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Berber Culture On The World Stage : From Village To Video, Paperback by Goodm...
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eBay-objectnummer:364508067419
Specificaties
- Objectstaat
- Book Title
- Berber Culture On The World Stage : From Village To Video
- ISBN
- 9780253217844
- Publication Year
- 2005
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Berber Culture on the World Stage : from Village to Video
- Item Height
- 0.6in
- Item Length
- 9.3in
- Publisher
- Indiana University Press
- Item Width
- 6.1in
- Item Weight
- 14.4 Oz
- Number of Pages
- 256 Pages
Over dit product
Product Information
"[S]ure to interest a number of different audiences, from language and music scholars to specialists on North Africa. . . . a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." ?John Bowen, Washington University In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved global visibility.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253217849
ISBN-13
9780253217844
eBay Product ID (ePID)
45678540
Product Key Features
Publication Name
Berber Culture on the World Stage : from Village to Video
Format
Trade Paperback
Language
English
Publication Year
2005
Type
Textbook
Number of Pages
256 Pages
Dimensions
Item Length
9.3in
Item Height
0.6in
Item Width
6.1in
Item Weight
14.4 Oz
Additional Product Features
Lc Classification Number
Dt283.2.G66 2005
Grade from
College Graduate Student
Reviews
Goodman displays a deep grasp of the historical dynamics and local, national, as well as global political and social transformations of Kabyle culture and music.... Berber Culture on the World Stage is a valuable source for students and scholars of anthropology, North African studies, and ethnomusicology., "... Jane Goodman's Berber Culture on the World Stage: From Village to Video is an absolute gem. Her ability to untangle and articulate complex webs of interaction and levels of meaning is quite impressive. Goodman seamlessly balances the ethnographic with the theoretical, her prose effortlessly flowing from examples to the theories that they demonstrate. The distribution of the book's three sections, moving from history to text to performance, makes the work applicable in a number of classroom settings. Goodman's framework reflects the value of interdisciplinary research, giving readers a better understanding of her subject matter and providing them with intellectual tools with which to analyze and perceive their own academic and personal situations." -Journal of Folklore Research, ... This astute and well-written book is essential reading not only for scholars and students of the Middle East and North Africa but also for anyone interested in how history and aesthetic forms combine to create heritage and cultural identity in the public sphere..., "... Jane Goodman's Berber Culture on the World Stage: From Village to Video is an absolute gem. Her ability to untangle and articulate complex webs of interaction and levels of meaning is quite impressive. Goodman seamlessly balances the ethnographic with the theoretical, her prose effortlessly flowing from examples to the theories that they demonstrate. The distribution of the book's three sections, moving from history to text to performance, makes the work applicable in a number of classroom settings. Goodman's framework reflects the value of interdisciplinary research, giving readers a better understanding of her subject matter and providing them with intellectual tools with which to analyze and perceive their own academic and personal situations." -- Journal of Folklore Research, "... This astute and well-written book is essential reading not only for scholars and students of the Middle East and North Africa but also for anyone interested in how history and aesthetic forms combine to create heritage and cultural identity in the public sphere..." -- American Anthropologist, "... a most welcome addition to North African scholarship.... Such beautifully written depictions of cultural performances within cultural performances make 'Berber Culture on the World Stage' not only a provocative ethnography but also a compelling addition to the classroom, sure to captivate undergraduates through advanced scholars." -Paul A. Silverstein, Reed College, INTNL JRNL MID EAST STD - IJMES, Vol. 41 2009, . . . This astute and well-written book is essential reading not only for scholars and students of the Middle East and North Africa but also for anyone interested in how history and aesthetic forms combine to create heritage and cultural identity in the public sphere. . ., ... a most welcome addition to North African scholarship.... Such beautifully written depictions of cultural performances within cultural performances make 'Berber Culture on the World Stage' not only a provocative ethnography but also a compelling addition to the classroom, sure to captivate undergraduates through advanced scholars.