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Uncurating Sound: Knowledge with Voice and Hands by Dr Salom? Voegelin (English)
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Bevindt zich in: Fairfield, Ohio, Verenigde Staten
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eBay-objectnummer:364452623981
Specificaties
- Objectstaat
- ISBN-13
- 9781501345418
- Book Title
- Uncurating Sound
- ISBN
- 9781501345418
- Subject Area
- Music, Philosophy
- Publication Name
- Uncurating Sound : Knowledge with Voice and Hands
- Item Length
- 8 in
- Publisher
- Bloomsbury Academic & Professional
- Subject
- History & Criticism, General, Aesthetics, Instruction & Study / Theory
- Publication Year
- 2023
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.4 in
- Item Width
- 5 in
- Item Weight
- 9.6 Oz
- Number of Pages
- 136 Pages
Over dit product
Product Information
Uncurating Sound performs, across five chapters, a deliberation between art, politics, knowledge and normativity. It foregrounds the perfidy of norms and engages in the curatorial as a colonial knowledge project, whose economy of exploitation draws a straight line from Enlightenment's desire for objectivity, through sugar, cotton and tobacco, via lives lost and money made to the violence of contemporary art. It takes from curation the notion of care and thinks it through purposeful inefficiency as resistance: going sideways and another way. Thus it moves curation through the double negative of not not to "uncuration" untethering knowledge from the expectations of reference and a canonical frame, and reconsidering art as political not in its message or aim, but by the way it confronts the institution. Looking at Kara Walker's work, the book invites the performance of the curatorial via indivisible connections and processes. Reading Kathy Acker and Adrian Piper it speculates on how the body brings us to knowledge beyond the ordinary. Playing Kate Carr and Ellen Fullman it re-examines Modernism's colonial ideology, and materialises the vibrational presence of a plural sense. Listening to Marguerite Humeau and Manon de Boer it avoids theory but agitates a direct knowing from voice and hands, and feet and ears that disorder hegemonic knowledge strands in favour of local, tacit, feminist and contingent knowledges that demand like Zanele Muholi's photographs, an ethical engagement with the work/world.
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1501345419
ISBN-13
9781501345418
eBay Product ID (ePID)
24057274855
Product Key Features
Publication Name
Uncurating Sound : Knowledge with Voice and Hands
Format
Hardcover
Language
English
Subject
History & Criticism, General, Aesthetics, Instruction & Study / Theory
Publication Year
2023
Type
Textbook
Subject Area
Music, Philosophy
Number of Pages
136 Pages
Dimensions
Item Length
8 in
Item Height
0.4 in
Item Width
5 in
Item Weight
9.6 Oz
Additional Product Features
LCCN
2022-031331
Lc Classification Number
B105.S59v66 2023
Reviews
"Salomé Voegelin's oeuvre epitomizes sonic dynamism. Her latest work is no different. In Uncurating Sound , Voegelin invites us to listen along as she troubles and blurs static lines between knowledge and curation, writers and bodies, sound and the book, reading and performing. As she converses with works by such figures as Kara Walker, Kathy Acker, Adrian Piper, Kate Carr, Ellen Fullman and Manon de Boer, Voegelin reminds us vitally - especially as we continue to emerge from pandemic isolation and sustained distancing - that we are embodied. And questions like, Who is the "I" and the ear that writes? and For whom do we write and listen? are vital to our collective flourishing. Compelling in its speculation and expansive in its sonic wanderings, Uncurating Sound will interrupt our deep assumptions about sound and knowledge as it calls for us, in all our full embodiment, to listen. Where is your body tuned now?" -- Nicole Furlonge, Professor and Director of the Klingenstein Center, Columbia University, USA "Salomé Voegelin's sensitive handling of sound topics as a post-colonial un-discipline is both observational and treatise-ish, caring and critical, and affirms the complex entanglement of curation, the cannon, the archive, and the body, and proposes a new traversing identity of sound studies. A Tour de Force." -- Miya Masaoka, composer, artist and Associate Professor of Visual Art (Sound Art) and Director, Sound Art Program MFA, Columbia University, USA, "Salomé Voegelin's oeuvre epitomizes sonic dynamism. Her latest work is no different. In Uncurating Sound , Voegelin invites us to listen along as she troubles and blurs static lines between knowledge and curation, writers and bodies, sound and the book, reading and performing. As she converses with works by such figures as Kara Walker, Kathy Acker, Adrian Piper, Kate Carr, Ellen Fullman and Manon de Boer, Voegelin reminds us vitally - especially as we continue to emerge from pandemic isolation and sustained distancing - that we are embodied. And questions like, Who is the "I" and the ear that writes? and For whom do we write and listen? are vital to our collective flourishing. Compelling in its speculation and expansive in its sonic wanderings, Uncurating Sound will interrupt our deep assumptions about sound and knowledge as it calls for us, in all our full embodiment, to listen. Where is your body tuned now?" -- Nicole Furlonge, Professor and Director of the Klingenstein Center, Columbia University, USA, "An actual and effectual processual removing of the residues of decades of artistic and intellectual encrustations." -- Seismograf "Salomé Voegelin's oeuvre epitomizes sonic dynamism. Her latest work is no different. In Uncurating Sound , Voegelin invites us to listen along as she troubles and blurs static lines between knowledge and curation, writers and bodies, sound and the book, reading and performing. As she converses with works by such figures as Kara Walker, Kathy Acker, Adrian Piper, Kate Carr, Ellen Fullman and Manon de Boer, Voegelin reminds us vitally - especially as we continue to emerge from pandemic isolation and sustained distancing - that we are embodied. And questions like, Who is the "I" and the ear that writes? and For whom do we write and listen? are vital to our collective flourishing. Compelling in its speculation and expansive in its sonic wanderings, Uncurating Sound will interrupt our deep assumptions about sound and knowledge as it calls for us, in all our full embodiment, to listen. Where is your body tuned now?" -- Nicole Furlonge, Professor and Director of the Klingenstein Center, Columbia University, USA "Salomé Voegelin's sensitive handling of sound topics as a post-colonial un-discipline is both observational and treatise-ish, caring and critical, and affirms the complex entanglement of curation, the cannon, the archive, and the body, and proposes a new traversing identity of sound studies. A Tour de Force." -- Miya Masaoka, composer, artist and Associate Professor of Visual Art (Sound Art) and Director, Sound Art Program MFA, Columbia University, USA
Table of Content
List of figures Acknowledgements Prologue: Sounding Gaps in Pavements Introduction: Taking a breath together Breath 1 Curating politics in the gallery space Breath 2 The possibility of resistance and the performance of alternatives Performance score listen across to uncurate knowledge Breath 3 With voice and hands sound it IIIIIII Breath 4 Postnormal Performing Walls IX Bibliography List of Works Index
Target Audience
College Audience
Dewey Decimal
110
Dewey Edition
23/Eng/20220826
Illustrated
Yes
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