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Dada Presentism: An Essay on Art and History, Stavrinaki, Maria, Very Good Book
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eBay-objectnummer:354351991912
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- ISBN
- 9780804794244
- Publication Year
- 2016
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Dada Presentism : an Essay on Art and History
- Item Height
- 0.6in
- Item Length
- 8.5in
- Publisher
- Stanford University Press
- Item Width
- 5.5in
- Item Weight
- 23.5 Oz
- Number of Pages
- 120 Pages
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Product Information
Rather than exploring the Dada movement from the usual perspective of its strategies of shock and opposition, this book gives us a new picture of Dada art and writings as a lucid reflection on history and the role of art therein.
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804794243
ISBN-13
9780804794244
eBay Product ID (ePID)
219193647
Product Key Features
Publication Name
Dada Presentism : an Essay on Art and History
Format
Hardcover
Language
English
Publication Year
2016
Type
Textbook
Number of Pages
120 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
23.5 Oz
Additional Product Features
Lc Classification Number
Nx550
Reviews
"A remarkable meditation on the meta-historical significance of Dada."--Maria Gough, Harvard University, "According to a wise old saying, 'inside every fat book there is a thin article struggling to get out'. Its truth is confirmed by this remarkable and authoritative essay"--Richard Sheppard , Journal of European Studies, "Elegantly written, thorough, and unlike any other study of Dada, this essay manages to succinctly point out the uniqueness and importance of the movement. It will become a key text in twentieth-century history of art."--Rudolf Kuenzli, The University of Iowa, "Maria Stavrinaki's lively and subtle investigation recaptures the radicalism of the Dada movement: its championing of the present and presentism at a time when Europe was in utter disarray, buffeted between regret for the past and appeals to a revolutionary future. This incisive book further serves as a useful incitement to thought, for behind the presentism of the 1920s lies that of our societies today."--François Hartog, author of Regimes of Historicity, "With the potential to nudge Dada studies in another direction altogether, this book prizes apart the philosophical and political dimensions of time and history precisely at the moment where they come radically into question. Offering a rich perspective from which to assess not only Dada, but also other modernist enterprises, it is a brisk, revivifying breath of fresh air."--Sabine Kriebel, University College, Cork
Table of Content
Contents and Abstracts I: Posthistory and Prehistory chapter abstract The introduction of the book is a submersion into the semantics of history according to Dada at the end of the First World War. On the one hand, it is about the transitions and ruptures between several other avant-garde movements and Dada. On the other hand, this semantic introduction tries to demonstrate the apparently contradictory, but profoundly coherent character of Dada, oscillating between eclecticism and primitivism, between the sense of a fossilized history and the sense of a second prehistory. II: The Present as Reproducible Time chapter abstract This chapter is a careful analysis of some significant Dadaist artworks, the most important of which (a photograph of a Dada exhibition) is usually examined as a simple historical document. Exploring the analogies between photography and history, analyzed in 1927 by Siegfried Kracauer, this chapter aims to show that presentism was also imposed to Dada by the new means of production and consumption of images. Defining the various modes of the analogies between photography and history in the work of Dada artists, this chapter proposes a twofold ramification: the device of montage such as used in its critical function by Georg Grosz and John Heartfield is thus opposed to the profound ambivalence of reproducibility in the work of Johannes Baader, oscillating between nothingness and God. III: Art''s Efficacy or Dada''s Use-Value chapter abstract One of the aims of Dadaist presentism was to show the plus-value gained by the past and the future within capitalized history. If classical past was anachronistic according to Dada, its effects were profoundly present. Dada established a semantic equivalence between German idealism, Weimar classicism, parliamentary democracy and socialistic evolutionism. It''s antiphrastic formal devices aimed to expose the mechanism and the effect of this semantic equivalence, namely the repetition of the same "nightmare of history", the plus-value of eternity. Chapter keywords: Plus-value, Eternity, cultural heritage, Marxism, political efficiency IV: The Moment of Decision: The Future-from-Now chapter abstract Dadaist decisionism invested a horizontal, decentered ontology of the subject and of art. Renouncing to the autonomy of art - the exact meaning of the "death of art" - they either put it to the service of the communist Revolution, or to a more ambivalent, anarchic vision of reality, considered as a complex of constantly changing relations. V: The Paradigm of Immaculate Conception: Between Fiction and History chapter abstract This last chapter explores the non genetic Dadaist conception of history, whose paradigm is to be found in the process of mechanical reproduction as well as in the theme of immaculate conception. It also explores a profound ambiguity of Dada created by its obsession with ephemeral temporality and its not less obsessive writing of history. Dada artists were their own historiographers. Accepting though the facticity of history, they cultivated a systematic ambivalence between facts and legends. Past remained thus open to all the following presents - and this was an ultimate aspect of Dada presentism.
Copyright Date
2016
Topic
Criticism & Theory, European, History / Modern (Late 19th Century to 1945), History / General
Lccn
2015-028116
Dewey Decimal
709.04/062
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art
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