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The Ballad and its Pasts: Literary Histories and the Play of Memory by David Atk
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Specificaties
- Objectstaat
- ISBN-13
- 9781843844921
- Book Title
- The Ballad and its Pasts
- ISBN
- 9781843844921
- Subject Area
- Music, Literary Criticism
- Publication Name
- Ballad and Its Pasts : Literary Histories and the Play of Memory
- Publisher
- Boydell & Brewer, The Limited
- Item Length
- 9.3 in
- Subject
- Medieval, Genres & Styles / Folk & Traditional, European / English, Irish, Scottish, Welsh
- Publication Year
- 2018
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 20.7 Oz
- Item Width
- 6.5 in
- Number of Pages
- 242 Pages
Over dit product
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1843844923
ISBN-13
9781843844921
eBay Product ID (ePID)
239651383
Product Key Features
Number of Pages
242 Pages
Language
English
Publication Name
Ballad and Its Pasts : Literary Histories and the Play of Memory
Subject
Medieval, Genres & Styles / Folk & Traditional, European / English, Irish, Scottish, Welsh
Publication Year
2018
Type
Textbook
Subject Area
Music, Literary Criticism
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
20.7 Oz
Item Length
9.3 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-285279
Reviews
Katharine Briggs Award 2018: Runner Up Atkinson's readings . . . prove to be critical, and critically needed, engagements that seek to account for examples that disrupt the narratives of literary history without entirely scrapping that history. HUNTINGTON LIBRARY QUARTERLY Both ballad and literary scholars will have their understanding of how ballads encode the past enriched. Throughout, Atkinson is scrupulous about what claims his evidence will bear; he knows the archive is far from neat, and his prudence makes his ambitious claims about the ballad more persuasive. MODERN PHILOLOGY Atkinson rightly points to the importance of the past - not only in creating the histories of the ballad, but also within the texts themselves. His analysis is based on careful scrutiny of the available texts and histories: he points us in the direction of a fuller and richer history. MUSICULTURES
Dewey Edition
23
TitleLeading
The
Illustrated
Yes
Dewey Decimal
809.1/44
Table Of Content
The Ballad and the Idea of the PastSurvival and Revival: The Medieval Ballad and Ballad MedievalismGothic Beginnings: Dead Lovers ReturnImitations of Ancient Ballads?: Swordsmen in the LandscapeThe Idea of a Memory: Worse Things Happen at SeaProvidence and the (Re-)Ordering of Reality: Murder Will Out?AfterwordSelect Bibliography
Synopsis
A new approach to the mysterious ballads, and their relationship with the past. Katharine Briggs Award 2018: Runner Up The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap printand imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as theballad itself is continually adapting to the needs of readers, singers, and audience. Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" andthe beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen., A new approach to the mysterious ballads, and their relationship with the past.Katharine Briggs Award 2018: Runner Up The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap printand imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as theballad itself is continually adapting to the needs of readers, singers, and audience. Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" andthe beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.th century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.th century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.th century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.stitute, University of Aberdeen., Katharine Briggs Award 2018: Runner UpThe ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap print and imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as the ballad itself is continually adapting to the needs of readers, singers, and audience.Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" and the beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from early modern to Victorian times.DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.
LC Classification Number
PN1376
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