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Making Modern Japanese-Style Painting: Kano Hogai and the Search for Images, Fox

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eBay-objectnummer:364027283517
Laatst bijgewerkt op 23 mei 2024 22:25:48 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

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Objectstaat
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
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“Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may ...
ISBN
9780226110806
Publication Year
2015
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Making Modern Japanese-Style Painting : Kano Hogai and the Search for Images
Item Height
1.1in
Author
Chelsea Foxwell
Item Length
11.2in
Publisher
University of Chicago Press
Item Width
8.9in
Item Weight
51.4 Oz
Number of Pages
296 Pages

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Product Information

Explores a critical point in the spread of modernism to and through Japan in the late nineteenth century: Western writers responding to Japan's "opening" to the West at the time said they were witnessing the end of pure Japanese art and the beginning of a lamentable phase of westernized cultural hybrids. By the early 1880s, Japanese artists, critics, and policymakers had become so distressed about these international perceptions that they collectively sought to elevate contemporary Japanese art's value and reputation abroad. How to do this was a matter of intense discussion within Japan, often in consultation with important Western collectors. These discussions eventually crystallized around a new term: nihonga, or "Japanese painting," coined by the Japanese to distinguish traditional forms of painting from oil painting and other mediums that had recently been introduced from the West. In doing so, they did more than devise a new name for something that had existed all along: the term nihonga marked a new way of conceptualizing the pastness of Japanese painting and defining the roles that such painting might play in the modernizing era (1868-1912.

Product Identifiers

Publisher
University of Chicago Press
ISBN-10
022611080x
ISBN-13
9780226110806
eBay Product ID (ePID)
23038285724

Product Key Features

Author
Chelsea Foxwell
Publication Name
Making Modern Japanese-Style Painting : Kano Hogai and the Search for Images
Format
Hardcover
Language
English
Publication Year
2015
Type
Textbook
Number of Pages
296 Pages

Dimensions

Item Length
11.2in
Item Height
1.1in
Item Width
8.9in
Item Weight
51.4 Oz

Additional Product Features

Lc Classification Number
Nd1054.5.F69 2015
Reviews
Foxwell's book is scholarly work of the highest order, its primary subject of analysis and the topics developed from it are exceedingly important, and its assiduously developed analysis is substantial and original. Making Modern Japanese-Style Painting not only introduces and contextualizes its subject, it offers an original way of conceptualizing it. In doing so, it serves not only as a significant study in the history of Japanese art, but a significant intervention in art history more broadly., [Foxwell] has a fine eye for analyses of paintings. . . . This messy period is clarified a lot by this book. . . . Highly recommended., Foxwell makes a crucial and timely contribution to the growing body of studies on the artistic practices upended by Japan's political transformation from insular feudalism to internationalist constitutional monarchy. Making Modern Japanese-Style Painting provides a fresh and compelling alternative to understanding the late-nineteenth-century nexus of thinkers, producers, and consumers of art., Skillfully bridging the late Edo and Meiji periods, Foxwell has made a major contribution to new art historical scholarship. Questioning any facile overlay of political transformations onto the world of art, as well as conventional notions of Japanese cultural authenticity, she adeptly demonstrates that the highly diverse nineteenth-century Japanese art world was already undergoing massive changes that cannot simply be attributed to the implementation of a top-down governmental system. Her meticulous research is coupled with an impressively broad consideration of larger epistemological questions that make this a valuable text for all scholars and students interested in modern Japan during this period., Taken as a complete text, Making Modern Japanese-Style Painting demonstrates a sophisticated understanding of the visual and cultural politics of the Meiji period, but, equally important, it supplies a useful foundational discussion of pre-Meiji painting. Furthermore, Foxwell is clearly versed in Western modern art history and critical theory, and succeeds in making effective use of this understanding to enhance her ideas and observations without overencumbering them., "[Foxwell] has a fine eye for analyses of paintings. . . . This messy period is clarified a lot by this book. . . . Highly recommended."  
Table of Content
Acknowledgments Notes to the Reader Introduction: Nihonga and the Historical Inscription of the Modern 1 Exhibitions and the Making of Modern Japanese Painting 2 In Search of Images 3 The Painter and His Audiences 4 Decadence and the Emergence of Nihonga Style 5 Naturalizing the Double Reading 6 Transmission and the Historicity of Nihonga Conclusion Notes Bibliography Index
Copyright Date
2015
Topic
Asian / General, Asia / Japan, Asian / Japanese, Collections, Catalogs, Exhibitions / General, History / Modern (Late 19th Century to 1945)
Lccn
2014-029549
Dewey Decimal
759.952/09034
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art, History

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