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Disharmony of the Spheres : The Europe of Holbein’s Ambassadors, Paperback by...
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eBay-objectnummer:354956346013
Specificaties
- Objectstaat
- Book Title
- Disharmony of the Spheres : The Europe of Holbein’s Ambassadors
- ISBN
- 9780271083414
- Subject Area
- Art, Religion, History
- Publication Name
- Disharmony of the Spheres : the Europe of Holbein's Ambassadors
- Item Length
- 10 in
- Publisher
- Pennsylvania STATE University Press
- Subject
- Modern / 16th Century, Europe / Renaissance, History, European, History / Renaissance
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Width
- 7 in
- Item Weight
- 20.8 Oz
- Number of Pages
- 216 Pages
Over dit product
Product Information
Explores how certain educated northern Europeans in the first half of the sixteenth century increasingly saw their world as disharmonious and inclusive of mutual contradiction. Examines how early modern writers grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine.
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271083417
ISBN-13
9780271083414
eBay Product ID (ePID)
26050036233
Product Key Features
Publication Name
Disharmony of the Spheres : the Europe of Holbein's Ambassadors
Format
Trade Paperback
Language
English
Subject
Modern / 16th Century, Europe / Renaissance, History, European, History / Renaissance
Publication Year
2020
Type
Textbook
Subject Area
Art, Religion, History
Number of Pages
216 Pages
Dimensions
Item Length
10 in
Item Height
0.6 in
Item Width
7 in
Item Weight
20.8 Oz
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
" Disharmony of the Spheres exemplifies a genuinely new kind of early modern cultural studies. Each of Nelson's readings displays the same 'technical mastery' of the protocols of the several disciplines across which the book works--art history, history of science and technology, institutional history, early modern philology, and diplomacy too--that she so admires in Holbein's work." --Jane O. Newman,author of Benjamin's Library: Modernity, Nation, and the Baroque, "Nelson brings a refreshing interdisciplinarity to Holbein's Ambassadors that allows us to see it through a theological preoccupation with difference and discrepancy. The happy result is a defamiliarizing of one of the most familiar paintings of Renaissance Europe." -Michael Gaudio, CAA.Reviews, "A true delight. This is one of the most engaging monographs in art history (in fact truly interdisciplinary, but with a strong foundation in art history) I have had the pleasure to read in a long time." --Rebecca Zorach, author of The Passionate Triangle, "By exploring the epistemic violence done to the European consciousness and the subsequent rupturing of a unified society, the book allows us to explore the ways in which parts of the same world are in fact incongruous, at odds with one another, yet, at the same time, deeply entangled. Nelson's methods of doing so are particularly important, as she moves dexterously between art history, theology, history of science, and Christian humanism." --Robert John Clines, Renaissance Studies, "As a whole, Nelson's Disharmony of the Spheres is a dynamic new way of thinking about changing conceptions of space in early modern Europe. Nelson presents an impressive body of research, and the means by which she explains the value of sustained difference and self-dissimilarity is highly convincing." -Sheena Jary, Renaissance and Reformation, "Nelson brings a refreshing interdisciplinarity to Holbein's Ambassadors that allows us to see it through a theological preoccupation with difference and discrepancy. The happy result is a defamiliarizing of one of the most familiar paintings of Renaissance Europe." --Michael Gaudio, caa.reviews, " Disharmony of the Spheres exemplifies a genuinely new kind of early modern cultural studies. Each of Nelson's readings displays the same 'technical mastery' of the protocols of the several disciplines across which the book works-art history, history of science and technology, institutional history, early modern philology, and diplomacy too-that she so admires in Holbein's work." -Jane O. Newman, author of Benjamin's Library: Modernity, Nation, and the Baroque, "As a whole, Nelson's Disharmony of the Spheres is a dynamic new way of thinking about changing conceptions of space in early modern Europe. Nelson presents an impressive body of research, and the means by which she explains the value of sustained difference and self-dissimilarity is highly convincing." --Sheena Jary Renaissance and Reformation, "This book takes as its unifying feature one of the most famous Northern Renaissance paintings in the National Gallery, London: Hans Holbein's The Ambassadors (1533). Nelson divides her discussion into five chapters, giving broad intellectual context to the work." -A. V. Coonin, Choice, "By exploring the epistemic violence done to the European consciousness and the subsequent rupturing of a unified society, the book allows us to explore the ways in which parts of the same world are in fact incongruous, at odds with one another, yet, at the same time, deeply entangled. Nelson's methods of doing so are particularly important, as she moves dexterously between art history, theology, history of science, and Christian humanism." --Robert John Clines Renaissance Studies, "A true delight. This is one of the most engaging monographs in art history (in fact truly