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Time Frames : Japanese Cinema and the Unfolding of History by Scott Nygren...
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Bevindt zich in: Saint Paul, Minnesota, Verenigde Staten
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eBay-objectnummer:335261411758
Specificaties
- Objectstaat
- Subject
- Asia / General, Film / History & Criticism
- ISBN
- 9780816647088
- Subject Area
- Performing Arts, History
- Publication Name
- Time Frames : Japanese Cinema and the Unfolding of History
- Publisher
- University of Minnesota Press
- Item Length
- 10 in
- Publication Year
- 2007
- Type
- Textbook
- Format
- Perfect
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 12.3 Oz
- Item Width
- 7 in
- Number of Pages
- 304 Pages
Over dit product
Product Identifiers
Publisher
University of Minnesota Press
ISBN-10
0816647089
ISBN-13
9780816647088
eBay Product ID (ePID)
63749420
Product Key Features
Number of Pages
304 Pages
Language
English
Publication Name
Time Frames : Japanese Cinema and the Unfolding of History
Publication Year
2007
Subject
Asia / General, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, History
Format
Perfect
Dimensions
Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-033998
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
791.430952
Synopsis
Until 1951, when Kurosawa's Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored.In Time Frames, Scott Nygren explores how Japanese film criticism and history has been written both within and beyond Japan, before and after Rashomon. He takes up the central question of which, and whose, Japan do critics and historians mean when reviewing the country's cinema-an issue complicated by assumptions about cultural purity, Japan's appropriation of Western ideas and technologies, and the very existence of a West and an Orientalist non-West.Deftly moving backward and forward from the pivotal 1951 festival, Nygren traces the invention of Japanese film history as a disciplinary mode of knowledge. His analysis includes such topics as the reconfiguration of prewar films in light of postwar recognition, the application of psychoanalytic theory to Japanese art and culture, and the intersection of kanji and cinema. He considers the historical inscription of 1950s Japan as "the golden age of the humanist film," the identification of a Japanese New Wave and the implications of categorizing Japanese film through analogy to other national cinemas. Bringing the discussion to Japan's reception of postmodernism, Nygren looks at the emergence of video art and anime and the end of Japanese film history as a meaningful concept in the rise of the Internet and globalization.Nygren highlights the creative exchange among North American, European, and Asian media, places Japanese film at the center of this discourse, and, ultimately, reveals its global role as a cultural medium, capable of transforming theory.Scott Nygren is associate professor of film and media studies at the University of Florida., Until 1951, when Kurosawa's Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored.In Time Frames, Scott Nygren explores how Japanese film criticism and history has been written both within and beyond Japan, before and after Rashomon. He takes up the central question of which, and whose, Japan do critics and historians mean when reviewing the country's cinema--an issue complicated by assumptions about cultural purity, Japan's appropriation of Western ideas and technologies, and the very existence of a West and an Orientalist non-West.Deftly moving backward and forward from the pivotal 1951 festival, Nygren traces the invention of Japanese film history as a disciplinary mode of knowledge. His analysis includes such topics as the reconfiguration of prewar films in light of postwar recognition, the application of psychoanalytic theory to Japanese art and culture, and the intersection of kanji and cinema. He considers the historical inscription of 1950s Japan as "the golden age of the humanist film," the identification of a Japanese New Wave and the implications of categorizing Japanese film through analogy to other national cinemas. Bringing the discussion to Japan's reception of postmodernism, Nygren looks at the emergence of video art and anime and the end of Japanese film history as a meaningful concept in the rise of the Internet and globalization.Nygren highlights the creative exchange among North American, European, and Asian media, places Japanese film at the center of this discourse, and, ultimately, reveals its global role as a cultural medium, capable of transforming theory.Scott Nygren is associate professor of film and media studies at the University of Florida., Until 1951, when Kurosawa's Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored. In Time Frames, Scott Nygren explores how Japanese film criticism and history has been written both within and beyond Japan, before and after Rashomon. He takes up the central question of which, and whose, Japan do critics and historians mean when reviewing the country's cinema--an issue complicated by assumptions about cultural purity, Japan's appropriation of Western ideas and technologies, and the very existence of a West and an Orientalist non-West. Deftly moving backward and forward from the pivotal 1951 festival, Nygren traces the invention of Japanese film history as a disciplinary mode of knowledge. His analysis includes such topics as the reconfiguration of prewar films in light of postwar recognition, the application of psychoanalytic theory to Japanese art and culture, and the intersection of kanji and cinema. He considers the historical inscription of 1950s Japan as "the golden age of the humanist film," the identification of a Japanese New Wave and the implications of categorizing Japanese film through analogy to other national cinemas. Bringing the discussion to Japan's reception of postmodernism, Nygren looks at the emergence of video art and anime and the end of Japanese film history as a meaningful concept in the rise of the Internet and globalization. Nygren highlights the creative exchange among North American, European, and Asian media, places Japanese film at the center of this discourse, and, ultimately, reveals its global role as a cultural medium, capable of transforming theory. Scott Nygren is associate professor of film and media studies at the University of Florida.
LC Classification Number
PN1993.5.J3N94 2007
Copyright Date
2007
ebay_catalog_id
4
Objectbeschrijving van de verkoper
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:335261411758
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Saint Paul, Minnesota, Verenigde Staten
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