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ROMANTICISM AND THE RISE OF ENGLISH By Andrew Elfenbein *Excellent Condition*
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eBay-objectnummer:226086711235
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- ISBN-10
- 0804773629
- Book Title
- Romanticism and the Rise of English
- ISBN
- 9780804773621
- Subject Area
- Literary Criticism, Language Arts & Disciplines
- Publication Name
- Romanticism and the Rise of English
- Item Length
- 9 in
- Publisher
- Stanford University Press
- Subject
- Grammar & Punctuation, Drama, Linguistics / General, European / English, Irish, Scottish, Welsh
- Publication Year
- 2010
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Width
- 6 in
- Item Weight
- 13.6 Oz
- Number of Pages
- 288 Pages
Over dit product
Product Information
Romanticism and the Rise of English provides a revisionary account of Romantic literature in light of the eighteenth-century transformation of the English language.
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804773629
ISBN-13
9780804773621
eBay Product ID (ePID)
84296484
Product Key Features
Publication Name
Romanticism and the Rise of English
Format
Trade Paperback
Language
English
Subject
Grammar & Punctuation, Drama, Linguistics / General, European / English, Irish, Scottish, Welsh
Publication Year
2010
Type
Textbook
Subject Area
Literary Criticism, Language Arts & Disciplines
Number of Pages
288 Pages
Dimensions
Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
13.6 Oz
Additional Product Features
Intended Audience
Scholarly & Professional
Lc Classification Number
Pe1083
Reviews
"Elfenbein's outstanding and provocative book returns to questions about Romanticism and language incompletely explored in the scholarship of the 1970s and 1980s and presents an argument that is informed by but goes beyond the historicist work so influential these past fifteen to twenty years."--William Keach, Brown University, "The product of wide-ranging research, acute critical intelligence, and a mature knowledge of English studies, Romanticism and the Rise of English is that rare book that changes minds, pleases readers, and presents highly original, stimulating arguments about what seem to be unpopular ways of thinking."—Dianne F. Sadoff and John Kucich, SEL: Studies in English Literature, 1500-1900, "The product of wide-ranging research, acute critical intelligence, and a mature knowledge of English studies, Romanticism and the Rise of English is that rare book that changes minds, pleases readers, and presents highly original, stimulating arguments about what seem to be unpopular ways of thinking."-Dianne F. Sadoff and John Kucich, SEL: Studies in English Literature, 1500-1900, "'English professors now study everything except English,' begins this breathtakingly learned, imaginative, and rewarding study of late- 18th- and early-19th-century literature and authorship. ... Everywhere Elfenbein fleshes out generalizations with persuasive close readings that have something genuine to say about works (by Austen, Scott, Wordsworth, Keats, Byron, Shelley) one thought one knew well."-- CHOICE, This is an important and original work by one of British Romanticism's most innovative voices.Romanticism and the Rise of Englishis a broadly arching account of how Romanticism created the terms for how we conceive of and use the English languag|9780804773621|, "This is an important and original work by one of British Romanticism's most innovative voices.Romanticism and the Rise of Englishis a broadly arching account of how Romanticism created the terms for how we conceive of and use the English language. It is an impressive call for radical thinking about language as at the root of literature and for how we read it."-Stuart Curran, University of Pennsylvania, "Admirable for its breadth, the book dwells mainly on the canonical Romantic writers but also spends time with composition manuals, grammar books, dictionaries, and guides to pronunciation. . . Elfenbein succeeds in making what might seem a musty and highly specialized topic relevant to contemporary literary criticism and the classroom teaching of English and composition. . . [G]enuinely compelling and deserves a wider audience than Romantic studies."—Grant F. Scott, Modern Philology, Elfenbein's outstanding and provocative book returns to questions about Romanticism and language incompletely explored in the scholarship of the 1970s and 1980s and presents an argument that is informed by but goes beyond the historicist work so influent|9780804773621|, "Admirable for its breadth, the book dwells mainly on the canonical Romantic writers but also spends time with composition manuals, grammar books, dictionaries, and guides to pronunciation. . . Elfenbein succeeds in making what might seem a musty and highly specialized topic relevant to contemporary literary criticism and the classroom teaching of English and composition. . . [G]enuinely compelling and deserves a wider audience than Romantic studies."