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The Bard Music Festival Ser.: Camille Saint-Saëns and His World by Jann...
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eBay-objectnummer:305518978123
Specificaties
- Objectstaat
- Subject
- History & Criticism, Genres & Styles / Classical, Individual Composer & Musician
- ISBN
- 9780691155562
- Subject Area
- Music
- Publication Name
- Camille Saint-Saëns and His World
- Publisher
- Princeton University Press
- Item Length
- 9.3 in
- Publication Year
- 2012
- Series
- The Bard Music Festival Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Weight
- 23.1 Oz
- Item Width
- 6.1 in
- Number of Pages
- 440 Pages
Over dit product
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691155569
ISBN-13
9780691155562
eBay Product ID (ePID)
121637259
Product Key Features
Number of Pages
440 Pages
Publication Name
Camille Saint-Saëns and His World
Language
English
Subject
History & Criticism, Genres & Styles / Classical, Individual Composer & Musician
Publication Year
2012
Type
Textbook
Subject Area
Music
Series
The Bard Music Festival Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
23.1 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2012-937254
Reviews
[T]his book represents [quite an] achievement. Saint-Saëns is revealed and yet remains intensely private: the book speaks volumes on the composer's life, views, working methods, and cultural and social status. ---Clair Rowden, H-France Review, "This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Saëns." -- Choice, "Jann Pasler's edited collection thus offers a significant contribution to Saint-Saens studies, and to the field of nineteenth- and early twentieth century French music as a whole."-- Helen Abbott, French Studies, "[T]his book represents [quite an] achievement. Saint-Saëns is revealed and yet remains intensely private: the book speaks volumes on the composer's life, views, working methods, and cultural and social status." ---Clair Rowden, H-France Review, "[T]his book represents [quite an] achievement. Saint-Saëns is revealed and yet remains intensely private: the book speaks volumes on the composer's life, views, working methods, and cultural and social status." --Clair Rowden, H-France Review, "Jann Pasler's edited collection thus offers a significant contribution to Saint-Saens studies, and to the field of nineteenth- and early twentieth century French music as a whole." --Helen Abbott, French Studies, "This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Sans." -- Choice, "This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Sans."-- Choice, "This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Sa'ns."-- Choice, "This study of a versatile, tasteful and often endearing composer, and a serious, playful and sometimes prickly man, may be thoroughly recommended."-- Classical Music Magazine, "This study of a versatile, tasteful and often endearing composer, and a serious, playful and sometimes prickly man, may be thoroughly recommended." -- Classical Music Magazine, Jann Pasler's edited collection thus offers a significant contribution to Saint-Saens studies, and to the field of nineteenth- and early twentieth century French music as a whole. ---Helen Abbott, French Studies, This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Saëns., "This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Saëns."-- Choice, "[T]his book represents [quite an] achievement. Saint-Sans is revealed and yet remains intensely private: the book speaks volumes on the composer's life, views, working methods, and cultural and social status." --Clair Rowden, H-France Review, "[T]his book represents [quite an] achievement. Saint-Saëns is revealed and yet remains intensely private: the book speaks volumes on the composer's life, views, working methods, and cultural and social status."-- Clair Rowden, H-France Review, This study of a versatile, tasteful and often endearing composer, and a serious, playful and sometimes prickly man, may be thoroughly recommended., "Jann Pasler's edited collection thus offers a significant contribution to Saint-Saens studies, and to the field of nineteenth- and early twentieth century French music as a whole." ---Helen Abbott, French Studies
Dewey Edition
23
Series Volume Number
32
Illustrated
Yes
Dewey Decimal
780.92
Synopsis
A revealing look at French composer and virtuoso Camille Saint-Sa ns Camille Saint-Sa ns--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Sa ns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Sa ns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Sa ns and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves G rard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, L o Houziaux, Florence Launay, St phane Leteur , Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser., A revealing look at French composer and virtuoso Camille Saint-Saëns Camille Saint-Saëns--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gérard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Léo Houziaux, Florence Launay, Stéphane Leteuré, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser., Camille Saint-Sa ns--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Sa ns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Sa ns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Sa ns and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves G rard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, L o Houziaux, Florence Launay, St phane Leteur , Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
LC Classification Number
ML410.S15
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