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Halifu Osumare SIGNED Dancing In Blackness A Memoir 2018 First Edition Hardcover
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“This 2018 first edition hardcover book is SIGNED by Halifu Osumare and is GOOD condition (Close to ”... Meer lezenover objectstaat
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- Nu kopenHalifu Osumare SIGNED Dancing In Blackness A Memoir 2018 First Edition Hardcover
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Bevindt zich in: South Lyon, Michigan, Verenigde Staten
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eBay-objectnummer:324979374522
Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Features
- Signed
- Subject
- Personal Memoirs, Entertainment & Performing Arts, Dance / General
- ISBN
- 9780813056616
- Subject Area
- Performing Arts, Biography & Autobiography
- Publication Name
- Dancing in Blackness : a Memoir
- Publisher
- University Press of Florida
- Item Length
- 9.2 in
- Publication Year
- 2018
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1 in
- Item Weight
- 25.6 Oz
- Item Width
- 6.1 in
- Number of Pages
- 352 Pages
Over dit product
Product Identifiers
Publisher
University Press of Florida
ISBN-10
0813056616
ISBN-13
9780813056616
eBay Product ID (ePID)
239971412
Product Key Features
Number of Pages
352 Pages
Language
English
Publication Name
Dancing in Blackness : a Memoir
Publication Year
2018
Subject
Personal Memoirs, Entertainment & Performing Arts, Dance / General
Type
Textbook
Subject Area
Performing Arts, Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
25.6 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-031786
Dewey Edition
23
Reviews
"A detailed picture of a life devoted to artistry, advocacy and profound intellectual inquiry centered on the histories, traditions and sociopolitical contexts of African Diaspora dance. . . . Our knowledge is deepened about not only the navigations around building a life as a black female dancer/scholar, but also the shifting meanings of blackness, black bodies, gender and intercultural encounter."-- British Journal of Aesthetics "Osumare has engaged with black dance as performer, choreographer, educator, arts administrator, researcher, and activist in the United States, Africa, and Europe, and through multiple careers. In this equal parts memoir, autoethnography, history, encyclopedic catalog, and sociocultural analysis, she traces her activities from the 1960s through the late 1990s, as she becomes a tenacious advocate for black dance. . . . An eclectic mélange."-- Library Journal "A lovely example for any dance student to see that art does not exist in a vacuum but is a response to and reflection of artists' experiences, conflicts, and boundaries created by themselves or society."-- Journal of Dance Education "Explores the relationship between dance and culture from the perspective of someone who celebrated both, intertwined."-- Sacramento Bee "[Osumare] recounts four decades' worth of poignant personal experiences using dance as a tool for social change and justice. . . . Her perspective on black dance in America will benefit the whole dance community."-- Dance Teacher "Expands the memoir genre, makes a strong argument for the importance of the West Coast in the development of mid-twentieth-century dance, and greatly expands our understanding of dance's role in the Black Arts Movement. A tremendous resource for the field of dance studies' big names."-- Dance Research Journal, "Osumare has engaged with black dance as performer, choreographer, educator, arts administrator, researcher, and activist in the United States, Africa, and Europe, and through multiple careers. In this equal parts memoir, autoethnography, history, encyclopedic catalog, and sociocultural analysis, she traces her activities from the 1960s through the late 1990s, as she becomes a tenacious advocate for black dance. . . . An eclectic mélange."-- Library Journal "A lovely example for any dance student to see that art does not exist in a vacuum but is a response to and reflection of artists' experiences, conflicts, and boundaries created by themselves or society."-- Journal of Dance Education "Explores the relationship between dance and culture from the perspective of someone who celebrated both, intertwined."-- Sacramento Bee "[Osumare] recounts four decades' worth of poignant personal experiences using dance as a tool for social change and justice. . . . Her perspective on black dance in America will benefit the whole dance community."-- Dance Teacher "Expands the memoir genre, makes a strong argument for the importance of the West Coast in the development of mid-twentieth-century dance, and greatly expands our understanding of dance's role in the Black Arts Movement. A tremendous resource for the field of dance studies' big names."-- Dance Research Journal, "Osumare has engaged with black dance as performer, choreographer, educator, arts administrator, researcher, and activist in the United States, Africa, and Europe, and through multiple careers. In this equal parts memoir, autoethnography, history, encyclopedic catalog, and sociocultural analysis, she traces her activities from the 1960s through the late 1990s, as she becomes a tenacious advocate for black dance. . . . An eclectic melange."-- Library Journal, "Explores the relationship between dance and culture from the perspective of someone who celebrated both, intertwined."-- Sacramento Bee "Osumare has engaged with black dance as performer, choreographer, educator, arts administrator, researcher, and activist in the United States, Africa, and Europe, and through multiple careers. In this equal parts memoir, autoethnography, history, encyclopedic catalog, and sociocultural analysis, she traces her activities from the 1960s through the late 1990s, as she becomes a tenacious advocate for black dance. . . . An eclectic melange."