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Unseemly Pictures : Graphic Satire and Politics in Early Modern England, Hard...
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eBay-objectnummer:355535649794
Specificaties
- Objectstaat
- ISBN
- 9780300142549
- Book Title
- Unseemly Pictures : Graphic Satire and Politics in Early Modern England
- Publisher
- Yale University Press
- Item Length
- 1 in
- Publication Year
- 2009
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.1 in
- Genre
- Art, History
- Topic
- Europe / Great Britain / Stuart Era (1603-1714), Art & Politics, Prints
- Item Weight
- 38.5 Oz
- Item Width
- 0.8 in
- Number of Pages
- 248 Pages
Over dit product
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300142544
ISBN-13
9780300142549
eBay Product ID (ePID)
66078171
Product Key Features
Book Title
Unseemly Pictures : Graphic Satire and Politics in Early Modern England
Number of Pages
248 Pages
Language
English
Publication Year
2009
Topic
Europe / Great Britain / Stuart Era (1603-1714), Art & Politics, Prints
Illustrator
Yes
Genre
Art, History
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
38.5 Oz
Item Length
1 in
Item Width
0.8 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
769.94209032
Synopsis
This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions., This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions. Published for the Paul Mellon Centre for Studies in British Art
LC Classification Number
NE628.2
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