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Political Economy of Socialist Realism by Evgeny Dobrenko (English) Hardcover Bo

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Laatst bijgewerkt op 19 mrt 2024 14:20:41 CETAlle herzieningen bekijkenAlle herzieningen bekijken

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Objectstaat: Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...

ISBN-13: 9780300122800

Book Title: Political Economy of Socialist Realism

ISBN: 9780300122800

Publication Year: 2007

Type: Textbook

Format: Hardcover

Language: English

Publication Name: Political Economy of Socialist Realism

Item Height: 1.2in

Author: Evgeny Dobrenko

Item Length: 9.4in

Publisher: Yale University Press

Item Width: 6.7in

Item Weight: 28.1 Oz

Number of Pages: 410 Pages

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Product Information

For decades Stalinist literature, film, and art was almost exclusively deemed political propaganda imposed from on high, devoid of any aesthetic significance. In this book, Evgeny Dobrenko suggests an entirely new view: socialism did not produce Socialist Realism to "prettify reality"; rather, Socialist Realism itself produced socialism by elevating socialism to reality status, giving it material form. Without art, socialism could not have materialized. Bringing together the Soviet historical experience and Stalin-era art--novels, films, poems, songs, painting, photography, architecture, and advertising--Dobrenko examines Stalinism's representational strategies and demonstrates how real socialism was begotten of Socialist Realism. Socialist Realism, he concludes, was Stalinism's most effective sociopolitical institution.

Product Identifiers

Publisher

Yale University Press

ISBN-10

0300122802

ISBN-13

9780300122800

eBay Product ID (ePID)