-- Library Journal, "Osumare has engaged with black dance as performer, choreographer, educator, arts administrator, researcher, and activist in the United States, Africa, and Europe, and through multiple careers. In this equal parts memoir, autoethnography, history, encyclopedic catalog, and sociocultural analysis, she traces her activities from the 1960s through the late 1990s, as she becomes a tenacious advocate for black dance. . . . An eclectic mélange."-- Library Journal "A lovely example for any dance student to see that art does not exist in a vacuum but is a response to and reflection of artists' experiences, conflicts, and boundaries created by themselves or society."-- Journal of Dance Education "Explores the relationship between dance and culture from the perspective of someone who celebrated both, intertwined."-- Sacramento Bee "[Osumare] recounts four decades' worth of poignant personal experiences using dance as a tool for social change and justice. . . . Her perspective on black dance in America will benefit the whole dance community."-- Dance Teacher
Illustrated
Yes
Dewey Decimal
792.8092
Synopsis
Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career. Osumare's story begins in 1960s San Francisco amid the Black Arts Movement, black militancy, and hippie counterculture. It was there, she says, that she chose dance as her own revolutionary statement. Osumare describes her experiences as a young black dancer in Europe teaching "jazz ballet" and establishing her own dance company in Copenhagen. Moving to New York City, she danced with the Rod Rodgers Dance Company and took part in integrating the programs at the Lincoln Center. After doing dance fieldwork in Ghana, Osumare returned to California and helped develop Oakland's black dance scene. Osumare introduces readers to some of the major artistic movers and shakers she collaborated with throughout her career, including Katherine Dunham, Pearl Primus, Jean-Leon Destine, Alvin Ailey, and Donald McKayle. Now a black studies scholar, Osumare uses her extraordinary experiences to reveal the overlooked ways that dance has been a vital tool in the black struggle for recognition, justice, and self-empowerment. Her memoir is the inspiring story of an accomplished dance artist who has boldly developed and proclaimed her identity as a black woman., American Society for Aesthetics Selma Jeanne Cohen Prize in Dance Aesthetics Before Columbus Foundation American Book Award Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and twenty-three countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career. Osumare's story begins in 1960s San Francisco amid the Black Arts Movement, black militancy, and hippie counterculture. It was there that she chose dance as her own revolutionary statement. She moved to Europe, where she taught "jazz ballet" and established her own dance company in Copenhagen. Returning to the United States, she danced with the Rod Rodgers Dance Company in New York City and played key roles in integrating black dance programs into mainstream programmingat the Lincoln Center. After dance fieldwork in Ghana, Osumare returned to California and helped develop Oakland's black dance scene. Along the way, she collaborated with major artistic movers and shakers: among them, Katherine Dunham, Pearl Primus, Jean-Leon Destine, and Donald McKayle. Now a black studies scholar, Osumare uses her extraordinary experiences to reveal the overlooked ways that dance has been a vital tool in the black struggle for recognition, justice, and self-empowerment. This is the inspiring story of an accomplished dance artist and a world-renowned dance scholar who has boldly developed and proclaimed her identity as a black woman., American Society for Aesthetics Selma Jeanne Cohen Prize in Dance Aesthetics Before Columbus Foundation American Book Award Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career. Osumare's story begins in 1960s San Francisco amid the Black Arts Movement, black militancy, and hippie counterculture. It was there, she says, that she chose dance as her own revolutionary statement. Osumare describes her experiences as a young black dancer in Europe teaching "jazz ballet" and establishing her own dance company in Copenhagen. Moving to New York City, she danced with the Rod Rodgers Dance Company and took part in integrating the programs at the Lincoln Center. After doing dance fieldwork in Ghana, Osumare returned to California and helped develop Oakland?s black dance scene. Osumare introduces readers to some of the major artistic movers and shakers she collaborated with throughout her career, including Katherine Dunham, Pearl Primus, Jean-Leon Destine, Alvin Ailey, and Donald McKayle. Now a black studies scholar, Osumare uses her extraordinary experiences to reveal the overlooked ways that dance has been a vital tool in the black struggle for recognition, justice, and self-empowerment. Her memoir is the inspiring story of an accomplished dance artist who has boldly developed and proclaimed her identity as a black woman., Presents a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career.
LC Classification Number
GV1624.7.A34 O78 201
ebay_catalog_id
4
Copyright Date
2018
Objectbeschrijving van de verkoper
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:324979374522
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South Lyon, Michigan, Verenigde Staten
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