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Word, Image, and Song : Essays on Early Modern Italy, Hardcover by Cypress, R...
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Specificaties
- Objectstaat
- Book Title
- Word, Image, and Song : Essays on Early Modern Italy
- ISBN
- 9781580464291
- Publication Name
- Word, Image, and Song, Vol. 1 : Essays on Early Modern Italy
- Item Length
- 9.3in
- Publisher
- University of Rochester Medical Press
- Publication Year
- 2013
- Series
- Eastman Studies in Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1in
- Item Width
- 6.8in
- Item Weight
- 0 Oz
- Number of Pages
- 414 Pages
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Product Information
The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical works such as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries. Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan Parker Shimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580464297
ISBN-13
9781580464291
eBay Product ID (ePID)
117112374
Product Key Features
Publication Name
Word, Image, and Song, Vol. 1 : Essays on Early Modern Italy
Format
Hardcover
Language
English
Publication Year
2013
Series
Eastman Studies in Music Ser.
Type
Textbook
Number of Pages
414 Pages
Dimensions
Item Length
9.3in
Item Height
1.1in
Item Width
6.8in
Item Weight
0 Oz
Additional Product Features
Series Volume Number
101
Number of Volumes
2 Vols.
Lc Classification Number
Ml290.2.W67 2013
Volume Number
Vol. 1
Reviews
Almost every essay is rooted in seventeenth-century Venice. Nonetheless, the editors have achieved what amounts to a landmark collection of scholarly commentary on the compositional, spatial, visual, hermeneutic, and socio-political power of musical drama in this period. will appeal to scholars across a wide array of disciplines. Encourages a keen reconsideration of documentary sources and the stratified ways in which they can be read, . . . combining empirical analysis with a keen cultural and humanistic perspective. [Cusick's chapter] engages the reader in an old musicological topic made fresh by means of a compelling methodological framework. MUSIC & LETTERS The excellent scholarship, brilliant insights, and fresh and sometimes unconventional thinking in this impressive collection offer a significant contribution to the study of the relationship of music and verbal text in seventeenth-century Italy. Representing modern approaches to questions that in some cases are more than a century old, these essays reflect a harmonious variety of methods, points of view, and interests. --Hendrik Schulze, University of North Texas
Original Language
English
Table of Content
Maria Cavalli, Copyist and Teacher - Jennifer Williams BrownIl ritorno di Poppea: A New German Source Provokes Some New Thoughts-and Old Arguments - Alan CurtisAn Unreported Mantuan Libretto from 1623 - Gary TomlinsonThe Triumph of Inconstancy: The Vicissitudes of a Seventeenth-Century Libretto - Beth Glixon and Jonathan E. GlixonA Letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba" - Dinko FabrisRecordings of Music Written for St. Mark's: An Architectural Historian's View - Deborah HowardThe Twenty-Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid-Seventeenth-Century Italian Opera - Alvaro Torrente"Indarno chiedi": Clorinda and the Interpretation of Monteverdi's Combattimento - Suzanne G. CusickThe Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in L'incoronazione di Poppea - Wendy HellerBaciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven - Andrew H. WeaverPowerless Spirit: Echo on the Musical Stage of the Late Renaissance - Barbara Russano HanningExcavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid - Susan Parker ShimpMusic as a Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer - Robert R. HolzerGiambattista Marino's Operatic Aesthetics - Giuseppe MazzottaStrophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi - Ruth I. DeFordCantar ottave, cantar storie - Margaret MurataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [pictaataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [pictaissance - Barbara Russano HanningExcavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid - Susan Parker ShimpMusic as a Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer - Robert R. HolzerGiambattista Marino's Operatic Aesthetics - Giuseppe MazzottaStrophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi - Ruth I. DeFordCantar ottave, cantar storie - Margaret MurataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [pictaataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [picta] - Prof David RosandSelected BibliographyList of ContributorsIndex
Copyright Date
2013
Topic
History & Criticism, Genres & Styles / Classical, Ethnic
Intended Audience
Scholarly & Professional
Illustrated
Yes
Genre
Music
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