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- Heel goed
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- Special Attributes
- EX-LIBRARY
- Publication Name
- Oxford University Press, Incorporated
- ISBN
- 9780199892839
- Book Title
- Anything Goes : a History of American Musical Theatre
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.5 in
- Publication Year
- 2013
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.2 in
- Genre
- Music, Performing Arts
- Topic
- Theater / Broadway & Musicals, General
- Item Weight
- 10.6 Oz
- Item Width
- 9.4 in
- Number of Pages
- 400 Pages
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199892830
ISBN-13
9780199892839
eBay Product ID (ePID)
159919610
Product Key Features
Book Title
Anything Goes : a History of American Musical Theatre
Number of Pages
400 Pages
Language
English
Publication Year
2013
Topic
Theater / Broadway & Musicals, General
Illustrator
Yes
Genre
Music, Performing Arts
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
10.6 Oz
Item Length
6.5 in
Item Width
9.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-000208
Dewey Edition
23
Reviews
"[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal"More journalistic than academic, Anything Goes has a relaxed spryness. ("Oklahoma!" in Mordden memorable formulation, "is a musical comedy undergoing psychoanalysis.") It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph." --Los Angeles Times"Mordden remains an undisputed heavyweight in his field; his output is impressively comprehensive and his enthusiasm inexhaustible." --Washington Independent Review of Books"[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review)"For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies"[A] treasure trove, enthusiastically recommended for all lovers and serious students of musicals." --Journal of American Culture"[A] fun and significant contribution to the scholarly literature. Both casual and serious students of musical theater will benefit from Mordden's insightful analysis and criticism, and his unique opinions will surely shape the future of Broadway scholarship for years to come." --Notes, high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but ... a survey of an art form seen through the eyes of a breathless and opinionated host., "[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal"More journalistic than academic, Anything Goes has a relaxed spryness. ("Oklahoma!" in Mordden memorable formulation, "is a musical comedy undergoing psychoanalysis.") It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph." --Los Angeles Times"Mordden remains an undisputed heavyweight in his field; his output is impressively comprehensive and his enthusiasm inexhaustible." --Washington Independent Review of Books"[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review)"For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat"to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies"Simply the best one-volume cronicle of the art-form." -Stage Direction Magazine"Anything Goes offers the surest description of the musical, and represents Mordden's own revised conclusions after almost forty years of considering these issues." --The Gay and Lesbian Review"[A] treasure trove, enthusiastically recommended for all lovers and serious students of musicals." --Journal of American Culture"[A] fun and significant contribution to the scholarly literature. Both casual and serious students of musical theater will benefit from Mordden's insightful analysis and criticism, and his unique opinions will surely shape the future of Broadway scholarship for years to come." --Notes, "[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal "More journalistic than academic, Anything Goes has a relaxed spryness. ("Oklahoma!" in Mordden memorable formulation, "is a musical comedy undergoing psychoanalysis.") It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph." --Los Angeles Times "Mordden remains an undisputed heavyweight in his field; his output is impressively comprehensive and his enthusiasm inexhaustible." --Washington Independent Review of Books "[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review) "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies "Simply the best one-volume cronicle of the art-form." -Stage Direction Magazine "Anything Goes offers the surest description of the musical, and represents Mordden's own revised conclusions after almost forty years of considering these issues." --The Gay and Lesbian Review "[A] treasure trove, enthusiastically recommended for all lovers and serious students of musicals." --Journal of American Culture "[A] fun and significant contribution to the scholarly literature. Both casual and serious students of musical theater will benefit from Mordden's insightful analysis and criticism, and his unique opinions will surely shape the future of Broadway scholarship for years to come." --Notes, "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies, "[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review) "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies, [O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot., [Morden is] a formidably well-informed and bracingly opinionated guide to a quintessentially American art form, "[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal "More journalistic than academic, Anything Goes has a relaxed spryness. ("Oklahoma!" in Mordden memorable formulation, "is a musical comedy undergoing psychoanalysis.") It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph." --Los Angeles Times "Mordden remains an undisputed heavyweight in his field; his output is impressively comprehensive and his enthusiasm inexhaustible." --Washington Independent Review of Books "[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review) "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies, "[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal "More journalistic than academic, Anything Goes has a relaxed spryness. ("Oklahoma!" in Mordden memorable formulation, "is a musical comedy undergoing psychoanalysis.") It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph." --Los Angeles Times "[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review) "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies, "[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal "[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review) "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies, More journalistic than academic, Anything Goes has a relaxed spryness ... It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph., "[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host." --The Wall Street Journal "More journalistic than academic, Anything Goes has a relaxed spryness. ("Oklahoma!" in Mordden memorable formulation, "is a musical comedy undergoing psychoanalysis.") It's the work of an expert who is also an unabashed fan, an inveterate theatergoer who can deconstruct a score and reel off sparking backstage anecdotes all in the same paragraph." --Los Angeles Times "Mordden remains an undisputed heavyweight in his field; his output is impressively comprehensive and his enthusiasm inexhaustible." --Washington Independent Review of Books "[O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Mordden's colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot." --Booklist (starred review) "For four decades he has been entertaining and enlightening readers with mind-boggling regularity and with perspective, perspicacity, and pizzazz. Now with Anything Goes Mordden miraculously manages to stylishly convey in an indispensable single volume, the uncanny and encyclopedic breadth of his knowledge-and the complexity of this enchanted American art form."--Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim and Lloyd Webber, and Series Editor of Oxford's Broadway Legacies "Simply the best one-volume cronicle of the art-form." -Stage Direction Magazine "Anything Goes offers the surest description of the musical, and represents Mordden's own revised conclusions after almost forty years of considering these issues." --The Gay and Lesbian Review "[A] treasure trove, enthusiastically recommended for all lovers and serious students of musicals." --Journal of American Culture, [O]bviously the best-ever history of the musical and likely to remain so for a very long time. Individual shows and even numbers leap to life in Morddens colorful prose, both in the main text and the hefty bibliographical and discographical essays that propel the volume to a hilarious final bon mot.
