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Cultural Economy, Paperback by Anheier, Helmut K. (EDT); Isar, Yudhishthir Ra...
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Specificaties
- Objectstaat
- Book Title
- Cultural Economy
- ISBN
- 9781412934749
- Publication Name
- Cultures and Globalization : the Cultural Economy
- Item Length
- 9.8in
- Publisher
- SAGE Publications, The Limited
- Publication Year
- 2008
- Series
- The Cultures and Globalization Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.5in
- Item Width
- 7.5in
- Item Weight
- 65.8 Oz
- Number of Pages
- 688 Pages
Over dit product
Product Information
This second volume, The Cultural Economy, analyzes the dynamic relationship in which culture is part of the process of economic change that in turn changes the conditions of culture. It brings together perspectives from different disciplines to examine such critical issues as: The production of cultural goods and services and the patterns of economic globalizationThe relationship between the commodification of the cultural economy and the aesthetic realmCurrent and emerging organizational forms for the investment, production, distribution and consumption of cultural goods and servicesThe complex relations between creators, producers, distributors and consumers of cultureThe policy implications of a globalizing cultural economy
Product Identifiers
Publisher
SAGE Publications, The Limited
ISBN-10
1412934745
ISBN-13
9781412934749
eBay Product ID (ePID)
102873489
Product Key Features
Publication Name
Cultures and Globalization : the Cultural Economy
Format
Trade Paperback
Language
English
Publication Year
2008
Series
The Cultures and Globalization Ser.
Type
Textbook
Number of Pages
688 Pages
Dimensions
Item Length
9.8in
Item Height
1.5in
Item Width
7.5in
Item Weight
65.8 Oz
Additional Product Features
Lc Classification Number
Hm621
Reviews
The notions of creative industry and creative economy have become ever more insistent in contemporary cultural, economic and urbanistic debates. Provoking vociferous opposition as well as overblown hyperbole the questions raised by these ideas can no longer be side-stepped or dismissed. This extremely rich book surveys the full range of the creative economy, from ethnic-based craftspeople to digital second lifers, and includes Africa and Asia alongside the heartlands of USA and Europe. In so doing it tackles some fundamental questions head-on. It gives full voice to those anxious about global homogenisation and those powerfully critical of the monopolisation and concentration of ownership and control by the mega-corporations. But as the key introductory and concluding chapters make clear, it is simply not possible any longer to ignore the enormous transformational power of the creative economy. We have to both understand the new cultural and economic landscape in which we live and to avoid the blanket condemnations of those who would argue that this global creative economy is inimical to meaningful culture. In this book we find the tools to help achieve both of these Professor Justin OConnorSchool of Performance and Cultural Industries, University of Leeds This catholic volume has succeeded admirably in drawing together a range of leading academics and renowned artists, cultural activists, and consultants to interrogate a series of critical questions about the cultural economy. Drawing from diverse disciplinary and theoretical positions, questions such as whether and how the cultural economy is becoming more globalized, the relationship between commodification and aesthetics, national and transnational patterns of investment, production, distribution and consumption of cultural goods and services, and the policy implications of these various trends, have been critically explored. These diversities of questions, perspectives and authors have been matched by an equally impressive geo-cultural coverage Lily KongProfessor of Geography, National University of Singapore In the age of globalization we are no longer home alone. Migration brings other worlds into our own just as the global reach of the media transmits our world into the hearts and minds of others. Often incommensurate values are crammed together in the same public square. Increasingly we all today live in the kind of edge cultures we used to see only on the frontiers of civilizations in places like Hong Kong or Istanbul. The resulting frictions and fusions are shaping the soul of the coming world order. I can think of no other project with the ambitious scope of defining this emergent reality than "The Cultures and Globalization Project". I can think of no more capable minds than Raj Isar and Helmut Anheier who can pull it off Nathan GardelsEditor-in-Chief, NPQ, Global Services, Los Angeles Times Syndicate/Tribune Media This series represents an innovative approach to the central issues of globalization, that phenomenon of such undefined contours. This volume relates these to the cultural and creative industries in a wide range of powerful analytical perspectives Lupwishi MbuyumbaDirector of the Observatory of Cultural Policies in Africa A "strong editorial hand" is implemented throughout the book to create a unified volume which transcends a mere collection of diverse papers....The book provides a good presentation of our contemporary global socio-cultural and theoretical pluralism..a long lasting source of information Culturelink Network, The notions of 'creative industry' and 'creative economy' have become ever more insistent in contemporary cultural, economic and urbanistic debates. Provoking vociferous opposition as well as overblown