interdisciplinary, but with a strong foundation in art history) I have had the pleasure to read in a long time." --Rebecca Zorach,author of The Passionate Triangle, "Nelson brings a refreshing interdisciplinarity to Holbein's Ambassadors that allows us to see it through a theological preoccupation with difference and discrepancy. The happy result is a defamiliarizing of one of the most familiar paintings of Renaissance Europe." -Michael Gaudio, caa.reviews, " Disharmony of the Spheres exemplifies a genuinely new kind of early modern cultural studies. Each of Nelson's readings displays the same 'technical mastery' of the protocols of the several disciplines across which the book works--art history, history of science and technology, institutional history, early modern philology, and diplomacy too--that she so admires in Holbein's work." --Jane O. Newman, author of Benjamin's Library: Modernity, Nation, and the Baroque, "A true delight. This is one of the most engaging monographs in art history (in fact truly interdisciplinary, but with a strong foundation in art history) I have had the pleasure to read in a long time." -Rebecca Zorach, author of The Passionate Triangle, "As a whole, Nelson's Disharmony of the Spheres is a dynamic new way of thinking about changing conceptions of space in early modern Europe. Nelson presents an impressive body of research, and the means by which she explains the value of sustained difference and self-dissimilarity is highly convincing." --Sheena Jary, Renaissance and Reformation, "By exploring the epistemic violence done to the European consciousness and the subsequent rupturing of a unified society, the book allows us to explore the ways in which parts of the same world are in fact incongruous, at odds with one another, yet, at the same time, deeply entangled. Nelson's methods of doing so are particularly important, as she moves dexterously between art history, theology, history of science, and Christian humanism." -Robert John Clines, Renaissance Studies, "Nelson brings a refreshing interdisciplinarity to Holbein's Ambassadors that allows us to see it through a theological preoccupation with difference and discrepancy. The happy result is a defamiliarizing of one of the most familiar paintings of Renaissance Europe." --Michael Gaudio caa.reviews, "This book takes as its unifying feature one of the most famous Northern Renaissance paintings in the National Gallery, London: Hans Holbein's The Ambassadors (1533). Nelson divides her discussion into five chapters, giving broad intellectual context to the work." --A. V. Coonin, Choice, "This book takes as its unifying feature one of the most famous Northern Renaissance paintings in the National Gallery, London: Hans Holbein's The Ambassadors (1533). Nelson divides her discussion into five chapters, giving broad intellectual context to the work." --A. V. Coonin Choice, "As a whole, Nelson's Disharmony of the Spheres is a dynamic new way of thinking about changing conceptions of space in early modern Europe. Nelson presents an impressive body of research, and the means by which she explains the value of sustained difference and self-dissimilarity is highly convincing."-Sheena Jary, Renaissance and Reformation "Nelson brings a refreshing interdisciplinarity to Holbein's Ambassadors that allows us to see it through a theological preoccupation with difference and discrepancy. The happy result is a defamiliarizing of one of the most familiar paintings of Renaissance Europe."-Michael Gaudio, caa.reviews "By exploring the epistemic violence done to the European consciousness and the subsequent rupturing of a unified society, the book allows us to explore the ways in which parts of the same world are in fact incongruous, at odds with one another, yet, at the same time, deeply entangled. Nelson's methods of doing so are particularly important, as she moves dexterously between art history, theology, history of science, and Christian humanism."-Robert John Clines, Renaissance Studies "This book takes as its unifying feature one of the most famous Northern Renaissance paintings in the National Gallery, London: Hans Holbein's The Ambassadors (1533). Nelson divides her discussion into five chapters, giving broad intellectual context to the work."-A. V. Coonin, Choice "A true delight. This is one of the most engaging monographs in art history (in fact truly interdisciplinary, but with a strong foundation in art history) I have had the pleasure to read in a long time."-Rebecca Zorach, author of The Passionate Triangle "Disharmony of the Spheres exemplifies a genuinely new kind of early modern cultural studies. Each of Nelson's readings displays the same 'technical mastery' of the protocols of the several disciplines across which the book works-art history, history of science and technology, institutional history, early modern philology, and diplomacy too-that she so admires in Holbein's work."-Jane O. Newman, author of Benjamin's Library: Modernity, Nation, and the Baroque
Table of Content
List of Illustrations Preface and Acknowledgments 1. Anamorphosis as Symbolic Form 2. Melanchthon's Imperfect Mathematics 3. Hartmann's Locative Science 4. Erasmus Enumerates Europe 5. The Self-Dissimilar Salvation of Holbein's Ambassadors Notes Bibliography Index
Copyright Date
2019
Illustrated
Yes
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The book was a little beat up on the front and back cover but expected for delivery. Overall happy with the purchase