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Nor-Tec Rifa!: Electronic Dance Music from Tijuana to the World by Madrid: Used
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eBay-objectnummer:364517527595
Specificaties
- Objectstaat
- Book Title
- Nor-Tec Rifa!: Electronic Dance Music from Tijuana to the World
- Publication Date
- 2008-03-21
- Pages
- 272
- ISBN
- 9780195326376
- Publication Name
- Nor-Tec Rifa! : Electronic Dance Music from Tijuana to the World
- Item Length
- 6.4in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2008
- Series
- Currents in Latin American and Iberian Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9in
- Item Width
- 9.3in
- Item Weight
- 17.6 Oz
- Number of Pages
- 272 Pages
Over dit product
Product Information
At the dawn of the twenty-first century, the Nor-tec phenomenon emerged from the border city of Tijuana, and through modern Internet technology quickly conquered a global audience. Marketed as a kind of "ethnic" electronic dance music, Nor-tec samples sounds of traditional music from the north of Mexico, transforming these sounds through computer technology used in European and American techno music and electronica. In Nor-tec Rifa!, Alejandro L. Madrid crafts a fascinating account of this music and the city that fostered its birth. With an impressive hybrid of musicology, ethnomusicology, cultural and performance studies, urbanism, and border studies, Nor-tec Rifa! offers compelling insights into the cultural production of Nor-tec as it stems from norteña, banda, and grupera traditions.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195326377
ISBN-13
9780195326376
eBay Product ID (ePID)
63190513
Product Key Features
Publication Name
Nor-Tec Rifa! : Electronic Dance Music from Tijuana to the World
Format
Hardcover
Language
English
Publication Year
2008
Series
Currents in Latin American and Iberian Music Ser.
Type
Textbook
Number of Pages
272 Pages
Dimensions
Item Length
6.4in
Item Height
0.9in
Item Width
9.3in
Item Weight
17.6 Oz
Additional Product Features
Lc Classification Number
Ml3540.5m33 2008
Reviews
"The Nortec Collective stands astride the US/Mexico border creating an art of hope and adaptation. This music represents all that is possible along the new frontier, and it has fomented a movement of art and film and literature that is unique in the world. Alejandro Madrid's masterful studyof this brilliant hybrid stands as one of the important texts in the history of the new, shining, borderlands. Nortec sings, 'Tijuana makes me happy.' This work makes us happy to be alive."--Luis Laberto Urrea, author of The Devil's Highway and The Hummingbird's Daughter, "Alejandro Madrid is an amazing thinker. His fresh theoretical insights are synthesized from a broad base of knowledge and disciplines. This work will appeal to anyone interested in border studies and contemporary societal trends, as well as those with an interest in contemporary music andactivism through music."--Brenda Romero, Associate Professor of Musicology and Ethnomusicology, University of Colorado, "In this brilliant study of a local culture's transnational dynamics and dimensions, Alejandro Madrid reveals how radical changes in contemporary commerce and culture are imbuing old identities, borders, and boundaries with new meanings."--George Lipsitz, author of Footsteps in the Dark, "The Nortec Collective stands astride the US/Mexico border creating an art of hope and adaptation. This music represents all that is possible along the new frontier, and it has fomented a movement of art and film and literature that is unique in the world. Alejandro Madrid's masterful study of this brilliant hybrid stands as one of the important texts in the history of the new, shining, borderlands. Nortec sings, 'Tijuana makes me happy.' This work makes us happy to be alive."--Luis Laberto Urrea, author of The Devil's Highway and The Hummingbird's Daughter "In this brilliant study of a local culture's transnational dynamics and dimensions, Alejandro Madrid reveals how radical changes in contemporary commerce and culture are imbuing old identities, borders, and boundaries with new meanings."--George Lipsitz, author of Footsteps in the Dark "Alejandro Madrid is an amazing thinker. His fresh theoretical insights are synthesized from a broad base of knowledge and disciplines. This work will appeal to anyone interested in border studies and contemporary societal trends, as well as those with an interest in contemporary music and activism through music."--Brenda Romero, Associate Professor of Musicology and Ethnomusicology, University of Colorado "Alejandro Madrid has brilliantly captured Nor-tec's burst into the twenty-first century. This is an innovative book that effectively balances traditional with virtual fieldwork, musical analysis with a cultural-oriented approach, and theoretical reflections with empirically grounded investigations. Madrid's critical mind and analytical skills meet the ingenuity and eloquence of the Nortec Collective."--Helena Simonett, Vanderbilt University, author of Banda: Mexican Musical Life across Borders "Nor-tec has spawned audio imitators, Volvo ads, t-shirts, and indie films, popped up everywhere from art installations to MTV and HBO, and now Tijuana's first-next-big-global-thing finally has its own full-scale scholarly book that lends a critical ear to border beats. With a focused and serious mix of theory, interviews, and lots of listening during long nights in Tijuana clubs, Madrid has done the music and the scene a great service by unraveling its histories and dissecting its meanings for fans and scholars alike."--Josh Kun, Professor of American Studies and Ethnicity, University of Southern California, "The Nortec Collective stands astride the US/Mexico border creating an art of hope and adaptation. This music represents all that is possible along the new frontier, and it has fomented a movement of art and film and literature that is unique in the world. Alejandro Madrid's masterful study of this brilliant hybrid stands as one of the important texts in the history of the new, shining, borderlands. Nortec sings, 'Tijuana makes me happy.' This work makes us happy to be alive."