile, Gemnden's book remains admirably attentive to the historical determinations and textual shapes of Hollywood's anti-Nazi features., Gerd Gemünden's Continental Strangers is a necessary and most compelling pendant to Thomas Doherty's Hitler and Hollywood. Indeed, these two recent releases from Columbia University Press provide an impressive ensemble. Doherty depicts how American film studios reacted to Nazi terror in both direct and less overt ways. Gemünden fills out the picture in a series of intriguing case studies devoted to filmmakers who fled Hitler and settled in Southern California. Sensitive to the variety of ways in which German film artists experienced emigration and exile, Gemünden's book remains admirably attentive to the historical determinations and textual shapes of Hollywood's anti-Nazi features., Continental Strangers is a necessary and most compelling pendant to Thomas Doherty's Hollywood and Hitler, 1933-1939 . Indeed, these two recent releases provide an impressive ensemble. Doherty depicts how American film studios reacted to Nazi terror in both direct and less overt ways. Gemünden fills out the picture in a series of intriguing case studies devoted to filmmakers who fled Hitler and settled in Southern California. Sensitive to the variety of ways in which German film artists experienced emigration and exile, Gemünden's book remains admirably attentive to the historical determinations and textual shapes of Hollywood's anti-Nazi features., A lucid and comprehensive account of German filmmakers in American exile, this book also offers a poetics of displacement and alienation. It adds another chapter to the story about Hitler and Hollywood and contributes to a deeper historical understanding of political cinema at a moment of crisis., Deftly, Gerd Gemünden combines perceptive close readings of select films with sharp archival investigation to show how some key movies of classical Hollywood came -- in often fraught manner -- to engage with the evils of fascism. By understanding cinema as a complex negotiation over political meanings, from production to final results onscreen, this volume represents a very major contribution indeed to the literature on the Hollywood emigrés and their cultural work., Continental Strangers is a necessary and most compelling pendant to Thomas Doherty's Hollywood and Hitler, 1933--1939 . Indeed, these two recent releases provide an impressive ensemble. Doherty depicts how American film studios reacted to Nazi terror in both direct and less overt ways. Gemünden fills out the picture in a series of intriguing case studies devoted to filmmakers who fled Hitler and settled in Southern California. Sensitive to the variety of ways in which German film artists experienced emigration and exile, Gemünden's book remains admirably attentive to the historical determinations and textual shapes of Hollywood's anti-Nazi features., A lucid and comprehensive account of German filmmakers in American exile, this book also offers a poetics of displacement and alienation. It adds another chapter to the story about Hitler and Hollywood, and contributes to a deeper historical understanding of political cinema at a moment of crisis., Deftly, Gerd Gemünden combines perceptive close readings of select films with sharp archival investigation to show how some key movies of classical Hollywood came-in often fraught manner-to engage with the evils of fascism. By understanding cinema as a complex negotiation over political meanings, from production to final results onscreen, this volume represents a major contribution to the literature on the Hollywood emigrés and their cultural work.
Table of Content
Acknowledgments Introduction Part I: Parallel Modernities 1. A History of Horror 2. Tales of Urgency and Authenticity Part II: Hitler in Hollywood 3. Performing Resistance, Resisting Performance 4. History as Propaganda and Parable Part III: You Can't Go Home Again 5. Out of the Past 6. The Failure of Atonement Epilogue Notes Selected Bibliography Index
Copyright Date
2014
Dewey Decimal
791.43097309044
Dewey Edition
23
Illustrated
Yes
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