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Mute Records : Artists, Business, History, Hardcover by Beaven, Zuleika (EDT)...
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eBay-objectnummer:364863547183
Specificaties
- Objectstaat
- Book Title
- Mute Records : Artists, Business, History
- ISBN
- 9781501340604
- Publication Year
- 2018
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Mute Records : Artists, Business, History
- Item Height
- 0.6in
- Item Length
- 9in
- Publisher
- Bloomsbury Publishing
- Item Width
- 6in
- Item Weight
- 18.6 Oz
- Number of Pages
- 258 Pages
Over dit product
Product Information
Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late-1970's punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored.This edited collection addresses Mute's wide-ranging impact. Drawing from disciplines such as popular music studies, musicology, and fan studies, it takes a distinctive, artist-led approach, outlining the history of the label by focusing each chapter on one of its acts. The book covers key moments in the company's evolution, from the first releases by The Normal and Fad Gadget to recent work by Arca and Dirty Electronics. It shines new light on the most successful Mute artists, including Depeche Mode, Nick Cave, Erasure, Moby, and Goldfrapp, while also exploring the label's avant-garde innovators, such as Throbbing Gristle, Mark Stewart, Labaich, Ut, and Swans. Mute Records examines the business and aesthetics of independence through the lens of the label's artists.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501340603
ISBN-13
9781501340604
eBay Product ID (ePID)
23038759335
Product Key Features
Publication Name
Mute Records : Artists, Business, History
Format
Hardcover
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
258 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
18.6 Oz
Additional Product Features
Lc Classification Number
Ml3792.M87m87 2019
Reviews
"An important history of a highly significant British label, this deliciously wide-ranging collection considers an array of key artists approached from always stimulating perspectives: issues of production, promotion and reception in an emerging Depeche Mode, the meaning of noise in Throbbing Gristle's industrial odyssey and the challenging photographic depictions of Alison Goldfrapp, to name only a few." -- Simon Warner, Visiting Research Fellow, Popular Music Studies, University of Leeds, UK, and author of Kerouac on Record: A Literary Soundtrack (Bloomsbury, 2018) "This excellent and innovative collection demonstrates the value of making a record company the basis of investigation into the tangled relations between music, creativity, and business. It helps that the choice of company is one of the world's most adventurous and fascinating record labels." -- David Hesmondhalgh, Professor of Media, Music and Culture, University of Leeds, UK, and author of Why Music Matters (2013) "Mute Records is one of independent music's most iconic labels, and with this book it finally gets the scholarly treatment it deserves. Mute Records: Artists, Business, History is a much-needed compendium that makes an important contribution to the industrial history of popular music studies." -- Devon Powers, Associate Professor of Advertising, Temple University, and author of Writing the Record: The Village Voice and the Birth of Rock Criticism (2013) "A delight for fans and scholars, Mute Records explores some of the most exciting and influential music of the past four decades. A record label born in a bedroom, Mute mixed the weird and the danceable, the avant garde and the mainstream, and in the process became a cozy home for platinum hitmakers and obscurantists alike. While upholding staunchly indie principles, Mute pioneered an electronic roots music that stands as a foundation for much contemporary dance-pop. The collection offers smart and passionate analyses of stars like Depeche Mode, Nick Cave, Moby and Goldfrapp alongside insightful essays on indie artists who helped shape the synthetic sound of our time. A model of interdisciplinary scholarship, the volume ranges across musicological, industrial, and sociological approaches, with particular attention to the radical gender and sexual politics of key artists. An example of popular music studies at its very best." -- Keir Keightley, Associate Professor of Popular Music and Culture, University of Western Ontario, Canada, A delight for fans and scholars, Mute Records explores some of the most exciting and influential music of the past four decades. A record label born in a bedroom, Mute mixed the weird and the danceable, the avant garde and the mainstream, and