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American Independent Cinema, Paperback by King, Geoff, Used Good Condition, F...
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eBay-objectnummer:355208222050
Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Book Title
- American Independent Cinema
- ISBN
- 9780253218261
- Publication Year
- 2005
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- American Independent Cinema
- Item Height
- 0.9in
- Item Length
- 9in
- Publisher
- Indiana University Press
- Item Width
- 6in
- Item Weight
- 16.2 Oz
- Number of Pages
- 304 Pages
Over dit product
Product Information
What exactly is "independent" cinema? King argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes toward social and political issues.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253218268
ISBN-13
9780253218261
eBay Product ID (ePID)
46832303
Product Key Features
Publication Name
American Independent Cinema
Format
Trade Paperback
Language
English
Publication Year
2005
Type
Textbook
Number of Pages
304 Pages
Dimensions
Item Length
9in
Item Height
0.9in
Item Width
6in
Item Weight
16.2 Oz
Additional Product Features
Age Range
18
Lc Classification Number
Pn1993.5.U6k465 2005
Reviews
In its dialectical relationship with the commercial mainstream, the independent film is distinguished by its more complex or decentered narrative structure. This hardheaded study, full of stats and stories, starts with the industrial context in which the US's independent cinema has operated, especially since the mid, 1980s--an institutionalization that, according to King, makes it 'easy to over--romanticize an earlier and supposedly purer notion of independence.' The study springs to life in its close analyses of individual films and directors. It is even more valuable for its treatment of minor works than for its insights into the work of John Cassavetes and David Lynch, especially on the distinguishing formal devices. One chapter applies genre theory to this diversity. The chapter on ideology rounds up the usual suspects--black independents, gender/sex alternatives, the Left--but allows for films that reinforce the mainstream. Although Steven Soderbergh shuttles between the big studio and the small indie, others (e.g., Harmony Korine and Todd Verow) exemplify the more characteristic inassimilable .. mavericks. King is so thorough and insightful one should forgive his presenting the Coen brothers as the Cohens. Summing Up: Highly recommended. Lower--division undergraduates through faculty and professionals., In its dialectical relationship with the commercial mainstream, the independent film is distinguished by its more complex or decentered narrative structure. This hardheaded study, full of stats and stories, starts with the industrial context in which the US's independent cinema has operated, especially since the mid, 1980s--an institutionalization that, according to King, makes it 'easy to over--romanticize an earlier and supposedly purer notion of independence.' The study springs to life in its close analyses of individual films and directors. It is even more valuable for its treatment of minor works than for its insights into the work of John Cassavetes and David Lynch, especially on the distinguishing formal devices. One chapter applies genre theory to this diversity. The chapter on ideology rounds up the usual suspects--black independents, gender/sex alternatives, the Left--but allows for films that reinforce the mainstream. Although Steven Soderbergh shuttles between the big studio and the small indie, others (e.g., Harmony Korine and Todd Verow) exemplify the more characteristic inassimilable.. mavericks. King is so thorough and insightful one should forgive his presenting the Coen brothers as the Cohens. Summing Up: Highly recommended. Lower--division undergraduates through faculty and professionals.--M. Yacowar, University of Calgary, 2006feb CHOICE, "In its dialectical relationship with the commercial mainstream, the independent film is distinguished by its more complex or decentered narrative structure. This hardheaded study, full of stats and stories, starts with the industrial context in which the US's independent cinema has operated, especially since the mid, 1980s -- an institutionalization that, according to King, makes it 'easy to over -- romanticize an earlier and supposedly purer notion of independence.' The study springs to life in its close analyses of individual films and directors. It is even more valuable for its treatment of minor works than for its insights into the work of John Cassavetes and David Lynch, especially on the distinguishing formal devices. One chapter applies genre theory to this diversity. The chapter on ideology rounds up the usual suspects -- black independents, gender/sex alternatives, the Left -- but allows for films that reinforce the mainstream. Although Steven Soderbergh shuttles between the big studio and the small indie, others (e.g., Harmony Korine and Todd Verow) exemplify the more characteristic inassimilable.. mavericks. King is so thorough and insightful one should forgive his presenting the Coen brothers as the Cohens. Summing Up: Highly recommended. Lower -- division undergraduates through faculty and professionals." -- M. Yacowar, University of Calgary, 2006feb CHOICE, "In its dialectical relationship with the commercial mainstream, the independent filmis distinguished by its more complex or decentered narrative structure. This hardheaded study, fullof stats and stories, starts with the industrial context in which the US's independent cinema hasoperated, especially since the mid, 1980s-an institutionalization that, according to King,makes it 'easy to over-romanticize an earlier and supposedly purer notion of independence.'The study springs to life in its close analyses of individual films and directors. It is even morevaluable for its treatment of minor works than for its insights into the work of John Cassavetes andDavid Lynch, especially on the distinguishing formal devices. One chapter applies genre theory tothis diversity. The chapter on ideology rounds up the usual suspects-black independents,gender/sex alternatives, the Left-but allows for films that reinforce the mainstream. AlthoughSteven Soderbergh shuttles between the big studio and the small indie, others (e.g., Harmony Korineand Todd Verow) exemplify the more characteristic inassimilable.. mavericks. King is so thorough andinsightful one should forgive his presenting the Coen brothers as the Cohens. Summing Up: Highlyrecommended. Lower-division undergraduates through faculty and professionals." -M.Yacowar, University of Calgary, 2006feb CHOICE, "In its dialectical relationship with the commercial mainstream, the independent film is distinguished by its more complex or decentered narrative structure. This hardheaded study, full of stats and stories, starts with the industrial context in which the US's independent cinema has operated, especially since the mid, 1980s-an institutionalization that, according to King, makes it 'easy to over-romanticize an earlier and supposedly purer notion of independence.' The study springs to life in its close analyses of individual films and directors. It is even more valuable for its treatment of minor works than for its insights into the work of John Cassavetes and David Lynch, especially on the distinguishing formal devices. One chapter applies genre theory to this diversity. The chapter on ideology rounds up the usual suspects-black independents, gender/sex alternatives, the Left-but allows for films that reinforce the mainstream. Although Steven Soderbergh shuttles between the big studio and the small indie, others (e.g., Harmony Korine and Todd Verow) exemplify the more characteristic inassimilable.. mavericks. King is so thorough and insightful one should forgive his presenting the Coen brothers as the Cohens. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals." -M. Yacowar, University of Calgary, 2006feb CHOICE
Copyright Date
2005
Target Audience
Scholarly & Professional
Topic
Film / General, Film / Direction & Production, Film / History & Criticism
Lccn
2005-281974
Dewey Decimal
791.430973
Dewey Edition
22
Illustrated
Yes
Genre
Performing Arts
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