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The Deaths of the Author : Reading and Writing in Time by Jane Gallop (2011, PB)
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Specificaties
- Objectstaat
- Vrijwel nieuw
- Opmerkingen van verkoper
- “Paperback. Light shelf wear. 171 pages.”
- Subject
- Writing & Reading
- Subject Area
- Literary Studies
- Custom Bundle
- No
- Personalized
- No
- Country/Region of Manufacture
- United States
- ISBN
- 9780822350811
- Book Title
- Deaths of the Author : Reading and Writing in Time
- Item Length
- 0.3in
- Publisher
- Duke University Press
- Publication Year
- 2011
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Literary Criticism, Language Arts & Disciplines, Social Science
- Topic
- Death & Dying, Authorship, Feminist, Lgbt Studies / General, Semiotics & Theory
- Item Width
- 0.2in
- Item Weight
- 8.6 Oz
- Number of Pages
- 184 Pages
Over dit product
Product Information
Through close readings of Barthes, Derrida, Sedgwick, and Spivak, Jane Gallop connects the theoretical death of the author to the writers literal death, as well as other authorial deaths, such as obsolescence.
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822350815
ISBN-13
9780822350811
eBay Product ID (ePID)
102886281
Product Key Features
Book Title
Deaths of the Author : Reading and Writing in Time
Format
Trade Paperback
Language
English
Topic
Death & Dying, Authorship, Feminist, Lgbt Studies / General, Semiotics & Theory
Publication Year
2011
Genre
Literary Criticism, Language Arts & Disciplines, Social Science
Number of Pages
184 Pages
Dimensions
Item Length
0.3in
Item Height
0.6in
Item Width
0.2in
Item Weight
8.6 Oz
Additional Product Features
Lc Classification Number
Pn171.P83g355 2011
Reviews
"Jane Gallop is no doubt one of the best readers of her generation, but with The Deaths of the Author she proves that her writing is unprecedented: sharp, brisk, with a great sense of rhythm, utterly sophisticated and yet perfectly clear, from the very first till the very last sentence." - Jan Baeten, Leonardo, "Always lively and lucid, Jane Gallop has produced another remarkable book. Taken literally, the familiar notion of 'the death of the author' acquires a wholly different resonance in these essays on major contemporary theorists, who reflect on the temporality of writing and the effects of deaths of authors."- Jonathan Culler , Cornell University, "Gallop's close readings in and around queer lives, the "fragments" that the "dead-but-still-going" author leaves behind, elegantly invite us into the traces, ghostings and shadows that viscerally render the imbrication between the theoretical and the personal - a dynamic often disregarded in many academic circles. By writing Barthes (then Derrida, then Sedgwick, then Owens, then Lynch, and then Spivak), [she] breathes life into the future-perfect corpses that are never really dead as such in the first place. The Deaths of the Author conjures a corps de ballet in which Gallop cinematically choreographs shadows and bodies so that in their performance they commingle. I am thankful for the invitation to dance." - David A. Gerstner, Reviews in Cultural Theory, "Jane Gallop is one of the small handful of critics who are keeping close reading alive. With this volume, she illuminates the stakes in paying such careful and loving attention to the words by which writers are turned, and turn themselves, into authors: stakes made visible on the relational field joining reader and author in an intimate bond that's desirous, companionate, aggressive, indecent, sustaining, disturbing, unstable, and, when elaborated by a critic and thinker as gifted and incisive as Jane Gallop, also endlessly productive."- Lee Edelman , author of No Future: Queer Theory and the Death Drive, Gallop has provided us with a profound look at what it means to read and write in the face of human mortality. Highly recommended for students of literature and literary theory., "Gallop meticulously yet gracefully analyzes the complicated relationship between a devoted reader and the author that inspires them. . . . Gallop's impressive close reading breathes new life into these dead authors and fittingly pays tribute to the man who killed the author and liberated the reader by practicing what he preached at a level of insight and clarity on par with Barthes himself." - Chase Dimock, Lambda Literary Review, "Always lively and lucid, Jane Gallop has produced another remarkable book. Taken literally, the familiar notion of 'the death of the author' acquires a wholly different resonance in these essays on major contemporary theorists, who reflect on the temporality of writing and the effects of deaths of authors."