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THE DAY THE COUNTRY DIED - BY IAN GLASPER - 2014 - PAPERBACK BOOK
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Bevindt zich in: Albuquerque, New Mexico, Verenigde Staten
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eBay-objectnummer:326131832820
Specificaties
- Objectstaat
- Personalized
- No
- Narrative Type
- Nonfiction
- Original Language
- English
- Country/Region of Manufacture
- United States
- ISBN
- 9781604865165
- Book Title
- Day the Country Died : a History of Anarcho Punk 1980?1984
- Publisher
- PM Press
- Item Length
- 9 in
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.3 in
- Genre
- Music
- Topic
- Genres & Styles / Punk, Genres & Styles / Rock
- Item Weight
- 19.4 Oz
- Item Width
- 6 in
- Number of Pages
- 496 Pages
Over dit product
Product Identifiers
Publisher
PM Press
ISBN-10
1604865164
ISBN-13
9781604865165
eBay Product ID (ePID)
175873264
Product Key Features
Book Title
Day the Country Died : a History of Anarcho Punk 1980?1984
Number of Pages
496 Pages
Language
English
Publication Year
2014
Topic
Genres & Styles / Punk, Genres & Styles / Rock
Illustrator
Yes
Genre
Music
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
19.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-956921
Reviews
"This book is a must have item for anyone who has even a passing interest in the Anarcho-Punk scene, but I can also see this appealing to anyone who enjoys any form of confrontational music or sonic art." --Roger Batty, musiquemachine.com, "The oral testimony assembled here provides an often-lucid participant's view of the work of the wider anarcho-punk milieu, which demonstrates just as tellingly the diversity as well as the commonality by which it was defined. The collection hints at the extent to which--within a militant antiwar, anti-work, anti-system framework--the perception and priorities of the movement's activists differed: something the movement's critics (who were always keen to deride the uniformity of the 'Crass punks') rarely understood." --Rich Cross, Freedom "With a backdrop of Thatcher's Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth. Including such iconic bands as Crass, Conflict, Flux of Pink Indians, Subhumans, Chumbawamba, Oi Polloi, Amebix, Rubella Ballet and Zounds to name but a few, Ian Glasper's history of punk stands out as an important and relevant history of the genre." --Dave Faulds, Dulwich Books Review "Glasper is thorough and democratic. He lets everyone speak, tell their own story, edits out the rambling and bullshit and presents a fair picture of all the main bands from all over the UK and Ireland. Geographically divided up. It's an encyclopaedic but down-to-earth reference book, full of detail and anecdotes." --Ged Babey, LouderThanWar.com
Dewey Edition
23
Dewey Decimal
781.660941
Synopsis
The Day the Country Died features author, historian, and musician Ian Glasper ( Burning Britain ) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties. If the colorful '80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zounds, Flux of Pink Indians, Conflict, Subhumans, Chumbawamba, Amebix, Rudimentary Peni, Antisect, Omega Tribe, and Icons of Filth heralded a brand new age of honesty and integrity in underground music. With a backdrop of Thatcher's Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth. It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant "cash from chaos." It meant "freedom, peace, and unity." Anarcho punk took the rebellion inherent in punk from the beginning to a whole new level of personal awareness. All the scene's biggest names, and most of the smaller ones, are comprehensively covered with new, exclusive interviews and hundreds of previously unseen photographs., The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties. If the colorful '80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately., In this revealing history, author, historian, and musician Ian Glasper explores in minute detail the influential and esoteric UK anarcho-punk scene of the early 1980s. Where some of the colorful punk bands from the first half of the decade were loud, political, and uncompromising, their anarcho-punk counterparts were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Amebix, Chumbawamba, Flux of Pink Indians, and Zounds heralded a new age of honesty and integrity in underground music. New, exclusive interviews and hundreds of previously unreleased photographs document the impact of all of the scene's biggest names--and a fair few of the smaller ones--highlighting how anarcho-punk took the rebellion inherent in punk from the very beginning to a whole new level of personal awareness., The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties. If the colorful '80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zounds, Flux of Pink Indians, Conflict, Subhumans, Chumbawamba, Amebix, Rudimentary Peni, Antisect, Omega Tribe, and Icons of Filth heralded a brand new age of honesty and integrity in underground music. With a backdrop of Thatcher's Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth. It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant "cash from chaos." It meant "freedom, peace, and unity." Anarcho punk took the rebellion inherent in punk from the beginning to a whole new level of personal awareness. All the scene's biggest names, and most of the smaller ones, are comprehensively covered with new, exclusive interviews and hundreds of previously unseen photographs.
LC Classification Number
ML3534.6.G7
ebay_catalog_id
4
Copyright Date
2014
Objectbeschrijving van de verkoper
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:326131832820
Verzending en verwerking
Objectlocatie:
Albuquerque, New Mexico, Verenigde Staten
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US $4,90 (ongeveer EUR 4,57) | Verenigde Staten | Voordelige verzendservice (USPS Media MailTM) | Geschatte levering tussen wo, 26 jun en ma, 1 jul tot 43230 |
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Exactly as listed, quick shipping, Played great! Very satisfied.
o***6 (53)- Feedback gegeven door koper.
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1st. The book got here quickly. 2nd. Overall, the book is in good shape, though I made it a 4 star because I was caught by surprise at the cover's partial detachment. I was looking to see if that was in the initial description. I can handle it, having been a librarian in the past. It's repairable. I intend to enjoy the book.
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