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Vertiginous Mirrors: The animation of the visual image and early modern travel (

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Laatst bijgewerkt op 11 mei 2024 06:42:29 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

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Objectstaat
Heel goed
Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
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“crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.”
ISBN
9780719084812
Book Title
Vertiginous Mirrors : the Animation of the Visual Image and Early Modern Travel
Item Length
9.2in
Publisher
Manchester University Press
Publication Year
2011
Format
Hardcover
Language
English
Item Height
0.9in
Author
Rose Marie San Juan
Genre
Travel, Art
Topic
South America / Brazil, European, History / Baroque & Rococo, History / General
Item Width
6.1in
Item Weight
24 Oz
Number of Pages
256 Pages

Over dit product

Product Information

In early modern Europe, the visual image began to move, not only as it traveled across great distances but also due to the introduction of innovative visual formats that produced animation within the image itself. This book traces the arduous journeys of visual images through evidence of their use and reproduction along missionary routes from Europe to India, Japan, China, Brazil and Chile. It argues that missionary world travel was crucial to the early modern re-animation of the image through devices such as the reflection of the mirror, the multiple registers of vision of the anthropomorphic image, the imaginative and disorienting possibilities of the utopic image, and even the reconstitution of the sacred image with memories of the relation of travel to life and death. Within the journeys traced in the book, the visual image forged new connections between different locations and across different cultures, accumulating increasingly entangled histories. Even more intriguingly, these images frequently returned to Europe, changed but still recognisable, there to be used again with an awareness of their earlier travels.

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719084814
ISBN-13
9780719084812
eBay Product ID (ePID)
102819680

Product Key Features

Book Title
Vertiginous Mirrors : the Animation of the Visual Image and Early Modern Travel
Author
Rose Marie San Juan
Format
Hardcover
Language
English
Topic
South America / Brazil, European, History / Baroque & Rococo, History / General
Publication Year
2011
Genre
Travel, Art
Number of Pages
256 Pages

Dimensions

Item Length
9.2in
Item Height
0.9in
Item Width
6.1in
Item Weight
24 Oz

Additional Product Features

Lc Classification Number
N7830
Reviews
San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility., Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images., "San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility.""Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images.", "San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility." "Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images.", ' Vertiginous Mirrors has been published in Manchester University Press's 'Rethinking Art's Histories' series, and indeed the book is a powerful contribution towards that rethinking. San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility.' Oxford Art Journal San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility. Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images. This volume is full of fascinating, if densely packed observations and a creative use of sources..., San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility.Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images.This volume is full of fascinating, if densely packed observations and a creative use of sources..., 'Vertiginous Mirrors has been published in Manchester University Press's 'Rethinking Art's Histories' series, and indeed the book is a powerful contribution towards that rethinking. San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility.' Oxford Art Journal San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility. Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images. This volume is full of fascinating, if densely packed observations and a creative use of sources..., San Juan introduces a radical contingency into our sense of the past by treating the early modern image as a site of potential animation without resolution, and as a result the 'early modern' itself becomes a site of openness and possibility. Vertiginous Mirrors is a deeply original, provocative and sometimes brilliant rethinking of the status of the visual image in early modern Europe. Her readings of seventeeth-century Jesuit imagery convincingly make the case that, in order to get to the truths we seek so far afield, we should learn to travel with images. This volume is full of fascinating, if densely packed observations and a creative use of sources...
Table of Content
Acknowledgements List of illustrations Introduction: Dying to see I. Travel and the re-animation of the image II. Resemblance between proximity and distance 1. The anthropomorphic image: negotiations of space between body and landscape 2. The imperfect replica: departures and arrivals from Naples to Nagasaki 3.The visionary image: the return of the image from Brazil to Rome 4. The utopic Image: unsettling circuits between Chile and Rome Epilogue: The proliferation of the body: Francis Xavier in Goa Bibliography Index
Copyright Date
2011
Dewey Decimal
704.9482
Intended Audience
Trade
Series
Rethinking Art's Histories Ser.
Dewey Edition
22
Illustrated
Yes

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