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Unsung Voices: Opera and Musical Narrative in the Nineteenth Century by Abbate
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eBay-objectnummer:285039583813
Specificaties
- Objectstaat
- Book Title
- Unsung Voices: Opera and Musical Narrative in the Nineteenth Cent
- Publication Date
- 1996-04-21
- Pages
- 304
- ISBN
- 9780691026084
- Publication Year
- 1996
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Unsung Voices : Opera and Musical Narrative in the Nineteenth Century
- Item Height
- 0.8in
- Item Length
- 8.9in
- Publisher
- Princeton University Press
- Item Width
- 5.9in
- Item Weight
- 15 Oz
- Number of Pages
- 304 Pages
Over dit product
Product Information
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691026084
ISBN-13
9780691026084
eBay Product ID (ePID)
1108225
Product Key Features
Publication Name
Unsung Voices : Opera and Musical Narrative in the Nineteenth Century
Format
Trade Paperback
Language
English
Publication Year
1996
Type
Textbook
Number of Pages
304 Pages
Dimensions
Item Length
8.9in
Item Height
0.8in
Item Width
5.9in
Item Weight
15 Oz
Additional Product Features
Lc Classification Number
Ml3858.A2 1996
Reviews
Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brünnhilde Walks by Night' is a tour de force of imaginative interpretation. -- David Schiff, The New Republic, "Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brünnhilde Walks by Night' is a tour de force of imaginative interpretation."-- David Schiff, The New Republic, This important book concerns not only particular operas but certain general aspects of the way in which we hear music.... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers inUnsung Voicesis not only ... a set of conclusions but a powerful machine to think with. -- Lawrence Rosenwald, Opera Quarterly, Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brünnhilde Walks by Night' is atour de forceof imaginative interpretation. -- David Schiff, The New Republic, This important book concerns not only particular operas but certain general aspects of the way in which we hear music.... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with. -- Lawrence Rosenwald, Opera Quarterly, "Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brnnhilde Walks by Night' is a tour de force of imaginative interpretation." --David Schiff, The New Republic, "This important book concerns not only particular operas but certain general aspects of the way in which we hear music.... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with."-- Lawrence Rosenwald, Opera Quarterly, "Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brünnhilde Walks by Night' is a tour de force of imaginative interpretation." --David Schiff, The New Republic, This important book concerns not only particular operas but certain general aspects of the way in which we hear music.... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with., "Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brnnhilde Walks by Night' is a tour de force of imaginative interpretation."-- David Schiff, The New Republic, Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Brünnhilde Walks by Night' is a tour de force of imaginative interpretation., Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'BrÜnnhilde Walks by Night' is atour de forceof imaginative interpretation., Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay 'Br nnhilde Walks by Night' is a tour de force of imaginative interpretation. -- David Schiff, The New Republic, "This important book concerns not only particular operas but certain general aspects of the way in which we hear music.... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with." --Lawrence Rosenwald, Opera Quarterly
Table of Content
Preface CHAPTER ONE Music's Voices CHAPTER TWO What the Sorcerer Said CHAPTER THREE Cherubino Uncovered: Reflexivity in Operatic Narration CHAPTER FOUR Mahler's Deafness: Opera and the Scene of Narration in Todtenfeier CHAPTER FIVE Wotan's Monologue and the Morality of Musical Narration CHAPTER SIX Brunnhilde Walks by Night Notes Bibliography Index
Copyright Date
1991
Topic
History & Criticism, Genres & Styles / Opera
Dewey Decimal
782.1/09/034
Intended Audience
College Audience
Dewey Edition
20
Illustrated
Yes
Genre
Music
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