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Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820
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eBay-objectnummer:364822951911
Specificaties
- Objectstaat
- ISBN
- 0268108056
- ISBN10
- 0268108056
- ISBN13
- 9780268108052
- EAN
- 9780268108052
- MPN
- does not apply
- Brand
- University of Notre Dame Press
- GTIN
- 09780268108052
- Subject Area
- Design, Art, Religion
- Publication Name
- Clothing the New World Church : Liturgical Textiles of Spanish America, 1520-1820
- Publisher
- University of Notre Dame Press
- Item Length
- 10 in
- Subject
- Caribbean & Latin American, Christian Church / History, Subjects & Themes / Religious, Decorative Arts
- Publication Year
- 2021
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.3 in
- Item Weight
- 42.7 Oz
- Item Width
- 7 in
- Number of Pages
- 432 Pages
Over dit product
Product Identifiers
Publisher
University of Notre Dame Press
ISBN-10
0268108056
ISBN-13
9780268108052
eBay Product ID (ePID)
19038253464
Product Key Features
Number of Pages
432 Pages
Publication Name
Clothing the New World Church : Liturgical Textiles of Spanish America, 1520-1820
Language
English
Publication Year
2021
Subject
Caribbean & Latin American, Christian Church / History, Subjects & Themes / Religious, Decorative Arts
Type
Textbook
Subject Area
Design, Art, Religion
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
42.7 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-950353
Reviews
Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between two different native traditions, colonial economies, and church styles., " Clothing the New World Church is a powerhouse of original fieldwork and incorporation of literature in art history, textiles history and Church history." -- Bulletin of Latin American Research, "This is a beautifully produced book of value to nonspecialist colonial historians and textile scholars, who will learn much about the social and cultural context in which church textiles were produced." -- Hispanic American Historical Review, "Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between two different native traditions, colonial economies, and church styles." --Andrés I. Prieto, author of Missionary Scientists, "In five generous chapters dealing with different types of textiles extensively used in churches across the Americas . . . the author provides not only an overview of the richness and diversity of the liturgical textiles produced and consumed during the early modern period, but also offers detailed discussions of pieces that despite their unique qualities have often been left out from larger discussions of contemporaneous artistic production." -- caa.reviews, "Maya Stanfield-Mazzi's book provides the first broad survey of church textiles of Spanish America, demonstrating that, while overlooked, textiles were a vital part of visual culture in the Catholic Church." -- Trebuchet, "Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between different native traditions, colonial economies, and church styles." --Andrés I. Prieto, author of Missionary Scientists, "Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable transatlantic synthesis." --Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco, "Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully-documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable trans-Atlantic synthesis." --Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco, "Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, the book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts." -- American Catholic Studies Newsletter
Illustrated
Yes
Table Of Content
Introduction 1. Woven Silk 2. Embroidery 3. Featherwork 4. Tapestry 5. Painted Cotton and Cotton Lace 6. Conclusion Glossary of Liturgical and Textile Terms
Synopsis
The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church. When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as "church clothing." These textile ornaments covered churches' altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church , Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work. The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a "silk standard" was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World., "Maya Stanfield-Mazzi's well-researched and thoughtful monograph, full of new material, is the first cultural and technical history of ecclesiastical textiles--imported, locally produced, or a combination of the two--highlighting the ways in which Indigenous artisans participated in outfitting the church." -- Latin American and Latinx Visual Culture, "Maya Stanfield-Mazzi's well-researched and thoughtful monograph, full of new material, is the first cultural and technical history of ecclesiastical textiles-imported, locally produced, or a combination of the two-highlighting the ways in which Indigenous artisans participated in outfitting the church." - Latin American and Latinx Visual Culture
LC Classification Number
NK8812.5.S736 2021
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