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Polymer Photogravure: A Step-By-Step Manual, Highlighting Artists and Their
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eBay-objectnummer:364630287305
Specificaties
- Objectstaat
- Book Title
- Polymer Photogravure: A Step-By-Step Manual, Highlighting Artists
- Publication Date
- 2018-12-05
- Pages
- 298
- ISBN
- 9780815366041
- Subject Area
- Photography
- Publication Name
- Polymer Photogravure : a Step-By-Step Manual, Highlighting Artists and Their Creative Practice
- Publisher
- Routledge
- Item Length
- 9.8 in
- Subject
- Techniques / General, General
- Publication Year
- 2018
- Series
- Contemporary Practices in Alternative Process Photography Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 32.1 Oz
- Item Width
- 8 in
- Number of Pages
- 298 Pages
Over dit product
Product Identifiers
Publisher
Routledge
ISBN-10
0815366043
ISBN-13
9780815366041
eBay Product ID (ePID)
14038598893
Product Key Features
Number of Pages
298 Pages
Language
English
Publication Name
Polymer Photogravure : a Step-By-Step Manual, Highlighting Artists and Their Creative Practice
Subject
Techniques / General, General
Publication Year
2018
Type
Textbook
Subject Area
Photography
Series
Contemporary Practices in Alternative Process Photography Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
32.1 Oz
Item Length
9.8 in
Item Width
8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-024953
Reviews
Harmon's book is the most comprehensive book to date on photopolymer gravure, delivering a wealth of information in an easygoing, clear manner. The work and essays by current practitioners is a real bonus. This book is a must-read for those already practicing photopolymer gravure and those new to the process. Mark I. Nelson, Photographer specializing in photopolymer gravure, platinum/palladium processes, and digital negatives
Illustrated
Yes
Table Of Content
Preface Chapter 1 Introduction Section One - The Polymer Photogravure Studio Chapter 2 -The Physical Studio - Materials and Equipment Chapter 3 - Digital Studio - The Virtual Workspace Section Two - The Process of Polymer Photogravure Chapter 4 - Making a Photogravure Print Chapter 5 - Making a Polymer Photogravure Plate Chapter 6 - Photogravure - Additional Techniques Chapter 7 - Troubleshooting Chapter 8 - Printing Portfolios and Editions Section Three - Current Practitioners of Polymer Photogravure Chapter 9 - Contemporary Polymer Photogravure Artists Bibliography and References
Synopsis
Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists' works, illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color, and represent a variety of genres, including still lifes, portraits, nudes, landscapes, urban-scapes and more. Featuring over 30 artists and 200 full-color images, Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies, evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking, wiping and printing method Advanced printing techniques such as chine collé, à la poupée, and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival, consisting of only ink and paper. With Harmon's instructions, continuous tone intaglio prints are within the reach of all., Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists' works, illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color, and represent a variety of genres, including still lifes, portraits, nudes, landscapes, urban-scapes and more. Featuring over 30 artists and 200 full-color images, Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies, evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking, wiping and printing method Advanced printing techniques such as chine coll , la poup e, and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival, consisting of only ink and paper. With Harmon's instructions, continuous tone intaglio prints are within the reach of all.
LC Classification Number
TR980.H37 2019
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