--Grant F. Scott, Modern Philology, "Elfenbein offers a well-informed analysis of British Romantic literature from the perspective of the history of the English language. His fascinating book provides important new insights into the complex and troubled relationship between the eighteenth-century purveyors of standard English and the various 'bad Englishes' employed by poets and playwrights of the Romantic period. It offers ample opportunity for reflection upon what is fundamentally at stake in the teaching of English in the twenty-first century, when the profession of English seems to have lost touch with any common core of disciplinary knowledge. Elfenbein encourages all professors of English to re-examine what it is that they profess."-James C. McKusick, New Books on Line 19, 'English professors now study everything except English,' begins this breathtakingly learned, imaginative, and rewarding study of late- 18th- and early-19th-century literature and authorship. ... Everywhere Elfenbein fleshes out generalizations with pers|9780804773621|, "Andrew Elfenbein's insightful, informative, and often surprsing new book opens with an introduction that dusts off the concept and the tradition of 'philology.'"-William Keach, Wordsworth Circle, "...undeniably fascinating and important book."--David Simpson, Modern Language Quarterly "'English professors now study everything except English,' begins this breathtakingly learned, imaginative, and rewarding study of late- 18th- and early-19th-century literature and authorship. ... Everywhere Elfenbein fleshes out generalizations with persuasive close readings that have something genuine to say about works (by Austen, Scott, Wordsworth, Keats, Byron, Shelley) one thought one knew well."-- CHOICE "Elfenbein's outstanding and provocative book returns to questions about Romanticism and language incompletely explored in the scholarship of the 1970s and 1980s and presents an argument that is informed by but goes beyond the historicist work so influential these past fifteen to twenty years."----William Keach, Brown University "This is an important and original work by one of British Romanticism's most innovative voices. Romanticism and the Rise of English is a broadly arching account of how Romanticism created the terms for how we conceive of and use the English language. It is an impressive call for radical thinking about language as at the root of literature and for how we read it."--Stuart Curran, University of Pennsylvania, "Andrew Elfenbein's insightful, informative, and often surprsing new book opens with an introduction that dusts off the concept and the tradition of 'philology.'"—William Keach,Wordsworth Circle, "Andrew Elfenbein's insightful, informative, and often surprsing new book opens with an introduction that dusts off the concept and the tradition of 'philology.'"--William Keach, Wordsworth Circle, "Admirable for its breadth, the book dwells mainly on the canonical Romantic writers but also spends time with composition manuals, grammar books, dictionaries, and guides to pronunciation. . . Elfenbein succeeds in making what might seem a musty and highly specialized topic relevant to contemporary literary criticism and the classroom teaching of English and composition. . . [G]enuinely compelling and deserves a wider audience than Romantic studies."-Grant F. Scott, Modern Philology, "'English professors now study everything except English,' begins this breathtakingly learned, imaginative, and rewarding study of late- 18th- and early-19th-century literature and authorship. ... Everywhere Elfenbein fleshes out generalizations with persuasive close readings that have something genuine to say about works (by Austen, Scott, Wordsworth, Keats, Byron, Shelley) one thought one knew well."-CHOICE, "Elfenbein offers a well-informed analysis of British Romantic literature from the perspective of the history of the English language. His fascinating book provides important new insights into the complex and troubled relationship between the eighteenth-century purveyors of standard English and the various 'bad Englishes' employed by poets and playwrights of the Romantic period. It offers ample opportunity for reflection upon what is fundamentally at stake in the teaching of English in the twenty-first century, when the profession of English seems to have lost touch with any common core of disciplinary knowledge. Elfenbein encourages all professors of English to re-examine what it is that they profess."--James C. McKusick, New Books on Line 19, "The product of wide-ranging research, acute critical intelligence, and a mature knowledge of English studies, Romanticism and the Rise of English is that rare book that changes minds, pleases readers, and presents highly original, stimulating arguments about what seem to be unpopular ways of thinking."--Dianne F. Sadoff and John Kucich, SEL: Studies in English Literature, 1500-1900, "The product of wide-ranging research, acute critical intelligence, and a mature knowledge of English studies, Romanticism and the Rise of English is that rare book that changes minds, pleases readers, and presents highly original, stimulating arguments about what seem to be unpopular ways of thinking."-Dianne F. Sadoff and John Kucich,SEL: Studies in English Literature, 1500-1900, "Andrew Elfenbein's insightful, informative, and often surprsing new book opens with an introduction that dusts off the concept and the tradition of 'philology.'"—William Keach, Wordsworth Circle
Copyright Date
2009
Dewey Decimal
420.9034
Dewey Edition
22
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