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Post Moxie : Poems, Paperback by Story, Julia, Brand New, Free shipping in th...
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Bevindt zich in: Jessup, Maryland, Verenigde Staten
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eBay-objectnummer:364494838740
Specificaties
- Objectstaat
- ISBN
- 9781932511840
- Publication Year
- 2010
- Format
- Trade Paperback
- Language
- English
- Book Title
- Post Moxie : Poems
- Publisher
- Sarabande Books, Incorporated
- Genre
- Poetry
- Topic
- General, American / General
Over dit product
Product Information
Winner of the 2009 Kathryn A. Morton Prize in Poetry, selected by Dan Chiassonn From "The Above Song": Foie gras has been outlawed. So has gravitas, faux grass, middle class. Soon: the past. Julia Story lives in Somerville, Massachusetts.
Product Identifiers
Publisher
Sarabande Books, Incorporated
ISBN-10
1932511849
ISBN-13
9781932511840
eBay Product ID (ePID)
78802294
Product Key Features
Book Title
Post Moxie : Poems
Format
Trade Paperback
Language
English
Topic
General, American / General
Publication Year
2010
Genre
Poetry
Dimensions
Item Length
9in
Item Height
0.2in
Item Width
6in
Item Weight
5.6 Oz
Additional Product Features
Lc Classification Number
Ps3619.T6935p67 2010
Reviews
"A voice distinctly human, frighteningly so, is what we encounter in Julia Story's Post Moxie, winner of the 2009 Kathryn A. Morten Prize in Poetry. Her poems read like missives from the front line of existence, and they've arrived to tell us it's wicked out there. Yet, these poems, striking and strange in both content and form, remind us of the many ways a thing can be beautiful. What's most beautiful about them is their sound, her attention to the subtle textures of our language. Story's ear is first-rate. The lines, most of them haunting, beg to be read aloud." --Ryan Vine, Star Tribune "Poems that think this carefully and provocatively about themselves are scarce. But that's no reason to read a person's poems. The misery and the total enchantment of being alive, of being a complex person, mysterious even to oneself, and of feeling like a clich, of drawing from art and despising art, of thinking simultaneously 'fuck this' and 'bring me more'--that's what got put into this book, and that's what we get out of it." --Dan Chiasson, "A voice distinctly human, frighteningly so, is what we encounter in Julia Story's Post Moxie , winner of the 2009 Kathryn A. Morten Prize in Poetry. Her poems read like missives from the front line of existence, and they've arrived to tell us it's wicked out there. Yet, these poems, striking and strange in both content and form, remind us of the many ways a thing can be beautiful. What's most beautiful about them is their sound, her attention to the subtle textures of our language. Story's ear is first-rate. The lines, most of them haunting, beg to be read aloud." —Ryan Vine, Star Tribune "Poems that think this carefully and provocatively about themselves are scarce. But that's no reason to read a person's poems. The misery and the total enchantment of being alive, of being a complex person, mysterious even to oneself, and of feeling like a cliché, of drawing from art and despising art, of thinking simultaneously 'fuck this' and 'bring me more'—that's what got put into this book, and that's what we get out of it." —Dan Chiasson, "A voice distinctly human, frighteningly so, is what we encounter in Julia Story's Post Moxie , winner of the 2009 Kathryn A. Morten Prize in Poetry. Her poems read like missives from the front line of existence, and they've arrived to tell us it's wicked out there. Yet, these poems, striking and strange in both content and form, remind us of the many ways a thing can be beautiful. What's most beautiful about them is their sound, her attention to the subtle textures of our language. Story's ear is first-rate. The lines, most of them haunting, beg to be read aloud." --Ryan Vine, Star Tribune "Poems that think this carefully and provocatively about themselves are scarce. But that's no reason to read a person's poems. The misery and the total enchantment of being alive, of being a complex person, mysterious even to oneself, and of feeling like a clich, of drawing from art and despising art, of thinking simultaneously 'fuck this' and 'bring me more'--that's what got put into this book, and that's what we get out of it." --Dan Chiasson, "A voice distinctly human, frighteningly so, is what we encounter in Julia Story's Post Moxie, winner of the 2009 Kathryn A. Morten Prize in Poetry. Her poems read like missives from the front line of existence, and they've arrived to tell us it's wicked out there. Yet, these poems, striking and strange in both content and form, remind us of the many ways a thing can be beautiful. What's most beautiful about them is their sound, her attention to the subtle textures of our language. Story's ear is first-rate. The lines, most of them haunting, beg to be read aloud." --Ryan Vine, Star Tribune "Poems that think this carefully and provocatively about themselves are scarce. But that's no reason to read a person's poems. The misery and the total enchantment of being alive, of being a complex person, mysterious even to oneself, and of feeling like a cliché, of drawing from art and despising art, of thinking simultaneously 'fuck this' and 'bring me more'--that's what got put into this book, and that's what we get out of it." --Dan Chiasson, "A voice distinctly human, frighteningly so, is what we encounter in Julia Story's Post Moxie , winner of the 2009 Kathryn A. Morten Prize in Poetry. Her poems read like missives from the front line of existence, and they've arrived to tell us it's wicked out there. Yet, these poems, striking and strange in both content and form, remind us of the many ways a thing can be beautiful. What's most beautiful about them is their sound, her attention to the subtle textures of our language. Story's ear is first-rate. The lines, most of them haunting, beg to be read aloud." --Ryan Vine, Star Tribune "Poems that think this carefully and provocatively about themselves are scarce. But that's no reason to read a person's poems. The misery and the total enchantment of being alive, of being a complex person, mysterious even to oneself, and of feeling like a cliché, of drawing from art and despising art, of thinking simultaneously 'fuck this' and 'bring me more'--that's what got put into this book, and that's what we get out of it." --Dan Chiasson
Copyright Date
2010
Target Audience
Trade
Lccn
2009-035358
Dewey Decimal
811/.6
Dewey Edition
22
Number of Pages
72 Pages
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