--Paul A. Silverstein, Reed College"INTNL JRNL MID EAST STD - IJMES" (01/01/2009), ... a most welcome addition to North African scholarship.... Such beautifully written depictions of cultural performances within cultural performances make 'Berber Culture on the World Stage' not only a provocative ethnography but also a compelling addition to the classroom, sure to captivate undergraduates through advanced scholars., Goodman displays a deep grasp of the historical dynamics and local, national, as well as global political and social transformations of Kabyle culture and music. . . . Berber Culture on the World Stage is a valuable source for students and scholars of anthropology, North African studies, and ethnomusicology., . . . Jane Goodman's Berber Culture on the World Stage: From Village to Video is an absolute gem. Her ability to untangle and articulate complex webs of interaction and levels of meaning is quite impressive. Goodman seamlessly balances the ethnographic with the theoretical, her prose effortlessly flowing from examples to the theories that they demonstrate. The distribution of the book's three sections, moving from history to text to performance, makes the work applicable in a number of classroom settings. Goodman's framework reflects the value of interdisciplinary research, giving readers a better understanding of her subject matter and providing them with intellectual tools with which to analyze and perceive their own academic and personal situations., ". . . This astute and well-written book is essential reading not only for scholars and students of the Middle East and North Africa but also for anyone interested in how history and aesthetic forms combine to create heritage and cultural identity in the public sphere. . ."-- American Anthropologist ". . . Jane Goodman's Berber Culture on the World Stage: From Village to Video is an absolute gem. Her ability to untangle and articulate complex webs of interaction and levels of meaning is quite impressive. Goodman seamlessly balances the ethnographic with the theoretical, her prose effortlessly flowing from examples to the theories that they demonstrate. The distribution of the book's three sections, moving from history to text to performance, makes the work applicable in a number of classroom settings. Goodman's framework reflects the value of interdisciplinary research, giving readers a better understanding of her subject matter and providing them with intellectual tools with which to analyze and perceive their own academic and personal situations."-- Journal of Folklore Research ". . . a most welcome addition to North African scholarship. . . . Such beautifully written depictions of cultural performances within cultural performances make 'Berber Culture on the World Stage' not only a provocative ethnography but also a compelling addition to the classroom, sure to captivate undergraduates through advanced scholars.Vol. 41 2009"--Paul A. Silverstein, Reed College "Goodman displays a deep grasp of the historical dynamics and local, national, as well as global political and social transformations of Kabyle culture and music. . . . Berber Culture on the World Stage is a valuable source for students and scholars of anthropology, North African studies, and ethnomusicology."-- Journal of the Royal Anthropological Institute, "... This astute and well-written book is essential reading not only for scholars and students of the Middle East and North Africa but also for anyone interested in how history and aesthetic forms combine to create heritage and cultural identity in the public sphere..." -American Anthropologist, "Sure to interest a number of different audiences, from language and music scholars to specialists on North Africa. . . . a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." -John Bowen, Washington University, . . . a most welcome addition to North African scholarship. . . . Such beautifully written depictions of cultural performances within cultural performances make 'Berber Culture on the World Stage' not only a provocative ethnography but also a compelling addition to the classroom, sure to captivate undergraduates through advanced scholars.Vol. 41 2009, "... a most welcome addition to North African scholarship.... Such beautifully written depictions of cultural performances within cultural performances make 'Berber Culture on the World Stage' not only a provocative ethnography but also a compelling addition to the classroom, sure to captivate undergraduates through advanced scholars." -- Paul A. Silverstein, Reed College, INTNL JRNL MID EAST STD - IJMES, Vol. 41 2009, "Goodman displays a deep grasp of the historical dynamics and local, national, as well as global political and social transformations of Kabyle culture and music.... Berber Culture on the World Stage is a valuable source for students and scholars of anthropology, North African studies, and ethnomusicology." -Journal of the Royal Anthropological Institute
Table of Content
Acknowledgments Note on Orthography and Translation Introduction Part I. Circuits 1. The Berber Spring 2. Refracting Berber Identities 3. The Mythical Village Part II. Texts 4. Collecting Poems 5. Authoring Modernity 6. Copyright Matters Part III. Performances 7. Staging Gender 8. Village to Video Epilogue Notes Works Cited Index
Copyright Date
2005
Topic
Ethnomusicology, Sociology / General, Africa / North, Anthropology / Cultural & Social, Instruction & Study / Theory
Lccn
2005-006229
Dewey Decimal
305.89/33065
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Music, History, Social Science
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