Afbeelding 1 van 9
Afbeelding 1 van 9
From Ireland Coming HARDCOVER Irish Art-Early Christian-Late Gothic Period
US $69,99
OngeveerEUR 62,81
Objectstaat:
“Near fine.”
Heel goed
Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken.
Verzendkosten:
US $7,63 (ongeveer EUR 6,85) USPS Media MailTM.
Bevindt zich in: Portland, Oregon, Verenigde Staten
Levering:
Geschatte levering tussen vr, 27 sep en di, 1 okt tot 43230
Retourbeleid:
30 dagen om te retourneren. Koper betaalt voor retourzending.
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eBay-objectnummer:325826503633
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- “Near fine.”
- Subject Area
- Art
- Educational Level
- Adult & Further Education
- Level
- Intermediate, Advanced, Technical
- Features
- 1st Edition, Illustrated
- Country/Region of Manufacture
- United States
- Subject
- History / Medieval, Subjects & Themes / Religious, European, History / General
- ISBN
- 9780691088242
- Publication Name
- From Ireland Coming : Irish Art from the Early Christian to the Late Gothic Period and Its European Context
- Publisher
- Princeton University Press
- Item Length
- 11 in
- Publication Year
- 2001
- Series
- Publications of the Department of Art and Archaeology, Princeton University Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Weight
- 61.1 Oz
- Item Width
- 8.5 in
- Number of Pages
- 392 Pages
Over dit product
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691088241
ISBN-13
9780691088242
eBay Product ID (ePID)
1886085
Product Key Features
Number of Pages
392 Pages
Publication Name
From Ireland Coming : Irish Art from the Early Christian to the Late Gothic Period and Its European Context
Language
English
Publication Year
2001
Subject
History / Medieval, Subjects & Themes / Religious, European, History / General
Type
Textbook
Subject Area
Art
Series
Publications of the Department of Art and Archaeology, Princeton University Ser.
Format
Hardcover
Dimensions
Item Weight
61.1 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
College Audience
LCCN
00-062375
Dewey Edition
21
Series Volume Number
21
Illustrated
Yes
Dewey Decimal
709/.415
Synopsis
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Ó Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs., Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.
LC Classification Number
N6784.F76 2001
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