Dewey Decimal
782.140973
Table Of Content
IntroductionThe First Age1. Source Material2. The Age of Burlesque3. At the Turn of the CenturyThe Second Age4. The Witch of the Wood and the Bamboo Tree5. Victor Herbert6. The New Music7. The Variety ShowThe Third Age8. The Structure of the Twenties Musical Comedy9. The Structure of the Twenties Operetta10. Dancing in the Dark11. Blue Monday Blues12. The Rodgers and Hammerstein Handbook13. Something to Dance About14. After West Side Story15. The Sondheim HandbookThe Fourth Age16. Devolutions17. That Is the State of the ArtFor Further ReadingDiscographyIndex
Synopsis
Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (New York Times), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre. Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive. From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation., Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News , which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" ( New York Times ), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" ( Wall Street Journal ). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre. Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive. From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation., Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (New York Times), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of Americanmusical theatre.Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a barerehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations"of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and theevolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive.From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation., After six volumes on the musical's history, decade by decade from the 1920s through the 1970s, Ethan Mordden takes an entirely fresh look at the musical, from The Beggar's Opera to Wicked. Looking at the Star Comic, the Sweetheart Heroine, the war between musical comedy and operetta, the rise of the sexy story in the 1920s, the wedding of ballet and hoofing in the 1930s, the Oklahoma! and Carousel "musical play" in the 1940s, the Novelty Star in the 1950s, and other developments, Mordden takes us from George Gershwin to Ethel Merman to Jerome Robbins to the director-choreographer and the offbeat contemporary show: Porgy and Bess, Gypsy, Fiddler on the Roof, Chicago, A Chorus Line, Grand Hotel, Grey Gardens, Rent., After six volumes on the musical's history, decade by decade from the 1920s through the 1970s, Ethan Mordden takes an entirely fresh look at the musical, from The Beggar's Opera to Wicked. Looking at the Star Comic, the Sweetheart Heroine, the war between musical comedy and operetta, the rise of the sexy story in the 1920s, the wedding of ballet and hoofing in the 1930s, the Oklahoma! and Carousel "musical play" in the 1940s, the Novelty Star in the 1950s, and other developments, Mordden takes us from George Gershwin to Ethel Merman to Jerome Robbins to the director-choreographer and the offbeat contemporary show: Porgy and Bess, Gypsy, Fiddler on the Roof, Chicago, A Chorus Line, Grand Hotel, Grey Gardens, Rent. In his trademark style that is at once scholarly, witty, and conversational, Mordden emphasizes not only the writing of musicals but the performing of them, taking the reader virtually into the theatre to experience what a great show is like, whether Victor Herbert's The Red Mill or Stephen Sondheim's Follies. Considering the development of dance, the author follows it from zany hoofing in the nineteenth century through the tap "combinations" of the 1920s and the injection of ballet and modern dance in the 1930s and 1940s. Fred Astaire, George Balanchine, Agnes de Mille, Michael Kidd, Bob Fosse, Gwen Verdon: theirs was a time when dance seemed as crucial as music by Richard Rodgers or lyrics by Betty Comden and Adolph Green. Mordden examines also the changing role of the star, noting how such early-twentieth-century headliners as Fred Stone seldom varied their portrayals, whether as the Scarecrow in The Wizard of Oz or Little Red Ridinghood's fatherly guardian in The Stepping Stones. But Ethel Merman turned stardom inside out in Gypsy, acting her way through a character who was selfish, fierce, and destructive, and today's stars are versatile as a rule. From "ballad opera" and burlesque to the sometimes indescribable titles of today, Anything Goes tells where the musical came from and where it has been heading ever since.A special feature of the book is the extremely detailed discographical essay, a guide for aficionado and student alike in exploring the recorded archives.
LC Classification Number
ML1711.M732 2013
Copyright Date
2013
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Book came with cover that did NOT match what was advertised in the photo - very disappointing
I have the vintage covers for the other books in the series and got this one to match them :(
2***u (225)- Feedback gegeven door koper.
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Geverifieerde aankoop
Na
i***2 (247)- Feedback gegeven door koper.
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Geverifieerde aankoop
Item as described, speedy delivery.