60078489

Product Key Features

Author

Evgeny Dobrenko

Publication Name

Political Economy of Socialist Realism

Format

Hardcover

Language

English

Publication Year

2007

Type

Textbook

Number of Pages

410 Pages

Dimensions

Item Length

9.4in

Item Height

1.2in

Item Width

6.7in

Item Weight

28.1 Oz

Additional Product Features

Lc Classification Number

Dk266.4.D63 2007

Reviews

"Dobrenko is a master interpreter of Socialist Realism. He explores the functionality of the Leninist-Stalinist cultural project with verve and imagination. Those who study Soviet art, literature, film, photography, history, and much else will be hard put to find a better guide. The book is a pleasure to read."Jeffrey Brooks, author ofThank You, Comrade Stalin! Soviet Public Culture from Revolution to Cold War, "This book by an internationally celebrated scholar of Soviet cultureoffers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 'scientific Communism' as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 'a single need. The need to provide the spectacle of socialism,' are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards."-Catriona Kelly, University of Oxford, "This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 'scientific Communism' as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 'a single need. The need to provide the spectacle of socialism, ' are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards."--Catriona Kelly, University of Oxford, "Dobrenko is a master interpreter of Socialist Realism. He explores the functionality of the Leninist-Stalinist cultural project with verve and imagination. Those who study Soviet art, literature, film, photography, history, and much else will be hard put to find a better guide. The book is a pleasure to read."ï¿½Jeffrey Brooks, author of Thank You, Comrade Stalin! Soviet Public Culture from Revolution to Cold War, "Unsurpassed in its grasp of Stalinism and Stalinist culture, Dobrenko's new book makes the convincing theoretical move of turning the categories of Stalinist thought against Stalinist cultural production. Rigorous in interpretation and research, challenging and persuasive."ï¿½William Mills Todd III, Harvard University, "Evgeny Dobrenko has written the most sweeping, theoretically-informed book to-date on Socialist Realism and its centrality to the Stalinist project. He presents a chilling analysis of Socialist Realism as a discourse of repression. From photojournalism, to cinema, to biology, to advertising and Stalin's speeches, Dobrenko shows how Socialist Realism produced socialism by aestheticizing and 'de-realizing' life. I have never seen a more convincing indictment of art's centrality in Soviet terror. "Eric Naiman, University of California, Berkeley, 0;Evgeny Dobrenko has written the most sweeping, theoretically-informed book to-date on Socialist Realism and its centrality to the Stalinist project. He presents a chilling analysis of Socialist Realism as a discourse of repression. From photojournalism, to cinema, to biology, to advertising and Stalin7;s speeches, Dobrenko shows how Socialist Realism produced socialism by aestheticizing and 6;de-realizing7; life. I have never seen a more convincing indictment of art7;s centrality in Soviet terror. 1;2;Eric Naiman, University of California, Berkeley -- Eric Naiman, 0;This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 6;scientific Communism7; as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 6;a single need. The need to provide the spectacle of socialism,7; are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards.1;2;Catriona Kelly, University of Oxford -- Catriona Kelly, "Unsurpassed in its grasp of Stalinism and Stalinist culture, Dobrenko's new book makes the convincing theoretical move of turning the categories of Stalinist thought against Stalinist cultural production. Rigorous in interpretation and research, challenging and persuasive."--William Mills Todd III, Harvard University, "Dobrenko is a master interpreter of Socialist Realism. He explores the functionality of the Leninist-Stalinist cultural project with verve and imagination. Those who study Soviet art, literature, film, photography, history, and much else will be hard put to find a better guide. The book is a pleasure to read."--Jeffrey Brooks, author of "Thank You, Comrade Stalin! Soviet Public Culture from Revolution to Cold War", "This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 'scientific Communism' as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 'a single need. The need to provide the spectacle of socialism,' are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards."-Catriona Kelly, University of Oxford , "This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 'scientific Communism' as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 'a single need. The need to provide the spectacle of socialism,' are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards."Catriona Kelly, University of Oxford, "Unsurpassed in its grasp of Stalinism and Stalinist culture, Dobrenko''s new book makes the convincing theoretical move of turning the categories of Stalinist thought against Stalinist cultural production. Rigorous in interpretation and research, challenging and persuasive."--William Mills Todd III, Harvard University, "Unsurpassed in its grasp of Stalinism and Stalinist culture, Dobrenko's new book makes the convincing theoretical move of turning the categories of Stalinist thought against Stalinist cultural production. Rigorous in interpretation and research, challenging and persuasive."-William Mills Todd III, Harvard University, "Evgeny Dobrenko has written the most sweeping, theoretically-informed book to-date on Socialist Realism and its centrality to the Stalinist project. He presents a chilling analysis of Socialist Realism as a discourse of repression. From photojournalism, to cinema, to biology, to advertising and Stalin's speeches, Dobrenko shows how Socialist Realism produced socialism by aestheticizing and 'de-realizing' life. I have never seen a more convincing indictment of art's centrality in Soviet terror. "-Eric Naiman, University of California, Berkeley, "Evgeny Dobrenko has written the most sweeping, theoretically-informed book to-date on Socialist Realism and its centrality to the Stalinist project. He presents a chilling analysis of Socialist Realism as a discourse of repression. From photojournalism, to cinema, to biology, to advertising and Stalin's speeches, Dobrenko shows how Socialist Realism produced socialism by aestheticizing and 'de-realizing' life. I have never seen a more convincing indictment of art's centrality in Soviet terror. "--Eric Naiman, University of California, Berkeley, ï¿½This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and ï¿½scientific Communismï¿½ as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was ï¿½a single need. The need to provide the spectacle of socialism,ï¿½ are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards.ï¿½ï¿½Catriona Kelly, University of Oxford, "Dobrenko is a master interpreter of Socialist Realism. He explores the functionality of the Leninist-Stalinist cultural project with verve and imagination. Those who study Soviet art, literature, film, photography, history, and much else will be hard put to find a better guide. The book is a pleasure to read."--Jeffrey Brooks, author of Thank You, Comrade Stalin! Soviet Public Culture from Revolution to Cold War, "This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 'scientific Communism' as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 'a single need. The need to provide the spectacle of socialism,' are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards."--Catriona Kelly, University of Oxford, "Unsurpassed in its grasp of Stalinism and Stalinist culture, Dobrenko''s new book makes the convincing theoretical move of turning the categories of Stalinist thought against Stalinist cultural production. Rigorous in interpretation and research, challenging and persuasive."William Mills Todd III, Harvard University, ï¿½Evgeny Dobrenko has written the most sweeping, theoretically-informed book to-date on Socialist Realism and its centrality to the Stalinist project. He presents a chilling analysis of Socialist Realism as a discourse of repression. From photojournalism, to cinema, to biology, to advertising and Stalinï¿½s speeches, Dobrenko shows how Socialist Realism produced socialism by aestheticizing and ï¿½de-realizingï¿½ life. I have never seen a more convincing indictment of artï¿½s centrality in Soviet terror. ï¿½ï¿½Eric Naiman, University of California, Berkeley, "Unsurpassed in its grasp of Stalinism and Stalinist culture, Dobrenko''s new book makes the convincing theoretical move of turning the categories of Stalinist thought against Stalinist cultural production. Rigorous in interpretation and research, challenging and persuasive."-William Mills Todd III, Harvard University, "This book by an internationally celebrated scholar of Soviet culture offers a uniquely rich and convincing account of how Socialist Realism was the pre-determining force in Stalinist discourse, shaping biological sciences and 'scientific Communism' as well as glossy magazines, official histories, narrative films, public exhibitions, and advertising. The eccentricities and paradoxes of a country where, as Dobrenko puts it, there was 'a single need. The need to provide the spectacle of socialism,' are everywhere on view. This fascinating study will be indispensable reading for anyone interested in Russian culture from the 1930s onwards."-Catriona Kelly, University of Oxford, "Dobrenko is a master interpreter of Socialist Realism. He explores the functionality of the Leninist-Stalinist cultural project with verve and imagination. Those who study Soviet art, literature, film, photography, history, and much else will be hard put to find a better guide. The book is a pleasure to read."-Jeffrey Brooks, author of Thank You, Comrade Stalin! Soviet Public Culture from Revolution to Cold War

2007

Target Audience

Scholarly & Professional

Topic

Political Ideologies / Communism, Post-Communism & Socialism, Popular Culture, General, Customs & Traditions

Lccn

2007-008044

Dewey Decimal

335.43

Dewey Edition

Illustrated

Yes

Genre

History, Social Science, Political Science

Objectbeschrijving van de verkoper

Informatie van zakelijke verkoper

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eBay-objectnummer:364769853345

Laatst bijgewerkt op 19 mrt 2024 14:20:41 CETAlle herzieningen bekijkenAlle herzieningen bekijken

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