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Hatfield And The North - The Rotters Club [CD]
Objectstaat:
3 beschikbaar
Verzendkosten:
AU $7,00 (ongeveer EUR 4,30) International Economy : untracked (11 to 35 business days). Details bekijkenvoor verzending
Bevindt zich in: Banbury OX16 2RT, Verenigd Koninkrijk
Levering:
Geschatte levering tussen do, 6 jun en vr, 12 jul tot 43230
Retourbeleid:
30 dagen om te retourneren. Koper betaalt voor retourzending. Details bekijken- voor meer informatie over retourzendingen
Betalingen:
Winkel met vertrouwen
Verkopergegevens
- 98,9% positive feedback
Ingeschreven als zakelijke verkoper
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eBay-objectnummer:275318678704
Specificaties
- Objectstaat
- UPC
- 5013929724020
- Artist
- Hatfield and the North
- Format
- CD
- Record Label
- Esoteric Recordings
- Producer
- Hatfield & The North
- Release Year
- 1975
- Release Title
- The Rotters' Club [Bonus Tracks]
- Style
- Progressive Rock
- Genre
- Rock
- Run Time
- 62 mins 15 seconds
Over dit product
Product Identifiers
Producer
Hatfield & The North
Record Label
Esoteric Recordings
UPC
5013929724020
eBay Product ID (ePID)
14050192779
Product Key Features
Artist
Hatfield and the North
Format
CD
Release Year
1975
Style
Progressive Rock
Release Title
The Rotters' Club [Bonus Tracks]
Genre
Rock
Run Time
62 mins 15 seconds
Additional Product Features
Additional information
Personnel: Richard Sinclair (vocals, guitar); Phil Miller (guitar); Jimmy Hastings (flute, soprano saxophone, tenor saxophone); Tim Hodgkinson (clarinet); Lindsay Cooper (oboe, bassoon); Mont Campbell (French horn); Pip Pyle (drums, percussion). Audio Remasterer: Ben Wiseman . Recording information: Lille, France (06/09/1974-03/16/1975); Lyon, France (06/09/1974-03/16/1975); Rainbow Theatre (06/09/1974-03/16/1975); Toulouse, France (06/09/1974-03/16/1975); Worthing Recording Studio (06/09/1974-03/16/1975). Displaying some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes. The Hatfields' convoluted instrumental passages segue into the occasional Sinclair vocal vehicle, in which the exemplary bassist sings in a polite and mellow croon that utterly avoids melismatic displays, histrionics, or over-emoting; in other words, his style -- closer to, say, Bing Crosby than, say, Joe Cocker -- would likely cause many 21st century pop music listeners to scratch their heads with bemusement. And the songs' rather whimsical lyrical content, while perhaps another conscious attempt to steer clear of the pretentiousness of the typically overbearing prog rock song style, certainly reflects a '60s/'70s mindset more than a 21st century one, so today's jaded listeners should realign their expectations. Things get off to a strong start with "Share It," a catchy little number with Sinclair expressing some idealistic and hard-to-criticize Brit hippie sentiments. Elsewhere, the "songs" are few and far between, but crop up in odd spots nevertheless; the Hatfields were masters of the segue and the most accomplished demonstrations of instrumental technique wind up bleeding into ditties that might seem out of place to some. But Stewart, Miller, Sinclair, and Pyle all make wonderful instrumental statements. Particularly noteworthy are Miller's two short jazzy numbers, "Lounging There Trying" and "Underdub," which, with their sparkling electric piano work from Stewart, have a light and airy improvisational feel despite rather thorough scoring; Pyle's propulsive "Yes No Interlude" with its furious melding of Stewart's keyboards and the sax of guest Jimmy Hastings; and Stewart's 20-minute opus "Mumps." The latter is particularly impressive, with everything anyone would want from an extended-form Canterbury-style workout. The piece ebbs and flows through nimbly executed thematic passages and variations, featuring one of Stewart's most compelling
Distribution
Infinity Entertainment Gr
Engineer
Dave Ruffell
Number of Audio Channels
Stereo
Number of discs
1
Country/Region of Manufacture
USA
Objectbeschrijving van de verkoper
Informatie van zakelijke verkoper
Belushi Ltd
Richard White
4 Fairscene Cres
2251 Avoca Beach, NSW
Australia
Btw-nummer:
- GB 815623634
Ik verklaar dat al mijn verkoopactiviteiten zullen voldoen aan alle wet- en regelgeving van de EU.
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:275318678704
Verzending en verwerking
Objectlocatie:
Banbury OX16 2RT, Verenigd Koninkrijk
Wordt verzonden naar:
Amerika, Australië, Azië, Europa, Nieuw-Zeeland
Uitgesloten:
Postbus, Afghanistan, Cambodja, China, Italië, Jemen, Kazachstan, Libië, Maleisië, Midden-Amerika en de Caraïben, Midden-Oosten, Montenegro, Nauru, Oekraïne, Russische Federatie, Somalië, Sri Lanka, Verenigd Koninkrijk, Wit-Rusland, Zuid-Amerika
Verzending en verwerking | Elk volgende object | Tot | Service | Levering*Zie opmerkingen over levering |
---|---|---|---|---|
AU $7,00 (ongeveer EUR 4,30) | AU $7,00 (ongeveer EUR 4,30) | Verenigde Staten | International Economy : untracked (11 to 35 business days) |
Verwerkingstijd |
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Wordt doorgaans binnen 10 werkdagen na ontvangst van betaling verzonden. |
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