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AMY X NEUBURG & MEN UTECHMA HUMILITY HUNGER FOR HEAVEN ART ROCK AVANT CD95

Objectstaat:
Heel goed
Verkocht voor:
US $6,77
OngeveerEUR 6,23
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Bevindt zich in: Davenport, Iowa, Verenigde Staten
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eBay-objectnummer:251535262817
Laatst bijgewerkt op 19 sep 2021 04:39:11 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Heel goed: Een object dat is gebruikt, maar zich nog in zeer goede staat bevindt. Er is geen schade ...
UPC
0789675100924
EAN
0789675100924
Artist
Neuburg, Amy X & Men
Format
CD
Producer
Amy X. Neuburg
Release Year
2004
Record Label
Cdb, CD Baby
Release Title
Utechma
Genre
Alternative Rock

Over dit product

Product Identifiers

Producer
Amy X. Neuburg
Record Label
Cdb, CD Baby
UPC
0789675100924
eBay Product ID (ePID)
12046057979

Product Key Features

Release Year
2004
Format
CD
Genre
Alternative Rock
Artist
Neuburg, Amy X & Men
Release Title
Utechma

Dimensions

Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Discs
1
Number of Tracks
17
Tracks
1.1 Chinatown 1.2 Man Jam #18 (Hi Hi) 1.3 Into That Hole 1.4 (Intro) 1.5 Delirium 1.6 Get That Camera Out of Here 1.7 Fish 1.8 Man Jam #36 (Okay) 1.9 Tango 1.10 Money in the Sky 1.11 Man Jam #11 (Klang) 1.12 Man Jam #30 (Herb Goes Downtown) 1.13 Humility 1.14 My Empire 1.15 Man Jam #13 (Jigue) 1.16 Utechma 1.17 Hunger for Heaven
Notes
With wildly varied influences, Amy and her Men (Herb Heinz on guitar, Tim Root on keyboards, and Joel Davel on MIDI mallets) are groping around to find their 'sound' in this first release, and the result is enjoyably eclectic, with songs ranging from artsy-fartsy to intimate to world-beat. The Men pipe in with quirky vocals and the occasional short improv. This review in Musician Magazine sums it up nicely: 'Though little known outside of San Francisco, Neuburg makes music whose dizzy mix of complexity, accessibility, and intensity are matched by few. For frame of reference, begin with Frank Zappa: Neuburg shares his fondness for percussive ostinati (the multiple marimbas of 'Delirium'), and a willingness to segue from polyrhythmic snarls to straight-ahead riffing. She can bait a tune on the kind of hook that sinks and settles: 'Into That Hole,' with it's synth peeps and drones, waterfalling guitars, and hypnotic whispered vocals, is a Cocteau Twins flashback, while the album's opening cut, 'Chinatown,' is a 9/8 tangle, with rhythms twining and loosening around dissonant guitars that blare like car horns in a traffic jam. On the title track, Amy rocks the rafters with a weird mix of Celtic pipe music, Nigerian pop, and film noir. Laurie Anderson would be proud. But Neuburg's art is too diverse to be derivative. She has that rare gift of using sound and lyric to create a real sense of place. A techno-poppish tune, 'Get That Camera Out of Here,' stops suddenly, leaving a single synth tone hanging in the air; from this foundation Neuburg builds the next cut, 'Fish,' which seems to begin as the musings of a drowning victim. 'That must be a police car 'cuz there's that sound/So I try to pull over but there's no ground,' she sings over open space and chords that float like seaweed in the tides. Chaos and noise follow, but at the end we're left with a couple of wispy chords, an in-your-head guitar buzz, a water drip, and an affirmation that 'I died laughing.' All this may seem a little pretentious, but Neuburg pulls it off with virtuosic aplomb. The Men ace her arrangements with humor and discipline, while Amy darts from synth to drums and lays down vocals which betray a theatrical sensibility. Now and then the band erupts in spasmodic improvisations called 'Man Jams,' which seem to function as catharses for those who find Neuburg's charts too confining. But the music works best when she holds the reins and challenges the listener to hang on.' [Robert L. Doerschuk]

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RAMP-UP-ARTS BY TONYOK

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