hyperbole the questions raised by these ideas can no longer be side-stepped or dismissed. This extremely rich book surveys the full range of the creative economy, from ethnic-based craftspeople to digital second lifers, and includes Africa and Asia alongside the heartlands of USA and Europe. In so doing it tackles some fundamental questions head-on. It gives full voice to those anxious about global homogenisation and those powerfully critical of the monopolisation and concentration of ownership and control by the mega-corporations. But as the key introductory and concluding chapters make clear, it is simply not possible any longer to ignore the enormous transformational power of the creative economy. We have to both understand the new cultural and economic landscape in which we live and to avoid the blanket condemnations of those who would argue that this global creative economy is inimical to meaningful culture. In this book we find the tools to help achieve both of these Professor Justin O'Connor School of Performance and Cultural Industries, University of Leeds This catholic volume has succeeded admirably in drawing together a range of leading academics and renowned artists, cultural activists, and consultants to interrogate a series of critical questions about the cultural economy. Drawing from diverse disciplinary and theoretical positions, questions such as whether and how the cultural economy is becoming more globalized, the relationship between commodification and aesthetics, national and transnational patterns of investment, production, distribution and consumption of cultural goods and services, and the policy implications of these various trends, have been critically explored. These diversities of questions, perspectives and authors have been matched by an equally impressive geo-cultural coverage Lily Kong Professor of Geography, National University of Singapore In the age of globalization we are no longer home alone. Migration brings other worlds into our own just as the global reach of the media transmits our world into the hearts and minds of others. Often incommensurate values are crammed together in the same public square. Increasingly we all today live in the kind of 'edge cultures' we used to see only on the frontiers of civilizations in places like Hong Kong or Istanbul. The resulting frictions and fusions are shaping the soul of the coming world order. I can think of no other project with the ambitious scope of defining this emergent reality than "The Cultures and Globalization Project". I can think of no more capable minds than Raj Isar and Helmut Anheier who can pull it off Nathan Gardels Editor-in-Chief, NPQ, Global Services, Los Angeles Times Syndicate/Tribune Media This series represents an innovative approach to the central issues of globalization, that phenomenon of such undefined contours. This volume relates these to the cultural and creative industries in a wide range of powerful analytical perspectives Lupwishi Mbuyumba Director of the Observatory of Cultural Policies in Africa A "strong editorial hand" is implemented throughout the book to create a unified volume which transcends a mere collection of diverse papers....The book provides a good presentation of our contemporary global socio-cultural and theoretical pluralism..a long lasting source of information Culturelink Network
Table of Content
THE CULTURAL ECONOMY TODAYCultural Economy - Stuart Cunningham, John Banks and Jason Potts The Shape of the FieldGLOBALIZATION AND LOCALIZATIONGlobalization and the Cultural Economy - David Throsby A Crisis of Value?Locating the Cultural Economy - Andy PrattThe Global Cultural Economy - Daniel Drache and Marc D. Froese Power, Citizenship and DissentStrange Bedfellows - Mira Sundara Rajan Law and CultureACTORS AND FORMSFree Culture and Creative Commons - Frances PinterCultural Entrepreneurs - Tom Aageson Producing Cultural Value and WealthThe Intergovernmental Policy Actors - Yudhishthir Raj IsarREGIONAL REALITIESGlobalization and the Cultural Economy - Francis B. Nyamnjoh AfricaGlobalization and the Crafts in South Asia - Jasleen DhamijaEast Asia - Michael Keane the Global-Regional DynamicThe New Korean Wave of U - Jaz ChoiThe Impact of Globalization on the Cultural Industries of Central Asia - Florent le DucEuropean Cultural Systems in Turmoil - Xavier GreffeCountries in Transition - Kirill Razlogov Which Way to Go?Southeastern Europe - Nada Svob-Ðokic, Jaka Primorac and Kresimir Jurlin Emergences and DevelopmentsImpact and Responses in Latin America and the Caribbean - Ana Carla Fonseca Reis and Andrea DavisThe Local Creative Economy in the United States of America - Margaret WyszomirskiFIELDS AND GENRESSpatial Dynamics of Film and Television - Michael CurtinAnyone For Games? - Toby Miller Via the New International Division of LaborDigital Media - Gerard GogginFashion - Sabine IchikawaFestivals - Dragan Klaic Seeking Artistic Distinction in a Crowded FieldThe Bahia Carnival - Paulo MiguezMaking Material Cultural Heritage Work - Martha Friel and Walter Santagata From Traditional Handicrafts to Soft Industrial DesignAustralian Indigenous Art - Mark David Ryan, Michael Keane and Stuart Cunningham Local Dreamings, Global ConsumptionNew Yorks Chelsea District - David Halle and Elisabeth Tiso a Global and Local Perspective on Contemporary ArtCultural Economy - Allen J. Scott Retrospect and Prospect
Copyright Date
2008
Topic
Globalization, Anthropology / Cultural & Social
Dewey Decimal
306.3
Intended Audience
College Audience
Dewey Edition
22
Illustrated
Yes
Genre
Social Science, Political Science
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