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From Still Life to the Screen: Print Culture, Display, and the M
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eBay-objectnummer:335344702051
Specificaties
- Objectstaat
- Title
- From Still Life to the Screen: Print Culture, Display, and the M
- ISBN
- 9780300196351
- Subject Area
- Art, Business & Economics, History
- Publication Name
- From Still Life to the Screen : Print Culture, Display, and the Materiality of the Image in Eighteenth-Century London
- Publisher
- Yale University Press
- Item Length
- 1 in
- Subject
- Consumer Behavior, General, Europe / Great Britain / General, European, Prints, History / General
- Publication Year
- 2013
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.1 in
- Item Weight
- 43.5 Oz
- Item Width
- 0.8 in
- Number of Pages
- 292 Pages
Over dit product
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300196350
ISBN-13
9780300196351
eBay Product ID (ePID)
166357721
Product Key Features
Number of Pages
292 Pages
Publication Name
From Still Life to the Screen : Print Culture, Display, and the Materiality of the Image in Eighteenth-Century London
Language
English
Publication Year
2013
Subject
Consumer Behavior, General, Europe / Great Britain / General, European, Prints, History / General
Type
Textbook
Subject Area
Art, Business & Economics, History
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
43.5 Oz
Item Length
1 in
Item Width
0.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-009225
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
769.942109033
Synopsis
From Still Life to the Screen explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In his lively and insightful text, Joseph Monteyne considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. The desire for goods emerged in tandem with modern notions of identity, in which things were seen to mirror and symbolize the self. Prints, particularly graphic satires by such artists as Matthew and Mary Darly, James Gillray, William Hogarth, Thomas Rowlandson, and Paul Sandby, were actively involved in this shift. Many of these images play with the boundaries between the animate and the inanimate, self and thing. They also reveal the recurring motif of image display, whether on screens, by magic lanterns, or in "raree-shows" and print-shop windows. The author links this motif to new conceptions of the self, specifically through the penetration of spectacle into everyday experience., From Still Life to the Screen explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In his lively and insightful text, Joseph Monteyne considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. The desire for goods emerged in tandem with modern notions of identity, in which things were seen to mirror and symbolize the self. Prints, particularly graphic satires by such artists as Matthew and Mary Darly, James Gillray, William Hogarth, Thomas Rowlandson, and Paul Sandby, were actively involved in this shift. Many of these images play with the boundaries between the animate and the inanimate, self and thing. They also reveal the recurring motif of image display, whether on screens, by magic lanterns, or in "raree-shows" and print-shop windows. The author links this motif to new conceptions of the self, specifically through the penetration of spectacle into everyday experience. Published for the Paul Mellon Centre for Studies in British Art
LC Classification Number
NE631.L66M655 2013
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