Times A-Changin : Flexible Meter As Self-Expressio
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Specificaties
- Objectstaat
- Book Title
- Times A-Changin : Flexible Meter As Self-Expression in Singer-son
- ISBN
- 9780197635216
- Publication Name
- Times A-Changin' : Flexible Meter As Self-Expression in Singer-Songwriter Music
- Item Length
- 6.5in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2023
- Series
- Oxford Studies in Music Theory Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8in
- Item Width
- 9.6in
- Item Weight
- 16 Oz
- Number of Pages
- 216 Pages, 208 Pages
Over dit product
Product Information
How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0197635210
ISBN-13
9780197635216
eBay Product ID (ePID)
28059122877
Product Key Features
Publication Name
Times A-Changin' : Flexible Meter As Self-Expression in Singer-Songwriter Music
Format
Hardcover
Language
English
Publication Year
2023
Series
Oxford Studies in Music Theory Ser.
Type
Textbook
Number of Pages
216 Pages, 208 Pages
Dimensions
Item Length
6.5in
Item Height
0.8in
Item Width
9.6in
Item Weight
16 Oz
Additional Product Features
Lc Classification Number
Ml3850.M815 2023
Reviews
"Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba "Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970s--artists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing processof decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970sDLartists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating bookwith new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970s--artists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970sDLartists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970s'e"artists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College
Table of Content
Abstract Table of Contents List of Figures and Captions Acknowledgements Chapter 1: The Self Expressive Rhetoric of Flexible Meter Self-Expressive Features Flexible Meter and "The Fiddle and the Drum" Self-Expression and the Singer-Songwriter Expectations for Singer-Songwriter Music Bob Dylan and The Folk Revival Flexible Meter as Self-Expression in Singer-Songwriter Music Chapter 2: The Theory of Flexible Meter Types of Flexible Meter Regular Meter Reinterpreted Meter Lost Meter Ambiguous Meter Metric Potential Chapter 3: Regular and Reinterpreted Meter Regular Meter Reinterpreted Meter Joni Mitchell's Rhapsodic Sentiments Paul Simon: Reinterpreted Meter Expressing Enigmatic Lyrics Cat Stevens's Introspection A Closer Look: Joni Mitchell's "Lesson in Survival" Chapter 4: Self-Expressive Innovations: Lost Meter Bob Dylan's "Only a Pawn in Their Game" Cat Stevens's "Time" Joni Mitchell's "Blue" Chapter 5: Intensifying "Imperfection": Ambiguous Meter Bob Dylan's "Down the Highway" Bob Dylan's "Restless Farewell" Joni Mitchell's "The Fiddle and the Drum" Buffy Sainte-Marie's "Sir Patrick Spens" Chapter 6: What Happens Next? Self-Expressive Flexible Meter Beyond 1982 Future Singer-Songwriters Buffy Sainte-Marie's "My Country" (1966) "My Country" (1966, Rainbow Quest) "My Country" (2017, Medicine Songs) Conclusion: Flexible Meter as Self-Expression Index
Topic
History & Criticism, Genres & Styles / General
Lccn
2023-006287
Dewey Decimal
782.42164/1226
Intended Audience
Scholarly & Professional
Dewey Edition
23/Eng/20230210
Illustrated
Yes
Genre
Music
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