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Hatfield And The North - The Rotters Club [CD]

Objectstaat:
Nieuw
3 beschikbaar
Prijs:
AU $31,17
OngeveerEUR 19,16
Verzendkosten:
AU $7,00 (ongeveer EUR 4,30) International Economy : untracked (11 to 35 business days). Details bekijkenvoor verzending
Bevindt zich in: Banbury OX16 2RT, Verenigd Koninkrijk
Levering:
Geschatte levering tussen do, 6 jun en vr, 12 jul tot 43230
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eBay-objectnummer:275318678704
Laatst bijgewerkt op 07 mei 2024 06:45:28 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
UPC
5013929724020
Artist
Hatfield and the North
Format
CD
Record Label
Esoteric Recordings
Producer
Hatfield & The North
Release Year
1975
Release Title
The Rotters' Club [Bonus Tracks]
Style
Progressive Rock
Genre
Rock
Run Time
62 mins 15 seconds

Over dit product

Product Identifiers

Producer
Hatfield & The North
Record Label
Esoteric Recordings
UPC
5013929724020
eBay Product ID (ePID)
14050192779

Product Key Features

Artist
Hatfield and the North
Format
CD
Release Year
1975
Style
Progressive Rock
Release Title
The Rotters' Club [Bonus Tracks]
Genre
Rock
Run Time
62 mins 15 seconds

Additional Product Features

Additional information
Personnel: Richard Sinclair (vocals, guitar); Phil Miller (guitar); Jimmy Hastings (flute, soprano saxophone, tenor saxophone); Tim Hodgkinson (clarinet); Lindsay Cooper (oboe, bassoon); Mont Campbell (French horn); Pip Pyle (drums, percussion). Audio Remasterer: Ben Wiseman . Recording information: Lille, France (06/09/1974-03/16/1975); Lyon, France (06/09/1974-03/16/1975); Rainbow Theatre (06/09/1974-03/16/1975); Toulouse, France (06/09/1974-03/16/1975); Worthing Recording Studio (06/09/1974-03/16/1975). Displaying some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes. The Hatfields' convoluted instrumental passages segue into the occasional Sinclair vocal vehicle, in which the exemplary bassist sings in a polite and mellow croon that utterly avoids melismatic displays, histrionics, or over-emoting; in other words, his style -- closer to, say, Bing Crosby than, say, Joe Cocker -- would likely cause many 21st century pop music listeners to scratch their heads with bemusement. And the songs' rather whimsical lyrical content, while perhaps another conscious attempt to steer clear of the pretentiousness of the typically overbearing prog rock song style, certainly reflects a '60s/'70s mindset more than a 21st century one, so today's jaded listeners should realign their expectations. Things get off to a strong start with "Share It," a catchy little number with Sinclair expressing some idealistic and hard-to-criticize Brit hippie sentiments. Elsewhere, the "songs" are few and far between, but crop up in odd spots nevertheless; the Hatfields were masters of the segue and the most accomplished demonstrations of instrumental technique wind up bleeding into ditties that might seem out of place to some. But Stewart, Miller, Sinclair, and Pyle all make wonderful instrumental statements. Particularly noteworthy are Miller's two short jazzy numbers, "Lounging There Trying" and "Underdub," which, with their sparkling electric piano work from Stewart, have a light and airy improvisational feel despite rather thorough scoring; Pyle's propulsive "Yes No Interlude" with its furious melding of Stewart's keyboards and the sax of guest Jimmy Hastings; and Stewart's 20-minute opus "Mumps." The latter is particularly impressive, with everything anyone would want from an extended-form Canterbury-style workout. The piece ebbs and flows through nimbly executed thematic passages and variations, featuring one of Stewart's most compelling
Distribution
Infinity Entertainment Gr
Engineer
Dave Ruffell
Number of Audio Channels
Stereo
Number of discs
1
Country/Region of Manufacture
USA

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Belushi Ltd
Richard White
4 Fairscene Cres
2251 Avoca Beach, NSW
Australia
Contactgegevens weergeven
:liam-Emoc.syklahc@anah
Btw-nummer:
  • GB 815623634
Ik verklaar dat al mijn verkoopactiviteiten zullen voldoen aan alle wet- en regelgeving van de EU.
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