in the process became a cozy home for platinum hitmakers and obscurantists alike. While upholding staunchly indie principles, Mute pioneered an electronic roots music that stands as a foundation for much contemporary dance-pop. The collection offers smart and passionate analyses of stars like Depeche Mode, Nick Cave, Moby and Goldfrapp alongside insightful essays on indie artists who helped shape the synthetic sound of our time. A model of interdisciplinary scholarship, the volume ranges across musicological, industrial, and sociological approaches, with particular attention to the radical gender and sexual politics of key artists. An example of popular music studies at its very best., Mute Records is one of independent music's most iconic labels, and with this book it finally gets the scholarly treatment it deserves. Mute Records: Artists, Business, History is a much-needed compendium that makes an important contribution to the industrial history of popular music studies., This excellent and innovative collection demonstrates the value of making a record company the basis of investigation into the tangled relations between music, creativity, and business. It helps that the choice of company is one of the world's most adventurous and fascinating record labels., An important history of a highly significant British label, this deliciously wide-ranging collection considers an array of key artists approached from always stimulating perspectives: issues of production, promotion and reception in an emerging Depeche Mode, the meaning of noise in Throbbing Gristle's industrial odyssey and the challenging photographic depictions of Alison Goldfrapp, to name only a few., Succeeds in capturing [the] essence [of Mute Records], with investigation, from a variety of perspectives and disciplines ... It will appeal to a variety of scholars including those engaged in musicological, sociological and industrial approaches representing, as it does, the diversity of the Mute roster by the essays included. The chapters consist of chronologically sequenced case studies each offering in depth, knowledgeable and evidently passionate analysis of the artists ... I highly recommend this book; the text is extremely well researched and laced with evidence of the individual passion of the authors for their subject matter but without a compromise to the rigour of academic study., There is plenty here to enjoy ... Among the best chapters by far are those flowing out of the stories of feminism, gay activism and sheer theatricality.
Table of Content
List of PlatesList of FiguresPermissionsList of ContributorsAcknowledgments Introduction: Mute Records Richard Osborne and Zuleika Beaven 1. 'Let's Make Love Before You Die': 'Warm Leatherette', Boredom, and the Invention of the 1980s S. Alexander Reed, Ithaca College, USA 2. 'One Man's Meat': Fad Gadget's Social Commentary and Post-Punk Giuseppe Zevolli, King's College, UK 3. Fans of Faith and Devotion: Obsession, Nostalgia and Depeche Mode Andy Pope, Independent Researcher 4. "Depeche Mode and Soft Cell": Redefining the Prologue of the Mute and Some Bizzare Record Labels Leon Clowes, Goldsmiths, University of London, UK 5. Throbbing Gristle's Early Records: Post-Hippie/Pre-Punk/Post-Punk John Encarnacao, Western Sydney University, Australia 6. 'Join That Troubled Chorus': Nick Cave, the Bad Seeds, and the Blues Ross Cole, University of Cambridge, UK 7. Mark Stewart: 'Somewhere' Eddie George, Goldsmiths, University of London, UK 8. 'Sometimes, Always': Erasure, Mute and the Value of Independence Brenda Kelly, Independent Researcher 9. Outside Mute? Ut, No Wave and Blast First Ieuan Franklin, Bournemouth University, UK 10. The Mash-up of Aesthetics, Theory and Politics in Laibach's Meta-sound Aténé Mendelyté, Lund University, Sweden 11. 'The Blessed Glow of Labour': Independence, Style and Process in the Music of Swans Dean Lockwood, University of Lincoln, UK 12. Moby, Minstrelsy and Melville Richard Osborne, Middlesex University, UK 13. 'Country Girl': Rural Feminism in the Performance of Alison Goldfrapp Lucy O'Brien, University of the Creative Arts, UK 14. Twist: Goldfrapp's Genre Perversion Glyn Davis, University of Edinburgh, UK 15. Arca: Mute's Mutant Mark Waugh, Anglia University, UK 16. Composing in Circuitry: Sonic Artist Dirty Electronics Lourdes N. Crosby García, Full Sail University, USA Index
Copyright Date
2019
Target Audience
College Audience
Topic
History & Criticism, Recording & Reproduction, Genres & Styles / Dance, Genres & Styles / Rock
Lccn
2018-038547
Dewey Decimal
384
Dewey Edition
23
Illustrated
Yes
Genre
Music
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