--Luis Alberto Urrea, author of The Devil's Highway and The Hummingbird's Daughter "In this brilliant study of a local culture's transnational dynamics and dimensions, Alejandro Madrid reveals how radical changes in contemporary commerce and culture are imbuing old identities, borders, and boundaries with new meanings."--George Lipsitz, author of Footsteps in the Dark "Alejandro Madrid is an amazing thinker. His fresh theoretical insights are synthesized from a broad base of knowledge and disciplines. This work will appeal to anyone interested in border studies and contemporary societal trends, as well as those with an interest in contemporary music and activism through music."--Brenda M. Romero, Associate Professor of Musicology and Ethnomusicology, University of Colorado "Alejandro Madrid has brilliantly captured Nor-tec's burst into the twenty-first century. This is an innovative book that effectively balances traditional with virtual fieldwork, musical analysis with a cultural-oriented approach, and theoretical reflections with empirically grounded investigations. Madrid's critical mind and analytical skills meet the ingenuity and eloquence of the Nortec Collective."--Helena Simonett, Vanderbilt University, author of Banda: Mexican Musical Life across Borders "Nor-tec has spawned audio imitators, Volvo ads, t-shirts, and indie films, popped up everywhere from art installations to MTV and HBO, and now Tijuana's first-next-big-global-thing finally has its own full-scale scholarly book that lends a critical ear to border beats. With a focused and serious mix of theory, interviews, and lots of listening during long nights in Tijuana clubs, Madrid has done the music and the scene a great service by unraveling its histories and dissecting its meanings for fans and scholars alike."--Josh Kun, University of Southern California, author of Audiotopia: Music, Race, and America ", "Nor-tec has spawned audio imitators, Volvo ads, t-shirts, and indie films, popped up everywhere from art installations to MTV and HBO, and now Tijuana's first-next-big-global-thing finally has its own full-scale scholarly book that lends a critical ear to border beats. With a focused andserious mix of theory, interviews, and lots of listening during long nights in Tijuana clubs, Madrid has done the music and the scene a great service by unraveling its histories and dissecting its meanings for fans and scholars alike."--Josh Kun, Professor of American Studies and Ethnicity,University of Southern California, "In this brilliant study of a local culture's transnational dynamics and dimensions, Alejandro Madrid reveals how radical changes in contemporary commerce and culture are imbuing old identities, borders, and boundaries with new meanings."--George Lipsitz, author of Footsteps in the Dark "The Nortec Collective stands astride the US/Mexico border creating an art of hope and adaptation. This music represents all that is possible along the new frontier, and it has fomented a movement of art and film and literature that is unique in the world. Alejandro Madrid's masterful study of this brilliant hybrid stands as one of the important texts in the history of the new, shining, borderlands. Nortec sings, 'Tijuana makes me happy.' This work makes us happy to be alive."--Luis Laberto Urrea, author of The Devil's Highway and The Hummingbird's Daughter "Alejandro Madrid is an amazing thinker. His fresh theoretical insights are synthesized from a broad base of knowledge and disciplines. This work will appeal to anyone interested in border studies and contemporary societal trends, as well as those with an interest in contemporary music and activism through music."--Brenda Romero, Associate Professor of Musicology and Ethnomusicology, University of Colorado "Alejandro Madrid has brilliantly captured Nor-tec's burst into the twenty-first century. This is an innovative book that effectively balances traditional with virtual fieldwork, musical analysis with a cultural-oriented approach, and theoretical reflections with empirically grounded investigations. Madrid's critical mind and analytical skills meet the ingenuity and eloquence of the Nortec Collective."--Helena Simonett, Vanderbilt University, author of Banda: Mexican Musical Life across Borders "Nor-tec has spawned audio imitators, Volvo ads, t-shirts, and indie films, popped up everywhere from art installations to MTV and HBO, and now Tijuana's first-next-big-global-thing finally has its own full-scale scholarly book that lends a critical ear to border beats. With a focused and serious mix of theory, interviews, and lots of listening during long nights in Tijuana clubs, Madrid has done the music and the scene a great service by unraveling its histories and dissecting its meanings for fans and scholars alike."--Josh Kun, Professor of American Studies and Ethnicity, University of Southern California, "Alejandro Madrid has brilliantly captured Nor-tec's burst into the twenty-first century. This is an innovative book that effectively balances traditional with virtual fieldwork, musical analysis with a cultural-oriented approach, and theoretical reflections with empirically groundedinvestigations. Madrid's critical mind and analytical skills meet the ingenuity and eloquence of the Nortec Collective."--Helena Simonett, Vanderbilt University, author of Banda: Mexican Musical Life across Borders
Table of Content
List of FiguresList of Music ExamplesAcknowledgementsIntroduction: Nor-tec and the Borders1. Origins Revisited. Myth and Discourse in the Nortec Collective2. Tradition, Style, Nostalgia, and the Kitsch3. Getting the Word Around4. "Where is the Donkey Show Mr. Mariachi?" Reterritorializing TJ5. Producers, DJs, Fans, and the Performance of Nor-tec6. Dancing with Desire7. Nor-tec and the Postnational ImaginationBibliography
Copyright Date
2008
Topic
History & Criticism, Ethnomusicology, Genres & Styles / Latin, Genres & Styles / Dance
Lccn
2007-030216
Dewey Decimal
781.640972/23
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Music
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the seller was good. but the book is so so. better off with the DVDs by Dragon associates/Tsunami martial arts supply if they are still around.
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