-- Jonathan Culler , Cornell University, Gallop's close readings in and around queer lives, the 'fragments' that the 'dead-but-still-going' author leaves behind, elegantly invite us into the traces, ghostings and shadows that viscerally render the imbrication between the theoretical and the personal -- a dynamic often disregarded in many academic circles. By writing Barthes (then Derrida, then Sedgwick, then Owens, then Lynch, and then Spivak), [she] breathes life into the future-perfect corpses that are never really dead as such in the first place. The Deaths of the Author conjures a corps de ballet in which Gallop cinematically choreographs shadows and bodies so that in their performance they commingle. I am thankful for the invitation to dance., "Jane Gallop is one of the small handful of critics who are keeping close reading alive. With this volume, she illuminates the stakes in paying such careful and loving attention to the words by which writers are turned, and turn themselves, into authors: stakes made visible on the relational field joining reader and author in an intimate bond that's desirous, companionate, aggressive, indecent, sustaining, disturbing, unstable, and, when elaborated by a critic and thinker as gifted and incisive as Jane Gallop, also endlessly productive."-- Lee Edelman , author of No Future: Queer Theory and the Death Drive, "Always lively and lucid, Jane Gallop has produced another remarkable book. Taken literally, the familiar notion of 'the death of the author' acquires a wholly different resonance in these essays on major contemporary theorists, who reflect on the temporality of writing and the effects of deaths of authors." Jonathan Culler, Cornell University"Jane Gallop is one of the small handful of critics who are keeping close reading alive. With this volume, she illuminates the stakes in paying such careful and loving attention to the words by which writers are turned, and turn themselves, into authors: stakes made visible on the relational field joining reader and author in an intimate bond that's desirous, companionate, aggressive, indecent, sustaining, disturbing, unstable, and, when elaborated by a critic and thinker as gifted and incisive as Jane Gallop, also endlessly productive." Lee Edelman, author of No Future: Queer Theory and the Death Drive, "Gallop's close readings in and around queer lives, the "fragments" that the "dead-but-still-going" author leaves behind, elegantly invite us into the traces, ghostings and shadows that viscerally render the imbrication between the theoretical and the personal -- a dynamic often disregarded in many academic circles. By writing Barthes (then Derrida, then Sedgwick, then Owens, then Lynch, and then Spivak), [she] breathes life into the future-perfect corpses that are never really dead as such in the first place. The Deaths of the Author conjures a corps de ballet in which Gallop cinematically choreographs shadows and bodies so that in their performance they commingle. I am thankful for the invitation to dance." - David A. Gerstner, Reviews in Cultural Theory, "Jane Gallop revitalises debates on the 'death of the author' theory by examining the effect the theory has on the author of a landmark work. She uses readings of influential literary theorists Roland Barthes, Jacques Derrida, Eve Kosofsky Sedgwick and Gayatri Chakravorty Spivak to connect an author's theoretical, literal and metaphoric deaths to discuss the idea." - Times Higher Education, "Gallop turns the poststructuralist move of decentering the author to fresh account here, going beyond the necessary evacuation of subjective privilege to a moving engagement with the afterlife of the author as a haunting presence whose shadow still fills us with desire." - Patrick Pritchett, Writing the Messianic blog, ". . . Gallop can be highly perceptive when focusing closely on texts, in these readings of Barthes, Derrida (especially The Work of Mourning ), Sedgwick, and Spivak." - Steven Poole, The Guardian, ". . . Gallop has provided us with a profound look at what it means to read and write in the face of human mortality. Highly recommended for students of literature and literary theory." - Emily Manuel, Global Comment
Table of Content
Acknowledgments vii Introduction 1 Part I. The Friendly Return of the Author 27 1. The Author Is Dead but I Desire the Author 29 2. The Ethics of Indecency 55 Part II. If I Were a Writer and Dead 85 3. The Queer Temporality of Writing 87 4. The Persistent and Vanishing Present 115 Notes 145 Works Cited 163 Index 167
Copyright Date
2011
Lccn
2011-006379
Dewey Decimal
801/.95
Dewey Edition
22
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